英语六级冲刺阅读训练及答案篇

RevisedfinaldraftNovember26,2020英语六级冲刺阅读训练及 答案 八年级地理上册填图题岩土工程勘察试题省略号的作用及举例应急救援安全知识车间5s试题及答案 篇一TheEarthcomprisesthreeprincipallayers:thedense,iron-richcore,themantlemadeofsilicate(硅酸盐)thataresemi-moltenatdepth,andthethin,solid-surfacecrustTherearetwokindsofcrust,aloweranddenseroceaniccrustandanupper，lightercontinentalcrustfoundoveronlyabout40percentoftheEarth'ssurface.Therocksofthecrustareofverydifferentages.Somecontinentalrocksareover3,000millionyearsold,whilethoseoftheoceanfloorarelessthan200millionyearsold.Thecrustsandthetop,solidpartofthemantle,totalingabout70to100kilometersinthickness,atpresentappeartoconsistofabout15rigidplates,7ofwhichareverylarge.Theseplatesmoveoverthesemi-moltenlowermantletoproduceallofthemajortopographical(地形学的)featuresoftheEarth.Activezoneswhereintensedeformationoccurareconfinedtothenarrow,interconnectingboundariesofcontactoftheplates.　　Therearethreemaintypesofzonesofcontact:spreadingcontactswhereplatesmoveapart,convergingcontactswhereplatesmovetowardseachother,andtransformcontactswhereplatesslidepasteachother.NewoceaniccrustisformedalongoneormoremarginsofeachplatebymaterialissuingfromdeeperlayersoftheEarth'scrust,forexample,byvolcaniceruptions(爆发)oflava(火山熔岩)atmid-oceanridges.Ifatsuchaspreadingcontactthetwoplatessupportcontinents，arift(裂缝)isformedthatwillgraduallywidenandbecomefloodedbythetea.TheAtlanticOceanformedlikethisastheAmericanandAfro-Europeanplatesmovedinoppositedirections.Whentwoplatescarryingcontinentscollide,thecontinentalblocks,toolighttobedrawndown,continuetofloatandthereforebuckle(起褶皱)toformamountainchainalongthelengthofthemarginoftheplates.　　练习 题 快递公司问题件快递公司问题件货款处理关于圆的周长面积重点题型关于解方程组的题及答案关于南海问题 ：　　Choosecorrectanswerstothequestion:　　1.TheEarth’scrust______.　　A.canbeclassifiedintotwotypes　　B.isformedalongthemarginsoftheplates　　C.consistsofsemi-moltenrocks　　D.isabout70to100kilometersthick　　2.The15platesoftheEarthareformedfrom___.　　A.theoceaniccrustsandcontinentalcrusts　　B.thecrustsandthemantle　　C.thecrustsandthetopandsolidpartofthemantle　　D.thecontinentalcrustsandthesolidpartofthemantle　　3.Seriously-deformedzonesappear_______　　A.wheneverthecrustsmoveovermantle　　B.whentheplatesmovetowardseachother　　C.inthenarrowboundarieswheretwoplatesmeet　　D.tobethemajortopographicalfeatureoftheEarth　　4.Accordingtothesecondparagraph,theformationoftheAtlanticOceanistheexampleof_______.　　A.spreadingcontacts　　B.theinfluenceofvolcaniceruptions　　C.convergingcontacts　　D.transformcontacts　　5.Thispassageisprobably_______.　　A.anewspaperadvertisement　　B.achapterofanovel　　C.anexcerptfromatextbookD.ascientificreportofnewfindings二AremarkablevarietyofinsectsliveinthisplanetMorespeciesofinsectsexistthanallotheranimalspeciestogether.Insectshavesurvivedonearthformorethan300millionyears,andmaypossesstheabilitytosurviveformillionsmore.　　Insectscanbefoundalmosteverywhere--onthehighestmountainsandonthebottomofrushingstreams,inthecoldSouthPoleandinbubblinghotsprings.Theydigthroughtheground,jumpandsinginthetrees,andrunanddanceintheair.Theycomeinmanydifferentcolorsandvariousshapes.Insectsareextremelyusefultohumans,pollinating(授粉)ourcropsaswellasflowersinmeadows,forests,desertsandotherareas.Butlicksandsomeinsects,suchasmosquitoesandfleas,cantransmitdisease.　　Therearemanyreasonswhyinsectsaresosuccessfulatsurviving.Theiramazingabilitytoadaptpermitsthemtoliveinextremerangesoftemperaturesandenvironments.Theoneplacetheyhavenotyetbeenfoundtoanymajorextentisintheopenoceans.Insectscansurviveonawiderange,ofnaturalandartificialfoods—paint,pepper,glue,books,grain,cotton，otherinsects,plantsandanimalsBecausetheyaresmalltheycanhideintinyspaces.　　Astrong,hardbutflexibleshellcoverstheirsoftorgansandisresistanttochemicals,waterandphysicalimpact.Theirwingsgivethemtheoptionofflyingawayfromdangeroussituationsortowardfoodormales.Also,insectshaveanenormousreproductivecapacity:AnAfricanantqueencanlayasmanyas43,000eggsaday.　　Anotherreasonfortheirsuccessisthestrategyofprotectivecolor.Aninsectmayberightbeforeoureyes,butnearlyinvisiblebecauseitiscleverlydisguisedlikeagreenleaf,lumpofbrownsoil,graylichen(青苔),aseedorsomeothernaturalobjectSomeinsectsusebright,boldcolorstosendwarningsignalsthattheytastebad,stingorarepoison.Othershavewingpatternsthatlookliketheeyesofahugepredator,bitter-tastinginsects;hungryenemiesarefooledintoavoidingthem.　　 练习题 用券下载整式乘法计算练习题幼小衔接专项练习题下载拼音练习题下载凑十法练习题下载幼升小练习题下载免费 ：　　Choosecorrectanswerstothequestion:　　1.InsectscanbefoundinlargeamountsinthefollowingplacesEXCEPT_____.　　A.onthemountainswithlittleair　　B.inthecoldpolarareas　　C.inthehotdesertareas　　D.intheopenoceans　　2.Insectsprotectthemselvesfromchemicalsby_______　　A.hidingintinyspaces　　B.havingastrongshell　　C.flyingawaywhennecessary　　D.changingcolorsorshapes　　3.Someinsectsdisguiselikenaturalobjectssoasto______　　A.frightenawaytheirenemies　　B.avoidbeingdiscovered　　C.sendwarningsignals　　D.lookbitter-tasting　　4.Thepassagementionsthatinsects______.　　A.canbefoundinanyextremeenvironments　　B.havesurvivedlongerthananyothercreatures　　C.canbefedonanynaturalorman-madefoods　　D.areimportantforthegrowthofcropsandflowers　　5.Thepassageismainlyabout______　　A.howinsectssurviveindifferentplaces　　B.whyinsectscansurvivesosuccessfully　　C.whatinsectscandototheenvironment　　D.whereinsectscanbefoundinquantity三Thefridgeisconsiderednecessary.Ithasbeensosincethe1960swhenpackagedfoodlistappearedwiththelabel:"Storeintherefrigerator."　　InmyfridgelessFiftieschildhood,1wasfedwellandhealthy.Themilkmancameeveryday,thegrocer,thebutcher(肉商),thebaker,andtheice-creammandeliveredtwoorthreetimeseachweek.TheSundaymeatwouldlastuntilWednesdayandsurplus(剩余的)breadandmilkbecameallkindsofcakes.Nothingwaswasted,andwewerenevertroubledbyrottenfood.Thirtyyearsonfooddeliverieshaveceased,freshvegetablesarealmostunobtainableinthecountry.　　Theinventionofthefridgecontributedcomparativelylittletotheartoffoodpreservation.Manywell-triedtechniquesalreadyexisted--naturalcooling,drying,smoking,salting,sugaring,bottling...　　Whatrefrigerationdidpromotewasmarketing---marketinghardwareandelectricity,marketingsoftdrinks,marketingdeadbodiesofanimalsaroundtheworldinsearchofagoodprice.　　Consequently,mostoftheworld'sfridgesaretobefound,notinthetropicswheretheymightproveuseful,butintherichcountrieswithmildtemperatureswheretheyareclimaticallyalmostunnecessary.Everywinter,millionsoffridgeshumawaycontinuously,andatvastexpense,busilymaintaininganartificially-cooledspaceinsideanartificially-heatedhouse--whileoutside,natureprovidesthedesiredtemperaturefreeofcharge.　　Thefridge'seffectupontheenvironmenthasbeenevident,whileitscontributiontohumanhappinesshasbeennotimportant.Ifyoudon'tbelieveme,tryityourself,investinafoodcabinetandmmoffyourfridgenextwinter.Youmaynoteatthehamburgers(汉堡包),butatleastyou'llgetridofthatterriblehum.　　练习题：　　Choosecorrectanswerstothequestion:　　1.Thestatement"Inmyfridgelessfiftieschildhood,Iwasfedwellandhealthily."suggeststhat______.　　A.theauthorwaswell-fedandhealthyevenwithoutafridgeinhisfifties.　　B.theauthorwasnotaccustomedtofridgeseveninhisfifties.　　C.therewasnofridgeintheauthor'shomeinthe1950s.　　D.thefridgewasinitsearlystageofdevelopmentinthe1950s.　　2.Whydoestheauthorsaythatnothingwaswastedbeforetheinventionoffridges?　　A.Peoplewouldnotbuymorefoodthanwasnecessary.　　B.Foodwasdeliveredtopeopletwoorthreetimesaweek.　　C.Foodwassoldfreshanddidnotgetrotteneasily.　　D.Peoplehadeffectivewaystopreservetheirfood.　　3.Whobenefitedtheleastfromfridgesaccordingtotheauthor?　　A.Inventors.　　B.Consumers.　　C.Manufacturers.　　D.Travellingsalesmen.　　4.Whichofthefollowingphrasesinthefifthparagraphindicatesthefridge'snegativeeffectontheenvironment?　　A.“Humawaycontinuously”.　　B.“Climaticallyalmostunnecessary”.　　C.“Artificially-cooledspace”.　　D.“Withmildtemperatures”.　　5.Whatistheauthor'soverallattitudetowardfridges?　　A.Neutral.　　B.Critical.　　C.Objective.　　D.Compromising.四Moreover,insofarasanyinterpretationofitsauthorcanbemadefromthefiveorsixplaysattributedtohim,theWakefieldMasterisuniformlyconsideredtobeamanofsharpcontemporaryobservation.Hewas,formally,perhapsclericallyeducated,ashisLatinandmusic,hisBiblicalandpatristicloreindicate.Heis,still,celebratedmainlyforhisquicksympathyfortheoppressedandforgottenman,hissharpeyeforcharacter,areadyearforcolloquialvernacularturnsofspeechandahumoralternatelyrudeandboisterous,coarseandhappy.Hencedespitehisconsciousartistryasmanifestinhisfeelingforintricatemetricalandstanzaforms,heislookeduponasakindofmedievalSteinbeck,indignantlyangryat,uncompromisinglyandevenbrutallyrealisticinpresentingtheplightoftheagriculturalpoor.　　Thustakingtheplayandtheauthortogether,itismowfairlyconventionaltoregardtheformerasakindofultimatepointinthesecularizationofthemedievaldrama.HencemuchemphasisonitasdepictingrealisticallyhumblemannersandpastorallifeinthebleakhillsoftheWestRidingofYorkshireonatypicallycoldbightofDecember24th.Afterwhatareoftenregardedasalmost“documentaries”giveninthethreesuccessivemonologuesofthethreeshepherds,criticsgoontoaffirmthattherealismisthenintensifiedintoaburlesquemock-treatmentoftheNativity.Finallyasasortofepilogueorafter-thoughtindeferencetotheBiblicaloriginsofthematerials,theplayslidesbackintoanatavisticmoodofearlyinnocentreverence.Actually,asweshallsee,thefinalsceneisnotonlytheculminatingscenebutperhapstheraisond’etreofintroductory“realism.”　　Thereismuchonthesurfaceofthepresentplaytosupporttheconventionalviewofitsmoodofsecularrealism.Allthesame,the“realism”oftheWakefieldMasterisofaparadoxicalturn.Hiswideknowledgeofpeople,aswellasbooksindicatesnocloisteredcontemplativebutoneincloserelationtohistimes.Still,thatlifewasafterallapredominantlyreligiousone,atimewhichneverneglectedthebeliefthatmanwasarebelliousandsinfulcreatureinneedofredemption,Sodeeply(onecanhardlysay“naively”ofsosophisticatedawriter)andimplicitlyreligiousistheMasterthatheislessable(orlesswilling)topresentactualhistoryrealisticallythanistheauthoroftheBrome“AbrahamandIsaac”.HishistoricalsenseisevenlessrealisticthanthatofChaucerwhojustafewyearsbeforehaddoneforhisowntimecostumeromances,suchasTheKnight’sTale,TroilusandCressida,etc.MoreoverChaucerhadtheexcuseofhighlyromanticmaterialsfortakinglibertieswithhistory.　　1.WhichofthefollowingstatementsabouttheWakefieldMasterisNOTTrue?　　[A].HewasChaucer’scontemporary.　　[B].Heisrememberedastheauthoroffiveorsixrealisticplays.　　[C].HewritelikeJohnSteinbeck.　　[D].HEwasanaccomplishedartist.　　2.By“patristic”,theauthormeans　　[A].realistic.[B].patriotic　　[C].superstitious.[C].pertainingtotheChristianFathers.　　3.Thestatementaboutthe“secularizationofthemedievaldrama”referstothe　　[A].introductionofmundanemattersinreligiousplays.　　[B].presentationoferuditematerial.　　[C].useofcontemporaryintroductionofreligiousthemesintheearlydays.　　4.Insubsequentparagraphs,wemayexpectthewriterofthispassageto　　[A].justifyhiscomparisonwithSteinbeck.　　[B].presentapointofviewwhichattackthethoughtofthesecondparagraph.　　[C].pointouttheanachronismsintheplay.　　[D].discusstheworksofChaucer.五Theearliestcontroversiesabouttherelationshipbetweenphotographyandartcenteredonwhetherphotograph’sfidelitytoappearancesanddependenceonamachineallowedittobeafineartasdistinctfrommerelyapracticalart.Throughoutthenineteenthcentury,thedefenceofphotographywasidenticalwiththestruggletoestablishitasafineart.Againstthechargethatphotographywasasoulless,mechanicalcopyingofreality,photographersassertedthatitwasinsteadaprivilegedwayofseeing,arevoltagainstcommonplacevision,andnolessworthyanartthanpainting.　　Ironically,nowthatphotographyissecurelyestablishedasafineart,manyphotographersfinditpretentiousorirrelevanttolabelitassuch.Seriousphotographersvariouslyclaimtobefinding,recording,impartiallyobserving,witnessingevents,exploringthemselves—anythingbutmakingworksofart.Theyarenolongerwillingtodebatewhetherphotographyisorisnotafineart,excepttoproclaimthattheirownworkisnotinvolvedwithart.ItshowstheextenttowhichtheysimplytakeforgrantedtheconceptofartimposedbythetriumphofModernism:thebettertheart,themoresubversiveitisofthetraditionalaimsofart.　　Photographers’disclaimersofanyinterestinmakingarttellusmoreabouttheharriedstatusofthecontemporarynotionofartthanaboutwhetherphotographyisorisnotart.Forexample,thosephotographerswhosupposethat,bytakingpictures,theyaregettingawayfromthepretensionsofartasexemplifiedbypaintingremindusofthoseAbstractExpressionistpainterswhoimaginedtheyweregettingawayfromtheintellectualausterityofclassicalModernistpaintingbyconcentratingonthephysicalactofpainting.Muchofphotography’sprestigetodayderivesfromtheconvergenceofitsaimswiththoseofrecentart,particularlywiththedismissalofabstractartimplicitinthephenomenonofPoppaintingduringthe1960’s.Appreciatingphotographsisarelieftosensibilitiestiredofthementalexertionsdemandedbyabstractart.ClassicalModernistpainting—thatis,abstractartasdevelopedindifferentwaysbyPicasso,Kandinsky,andMatisse—presupposeshighlydevelopedskillsoflookingandafamiliaritywithotherpaintingsandthehistoryofart.Photography,likePoppainting,reassuresviewersthatartisnothard;photographyseemstobemoreaboutitssubjectsthanaboutart.　　Photography,however,hasdevelopedalltheanxietiesandself-consciousnessofaclassicModernistart.Manyprofessionalsprivatelyhavebeguntoworrythatthepromotionofphotographyasanactivitysubversiveofthetraditionalpretensionsofarthasgonesofarthatthepublicwillforgetthatphotographyisadistinctiveandexaltedactivity—inshort,anart.　　1.WhatistheauthormainlyconcernedwithTheauthorisconcernedwith　　[A].definingtheModernistattitudetowardart.　　[B].explaininghowphotographyemergedasafineart.　　[C].explainingtheattitudeofseriouscontemporaryphotographerstowardphotographyasartandplacingthoseattitudesintheirhistoricalcontext.　　[D].definingthevariousapproachesthatseriouscontemporaryphotographerstaketowardtheirartandassessingthevalueofeachofthoseapproaches.　　2.Whichofthefollowingadjectivesbestdescribes“theconceptofartimposedbythetriumphofModernism”astheauthorrepresentsitinlines12—13?　　[A].Objective[B].Mechanical.[C].Superficial.[D].Paradoxical.　　3.WhydoestheauthorintroduceAbstractExpressionistpainter?　　[A].Hewantstoprovideanexampleofartistswho,likeseriouscontemporaryphotographers,disavowedtraditionallyacceptedaimsofmodernart.　　[B].HewantstosetforthananalogybetweentheAbstractExpressionistpaintersandclassicalModernistpainters.　　[C].HewantstoprovideacontrasttoPopartistandothers.　　[D].Hewantstoprovideanexplanationofwhyseriousphotography,likeothercontemporaryvisualforms,isnotandshouldnotpretendtobeanart.　　4.Howdidthenineteenth-centurydefendersofphotographystressthephotography?　　[A].Theystressedphotographywasameansofmakingpeoplehappy.　　[B].Itwasartforrecordingtheworld.　　[C].Itwasadeviceforobservingtheworldimpartially.　　[D].Itwasanartcomparabletopainting.六　Thepastagesofmanhaveallbeencarefullylabeledbyanthropologists.Descriptionslike‘PalaeolithicMan’,‘NeolithicMan’,etc.,neatlysumupwholeperiods.Whenthetimecomesforanthropologiststoturntheirattentiontothetwentiethcentury,theywillsurelychoosethelabel‘LeglessMan’.Historiesofthetimewillgosomethinglikethis:‘inthetwentiethcentury,peopleforgothowtousetheirlegs.Menandwomenmovedaboutincars,busesandtrainsfromaveryearlyage.Therewereliftsandescalatorsinalllargebuildingstopreventpeoplefromwalking.Thissituationwasforceduponearthdwellersofthattimebecauseofmileseachday.Butthesurprisingthingisthattheydidn’tusetheirlegsevenwhentheywentonholiday.Theybuiltcablerailways,ski-liftsandroadstothetopofeveryhugemountain.Allthebeautyspotsonearthweremarredbythepresenceoflargecarparks.’　　Thefuturehistorybooksmightalsorecordthatweweredeprivedoftheuseofoureyes.Inourhurrytogetfromoneplacetoanother,wefailedtoseeanythingontheway.Airtravelgivesyouabird’s-eyeviewoftheworld–orevenlessifthewingoftheaircrafthappenstogetinyourway.Whenyoutravelbycarortrainablurredimageofthecountrysideconstantlysmearsthewindows.Cardrivers,inparticular,areforeverobsessedwiththeurgetogoonandon:theyneverwanttostop.Isitthelureofthegreatmotorways,orwhatAndasforseatravel,ithardlydeservesmention.Itisperfectlysummedupinthewordsoftheoldsong:‘Ijoinedthenavytoseetheworld,andwhatdidIseeIsawthesea.’Thetypicaltwentieth-centurytraveleristhemanwhoalwayssays‘I’vebeenthere.’Youmentiontheremotest,mostevocativeplace-namesintheworldlikeElDorado,Kabul,Irkutskandsomeoneisboundtosay‘I’vebeenthere’–meaning,‘Idrovethroughitat100milesanhouronthewaytosomewhereelse.’　　Whenyoutravelathighspeeds,thepresentmeansnothing:youlivemainlyinthefuturebecauseyouspendmostofyourtimelookingforwardtoarrivingatsomeotherplace.Butactualarrival,whenitisachieved,ismeaningless.Youwanttomoveonagain.Bytravelinglikethis,yoususpendallexperience;thepresentceasestobeareality:youmightjustaswellbedead.Thetraveleronfoot,ontheotherhand,livesconstantlyinthepresent.Forhimtravelingandarrivingareoneandthesamething:hearrivessomewherewitheverystephemakes.Heexperiencesthepresentmomentwithhiseyes,hisearsandthewholeofhisbody.Attheendofhisjourneyhefeelsadeliciousphysicalweariness.Heknowsthatsound.Satisfyingsleepwillbehis:thejustrewardofalltruetravellers.　　1、Anthorpologistslabelnowaday’smen‘Legless’because________.　　Apeopleforgethowtousehislegs.　　Bpeopleprefercars,busesandtrains.　　Cliftsandescalatorspreventpeoplefromwalking.　　Dtherearealotoftransportationdevices.　　2、Travellingathighspeedmeans________.　　Apeople’sfocusonthefuture.　　Bapleasure.　　Csatisfyingdrivers’greatthrill.　　Danecessityoflife.　　3、Whydoestheauthorsay‘wearedeprivedoftheuseofoureyes’　　APeoplewon’tusetheireyes.　　BIntravelingathighspeed,eyesbecomeuseless.　　CPeoplecan’tseeanythingonhiswayoftravel.　　DPeoplewanttosleepduringtravelling.　　4、Whatisthepurposeoftheauthorinwritingthispassage?　　ALegsbecomeweaker.　　BModernmeansoftransportationmaketheworldasmallplace.　　CThereisnoneedtouseeyes.　　DThebestwaytotravelisonfoot.　　5.Whatdoes‘abird’s-eyeview’mean?　　ASeeviewwithbird’seyes.　　BAbirdlooksatabeautifulview.　　CItisageneralviewfromahighpositionlookingdown.　　DAscenicplace.七Advertiserstendtothinkbigandperhapsthisiswhythey’realwayscominginforcriticism.Theircriticsseemtoresentthembecausetheyhaveaflairforself-promotionandbecausetheyhavesomuchmoneytothrowaround.‘It’siniquitous,’theysay,‘thatthisentirelyunproductiveindustry(ifwecancallitthat)shouldabsorbmillionsofpoundseachyear.Itonlygoestoshowhowmuchprofitthebigcompaniesaremaking.Whydon’ttheystopadvertisingandreducethepriceoftheirgoodsAfterall,it’stheconsumerwhopays…’　　Thepooroldconsumer!He’dhavetopayagreatdealmoreifadvertisingdidn’tcreatemassmarketsforproducts.Itispreciselybecauseoftheheavyadvertisingthatconsumergoodsaresocheap.Butwegetthewrongideaifwethinktheonlypurposeofadvertisingistosellgoods.Anotherequallyimportantfunctionistoinform.Agreatdealoftheknowledgewehaveabouthouseholdgoodsderiveslargelyfromtheadvertisementsweread.Advertisementsintroduceustonewproductsorremindusoftheexistenceofoneswealreadyknowabout.Supposingyouwantedtobuyawashingmachine,itismorethanlikelyyouwouldobtaindetailsregardingperformance,price,etc.,fromanadvertisement.Lotsofpeoplepretendthattheyneverreadadvertisements,butthisclaimmaybeseriouslydoubted.Itishardlypossiblenottoreadadvertisementsthesedays.Andwhatfuntheyoftenare,too!Justthinkwhatarailwaystationoranewspaperwouldbelikewithoutadvertisements.WouldyouenjoygazingatablankwallorreadingrailwaybyelawswhilewaitingforatrainWouldyouliketoreadonlycloselyprintedcolumnsofnewsinyourdailypaperAcheerful,wittyadvertisementmakessuchadifferencetoadrabwalloranewspaperfullofthedailyrationofcalamities.Wemustnotforget,either,thatadvertisingmakesapositivecontributiontoourpockets.Newspapers,commercialradioandtelevisioncompaniescouldnotsubsistwithoutthissourceofrevenue.Thefactthatwepaysolittleforourdailypaper,orcanenjoysomanybroadcastprogrammesisdueentirelytothemoneyspentbyadvertisers.Justthinkwhatanewspaperwouldcostifwehadtopayitsfullprice!Anotherthingwemustn’tforgetisthe‘smallads.’whichareinvirtuallyeverynewspaperandmagazine.Whatatremendouslyusefulservicetheyperformforthecommunity!Justaboutanythingcanbeaccomplishedthroughthesecolumns.Forinstance,youcanfindajob,buyorsellahouse,announceabirth,marriageordeathinwhatusedtobecalledthe‘hatch,matchanddispatch’columnbutbyfarthemostfascinatingsectionisthepersonalor‘agony’column.Nootheriteminanewspaperprovidessuchentertainingreadingorofferssuchadeepinsightintohumannature.It’sthebestadvertisementforadvertisingthereis!　　1.Whatismainideaofthispassage?　　A.Advert