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INTRODUCTION
Don Juan Matus, a master sorcerer, a nagual, as master sorcerers are called when they lead a group of
other sorcerers, introduced me to the cognitive world of shamans who lived in Mexico in ancient times. Don
Juan Matus was an Indian who was born in Yuma, Arizona. His father was a Yaqui Indian from Sonora,
Mexico, and his mother was presumably a Yuma Indian from Arizona. Don Juan lived in Arizona until he
was ten years old. He was then taken by his father to Sonora, Mexico, where they were caught in the
endemic Yaqui wars against the Mexicans. His father was killed, and as a ten-year-old child don Juan ended
up in Southern Mexico, where he grew up with relatives.
At the age of twenty, he came in contact with a master sorcerer. His name was Julian Osorio. He
introduced don Juan into a lineage of sorcerers that was purported to be twenty-five generations long. He
was not an Indian at all, but the son of European immigrants to Mexico. Don Juan related to me that the
nagual Julian had been an actor, and that he was a dashing person—a raconteur, a mime, adored by every-
body, influential, commanding. In one of his theatrical tours to the provinces, the actor Julian Osorio fell
under the influence of another nagual, Elias Ulloa, who transmitted to him the knowledge of his lineage of
sorcerers.
Don Juan Matus, following the tradition of his lineage of shamans, taught some bodily movements
which he called magical passes to his four disciples: Taisha Abelar, Florinda Donner-Grau, Carol Tiggs,
and myself. He taught them to us in the same spirit in which they had been taught for generations, with one
notable departure: he eliminated the excessive ritual which had surrounded the teaching and performance of
those magical passes for generations. Don Juan's comments in this respect were that ritual had lost its
impetus as new generations of practitioners became more interested in efficiency and functionalism. He rec-
ommended to me, however, that under no circumstances should I talk about the magical passes with any of
his disciples or with people in general. His reasons were that the magical passes pertained exclusively to
each person, and that their effect was so shattering, it was better just to practice them without discussing
them.
Don Juan Matus taught me everything he knew about the sorcerers of his lineage. He stated, asserted,
affirmed, explained to me every nuance of his knowledge. Therefore, everything I say about the magical
passes is a direct result of his instruction. The magical passes were not invented. They were discovered by
the shamans of don Juan's lineage who lived in Mexico in ancient times, while they were in shamanistic
states of heightened awareness. The discovery of the magical passes was quite accidental. It began as very
simple queries about the nature of an incredible sensation of well-being that those shamans experienced in
those states of heightened awareness when they held certain bodily positions, or when they moved their
limbs in some specific manner. Their sensation of wellbeing had been so intense that their drive to repeat
those movements in their normal awareness became the focus of all their endeavors.
By all appearances, they succeeded in their task, and found themselves the possessors of a very complex
series of movements that, when practiced, yielded them tremendous results in terms of mental and physical
prowess. In fact, the results of performing these movements were so dramatic that they called them magical
passes. They taught them for generations only to shaman initiates, on a personal basis, following elaborate
rituals and secret ceremonies.
Don Juan Matus, in teaching the magical passes, departed radically from tradition. Such a departure
forced don Juan to reformulate the pragmatic goal of the magical passes. He presented this goal to me not so
much as the enhancement of mental and physical balance, as it had been in the past, but as the practical
possibility of redeploying energy. He explained that such a departure was due to the influence of the two
naguals who had preceded him.
It was the belief of the sorcerers of don Juan's lineage that there is an inherent amount of energy existing
in each one of us, an amount which is not subject to the onslaughts of outside forces for augmenting it or for
decreasing it. They believed that this quantity of energy was sufficient to accomplish something which those
sorcerers deemed to be the obsession of every man on Earth: breaking the parameters of normal perception.
Don Juan Matus was convinced that our incapacity to break those parameters was induced by our culture
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and social milieu. He maintained that our culture and social milieu deployed every bit of our inherent
energy in fulfilling established behavioral patterns which didn't allow us to break those parameters of
normal perception.
"Why in the world would I, or anyone else, want to break those parameters?" I asked don Juan on one
occasion.
"Breaking those parameters is the unavoidable issue of mankind," he replied. "Breaking them means the
entrance into unthinkable worlds of a pragmatic value in no way different from the value of our world of
everyday life. Regardless of whether or not we accept this premise, we are obsessed with breaking those
parameters, and we fail miserably at it, hence the profusion of drugs and stimulants and religious rituals and
ceremonies among modern man."
"Why do you think we have failed so miserably, don Juan?" I asked.
"Our failure to fulfill our subliminal wish," he said, "is due to the fact that we tackle it in a helter-skelter
way. our tools are too crude. They are equivalent to trying to bring down a wall by ramming it with the
head. Man never considers this breakage in terms of energy. For sorcerers, success is determined only by
the accessibility or the inaccessibility of energy.
"Since it is impossible," he continued, "to augment our inherent energy, the only avenue open for the
sorcerers of ancient Mexico was the redeployment of that energy. For them, this process of redeployment
began with the magical passes, and the way they affected the physical body."
Don Juan stressed in every way possible, while imparting his instruction, the fact that the enormous
emphasis the shamans of his lineage had put on physical prowess and mental well-being had lasted to the
present day. I was able to corroborate the truth of his statements by observing him and his fifteen
sorcerer-companions. Their superb physical and mental balance was the most obvious feature about them.
Don Juan's reply when I once asked him directly why sorcerers put so much stock in the physical side of
man was a total surprise to me. I had always thought that he himself was a spiritual man.
"Shamans are not spiritual at all," he said. "They are very practical beings. It is a well-known fact,
however, that shamans are generally regarded as eccentric, or even insane. Perhaps that is what makes you
think that they are spiritual. They seem insane because they are always trying to explain things that cannot
be explained. In the course of such futile attempts to give complete explanations that cannot be completed
under any circumstances, they lose all coherence and say inanities.
"You need a pliable body, if you want physical prowess and levelheadedness," he went on. "These are
the two most important issues in the lives of shamans, because they bring forth sobriety and pragmatism: the
only indispensable requisites for entering into other realms of perception. To navigate, in a genuine way, in
the unknown necessitates an attitude of daring, but not one of recklessness. In order to establish a balance
between audacity and recklessness, a sorcerer has to be extremely sober, cautious, skillful, and in superb
physical condition."
"But why in superb physical condition, don Juan?" I asked. "Isn't the desire or the will to journey into
the unknown enough?"
"Not in your pissy life!" he replied rather brusquely. "Just to conceive facing the unknown—much less
enter into it—requires guts of steel, and a body that would be Capable of holding those guts. What would be
the point of being gutsy if you didn't have mental alertness, physical prowess, and adequate muscles?"
The superb physical condition that don Juan had steadily advocated from the first day of our association,
the product of the rigorous execution of the magical passes, was, by all indications, the first step toward the
redeployment of our inherent energy. This redeployment of energy was, in don Juan's view, the most crucial
issue in the lives of shamans, as well as in the life of any individual. Redeployment of energy is a process
which consists of transporting, from one place to another, energy which already exists within us. This
energy has been displaced from centers of vitality in the body, which require that displaced energy in order
to bring forth a balance between mental alertness and physical prowess.
The shamans of don Juan's lineage were deeply engaged with the redeployment of their inherent energy.
This involvement wasn't an intellectual endeavor, nor was it the product of induction or deduction, or
logical conclusions. It was the result of their ability to perceive energy as it flowed in the universe.
"Those sorcerers called this ability to perceive energy as it flowed in the universe seeing,” don Juan
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explained to me. "They described seeing as a state of heightened awareness in which the human body is
capable of perceiving energy as a flow, a current, a windlike vibration. To see energy as it flows in the
universe is the product of a momentary halt of the system of interpretation proper to human beings."
"What is this system of interpretation, don Juan?" I asked.
"The shamans of ancient Mexico found out," he replied, "that every part of the human body is engaged,
in one way or another, in turning this vibratory flow, this current of vibration, into some form of sensory
input. The sum total of this bombardment of sensory input is then, through usage, turned into the system of
interpretation that makes human beings capable of perceiving the world the way they do.
"To make this system of interpretation come to a halt," he went on, "was the result of tremendous
discipline on the part of the sorcerers of ancient Mexico. They called this halt seeing, and made it the
cornerstone of their knowledge. To see energy as it flowed in the universe was, for them, an essential tool
that they employed in making their classificatory schemes. Because of this capacity, for instance, they
conceived the total universe available to the perception of human beings as an onionlike affair, consisting of
thousands of layers. The daily world of human beings, they believed, is but one such layer. Consequently,
they also believed that other layers are not only accessible to human perception, but are part of man's natural
heritage."
Another issue of tremendous value in the knowledge of those sorcerers, an issue which was also a
consequence of their capacity to see energy as it flowed in the universe, was the discovery of the human
energetic configuration. This human energetic configuration was, for them, a conglomerate of energy fields
agglutinated together by a vibratory force that hound those energy fields into a luminous ball of energy. For
the sorcerers of don Juan's lineage, a human being has an oblong shape like an egg, or a round shape like a
ball. Thus, they called them luminous eggs or luminous balls. This sphere of luminosity was considered Key
them to he our true self—true in the sense that it is irreducible in terms of energy. It is irreducible because
the totality of human resources are engaged in the act of perceiving it directly as energy.
Those shamans discovered that on the hack face of this luminous ball there is a point of greater
brilliance. They figured out, through processes of observing energy directly, that this point is key in the act
of turning energy into sensory data and then interpreting it. For this reason, they called it the assemblage
point, and deemed that perception is indeed assembled there. They described the assemblage point as being
located behind the shoulder blades, an arm's length away from them. They also found out that the
assemblage point for the entire human race is located on the same spot, thus giving every human being an
entirely similar view of the world.
A finding of tremendous value for them, and for shamans of succeeding generations, was that the
location of the assemblage point on that spot is the result of usage and socialization. For this reason, they
considered it to he an arbitrary position which gives merely the illusion of being final and irreducible. A
product of this illusion is the seemingly unshakable conviction of human beings that the world they deal
with daily is the only world that exists, and that its finality is undeniable.
"Believe me," don Juan said to me once, "this sense of finality about the world is a mere illusion. Due to
the fact that it has never been challenged, it stands as the only possible view. To see energy as it flows in the
universe is the tool for challenging it. Through the use of this tool, the sorcerers of my lineage arrived at the
conclusion that there are indeed a staggering number of worlds available to man's perception. They
described those worlds as being all-inclusive realms, realms where one can act and struggle. In other words,
they are worlds where one can live and die, as in this world of everyday life."
During the thirteen years of my association with him, don Juan taught me the basic steps toward
accomplishing this feat of seeing. I have discussed those steps in all of my previous writings, but never have
I touched on the key point in this process: the magical passes. He taught me a great number of them, but
along with that wealth of knowledge, don Juan also left me with the certainty that I was the last link of his
lineage. Accepting that I was the last link of his lineage implied automatically for me the task of finding
new ways to disseminate the knowledge of his lineage, since its continuity was no longer an issue.
I need to clarify a very important point in this regard: Don Juan Matus was not ever interested in
teaching his knowledge; he was interested in perpetuating his lineage. His three other disciples and I were
the means—chosen, he said, by the spirit itself, for he had no active part in it—that were going to ensure
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that perpetuation. Therefore, he engaged himself in a titanic effort to teach me all he knew about sorcery, or
shamanism, and about the development of his lineage.
In the course of training me, he realized that my energetic configuration was, according to him, so vastly
different from his own that it couldn't mean anything else but the end of his line. I told him that I resented
enormously his interpretation of whatever invisible difference existed between us. I didn't like the burden of
being the last of his line, nor did I understand his reasoning.
"The shamans of ancient Mexico," he said to me once, "believed that choice, as human beings
understand it, is the precondition of the cognitive world of man, but that it is only a benevolent
interpretation of something which is found when awareness ventures beyond the cushion of our world, a
benevolent interpretation of acquiescence. Human beings are in the throes of forces that pull them every
which way. The art of sorcerers is not really to choose, but to be subtle enough to acquiesce.
"Sorcerers, although they seem to make nothing else but decisions, make no decisions at all," he went
on. "I didn't decide to choose you, and I didn't decide that you would be the way you are. Since I couldn't
choose to whom I would impart my knowledge, I had to accept whomever the spirit was offering me. And
that person was you, and you are energetically capable only of ending, not of continuing."
He maintained that the ending of his line had nothing to do with him or his efforts, or with his success or
failure as a sorcerer seeking total freedom. He understood it as something that had to do with a choice
exercised beyond the human level, not by beings or entities, but by the impersonal forces of the universe.
Finally, I came to accept what don Juan called my fate. Accepting it put me face to face with another
issue that he referred to as locking the door when you leave. That is to say, I assumed the responsibility of
deciding exactly what to do with everything he had taught me and carrying out my decision impeccably.
First of all, I asked myself the crucial question of what to do with the magical passes: the facet of don Juan's
knowledge most imbued with pragmatism and function. I decided to use the magical passes and teach them
to whoever wanted to learn them. My decision to end the secrecy that had surrounded them for an
undetermined length of time was, naturally, the corollary of my total conviction that I am indeed the end of
don Juan's lineage. It became inconceivable to me that I should carry secrets which were not even mine. To
shroud the magical passes in secrecy was not my decision. It was my decision, however, to end such a
condition.
I endeavored from then on to come up with a more generic form of each magical pass, a form suitable to
everyone. This resulted in a configuration of slightly modified forms of each one of the magical passes. I
have called this new configuration of movements Tensegrity, a term which belongs to architecture, where it
means "the property of skeleton structures that employ continuous tension members and discontinuous
compression members in such a way that each member operates with the maximum efficiency and
economy."
In order to explain what the magical passes of the sorcerers who lived in Mexico in ancient times are, I
would like to make a clarification: "ancient times" meant, for don Juan, a time ten thousand years ago and
beyond, a figure that seems incongruous if examined from the point of view of the classificatory schemes of
modern scholars. When I confronted don Juan with the discrepancy between his estimate and what I
considered to he a more realistic one, he remained adamant in his conviction. He believed it to be a fact that
people who lived in the New World ten thousand years ago were deeply concerned with matters of the
universe and perception that modern man has not even begun to fathom.
Regardless of our differing chronological interpretations, the effectiveness of the magical passes is
undeniable to me, and I feel obligated to elucidate the subject strictly following the manner in which it was
presented to me. The directness of their effect on me has had a deep influence on the way in which I deal
with them. What I am presenting in this work is an intimate reflection of that influence.
5
MAGICAL PASSES
The first time don Juan talked to me at length about magical passes was when he made a derogatory
comment about my weight.
"You are way too chubby," he said, looking at me from head to toe and shaking his head in disapproval.
"You are one step from being fat. Sear and tear is beginning to show in you. Like any other member of your
race, you are developing a lump of fat on your neck, like a bull. It's time that you take seriously one of the
sorcerers' greatest findings: the magical passes."
"What magical passes are you talking about, don Juan?" I asked. "You have never mentioned this topic
to me before. Or, if you have, it must have been so lightly that I can't recall anything about it."
"Not only have I told you a great deal about magical passes," he said, you know a great number of them
already. I have been teaching them to you all along."
As far as I was concerned, it w
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