中西建筑文化内涵比照

湖北工业大学 硕士学位论文 中西建筑文化内涵比照 姓名：任桢 申请学位级别：硕士 专业：外国语言学及应用语言学 指导教师：贾勤 20090501 湖北工业大学硕士学位论文 摘 要 建筑作为一种文化符号，成为了文化 表 关于同志近三年现实表现材料材料类招标技术评分表图表与交易pdf视力表打印pdf用图表说话 pdf 象的外在载体，只有从文化角度进行 深层次的思考，才能真正理解建筑形式的根本动因。建筑结构早在20世纪50年 代就已经被学者作为环境因素纳入非语言交际研究的范畴。目前，建筑设计和室 内装饰作为环境语的一部分已成为跨文化非语言交际研究的主要范畴之一(毕继 万，2004)。本文以建筑这一直观、形象的文化载体，作为中外跨文化对比研究的 对象。针对从建筑材料和空间布局两方面所形成和反映出的建筑文化内涵进行对 比 分析 定性数据统计分析pdf销售业绩分析模板建筑结构震害分析销售进度分析表京东商城竞争战略分析 ，从而展现了中西深层文化差异对建筑风格的深远影响。 论文共分四部分。 第一部分引言。 第二部分主要研究在儒家天入合一的宇宙观，物我一体的自然观，阴阳有序 的环境观，及地域环境悬殊影响下，中国传统建筑具有历史性和地域性的建筑文 化特点。有突显皇权至上的宫殿，尽显自然和谐的园林，体现多民族地域文化的 民居等类型。基督教的天堂地狱说、原罪论、上帝主宰万物而形成的世界观、审 美观指导下，西方建筑具有巨大的体量、超然的尺度、严密的几何性等特点，形 成巍然屹立的外观特征，给人以突出、激越、向上的震撼力和感染力。 第三部分研究中国建筑以木材作基本建材， 书 关于书的成语关于读书的排比句社区图书漂流公约怎么写关于读书的小报汉书pdf 写了木头史书和水文化(阴文 化)，建筑布局是中轴对称、横向平铺的群体式。渗透了以君权为核心的儒家伦理， 体现了黄河、长江流域内向聚敛的黄土文明。西方建筑则采用石头为主要建材， 书写了“石头史书”和石文化(阳文化)，独立向上、单体高耸的布局。充满了以 神权为核心的基督教气息，展示了地中海沿岸外向扩张的海洋文明。 第四部分为结论。中西文化差异的根本动因是中国的儒家文化和西方的基督教 义分别统治着中西的意识形态，只有理解中西方不同的文化特征，才能充分体会 不同建筑的韵味。跨文化研究应该熔古铸今、意在寻根，广采博收、志在崛起。 关键词：跨文化：建筑文化；儒家伦理：基督教义 湖北工业大学硕士学位论文 Abstract Architectureasakindofculturalsymbolhasbecometheexteriorcarrierofcultural representation．Trulyunderstandingthefundamentalmotival：ionofarchiteeturalforms ispossibleonlybasedoncontemplationfromtheperspectiveofculture．Asearlyasin the1950s．architecturalstructurehadbeenincludedasanenvironmentalfactorinthe researchonnonverbalcommunication．Beingapartofenvironmentallanguage，now architecturaldesignandinteriordecorationhavebeenoneofthemaincategoriesof cross—culturalnonverbalcommunicationresearch．InthisPapeLarchitecture，thevisual culturalcarrier,istakenasthesubjectinthecross．culturalcomparativestudy．Fromthe aspectsofarchitecturalmaterialsandspatiallayout．thedifferencesbetweenChinese andwesteraarchitectureculturalconnotationsareanalyzed，whichrevealsthegreat influenceoftheprofounddifferencesbetweenChineseandwesternculturesonthe architecturalstyle． TlliSpapel"isdividedintofourparts．Partoneisintroduction． Parttwomainlydiscussesthat．traditionalChinesearchitectureischaracterizedby historicalandregionalculturesundertheinfluenceoftheConfucianworldoutlookof ‘'HarmonyofManandNature'’。naturaloutlookof“OnenessofSubstanceandSelf’， environmentaloutlookof‘‘BalanceandOrderbetweenYinandYang(negativeand positive)”．andremarkablydifferentregionalenvironments．Therearepalaces magnifyingsupremeimperialpower，gardensportrayingharmonyofnature，andfoll【 housesembodyingmulti．nmionalregionalcultures．Undertheguidanceofsuchworld viewandaestheticviewasChristianheavenandhelltheory,OriginalSintheoryand “Godcontrolseverything'’，thetoweringwesternarchitectureischaracterizedbyhuge architecturalmass，transcendentscaleandrigorousgeometry,producingprominent， aggressiveandupwardforceandappeal． Partthreediscussesthat．withwoodasthebasicbuildingmaterial，Cllinese architecturecomposes“ahistoryofwood'’andwaterculture(Yinculture)．Inlayout， buildingsarebuiltinagroup-stylearrangementwithsymmetriccentralaxisandare extendedinthelateraldirection．ThiSispermeatedwiththeConfuciantheorytaking regalityatthecoreandembodiesthemainlandcivilizationthattheYellowRiverand theYangtzeRiverValleysareintrovertedandconvergent．Thestone—basedwestern architecturewrites“ahistoryofstone'’and甜Dneculture(Yangculture)．being independent，upwardandsolitarilytowery,fullofChristianfeatureswithdivinerightas thecore．TlliSdepictstheextrovertedandexpansionaryoceancivilizationofthe MediterraneanSeacoast． Partfouristheconclusion．Thefundamentalmotivationofthedifferencesbetween Chineseandwestemculturesisthat，ChineseConfuciancultureandwesternChristian doctrinesdominatetheirideelogies，respectively．Cross．culturalcommunicationshould aimtoextensivelyextracttheessenceofancientandalienculturesforcreatingbeautiful II 湖北工业大学硕士学位论文 nowadaysandfortracingtherootandpursuingrejuvenation． Keywords：Crossculture；Architecturalculture；Confuciusethics；Christiandoctrines III 湘班j堂大学 学位论文原创性声明和使用授权说明 原创性声明 本人郑重声明：所呈交的学位论文，是本人在导师指导下，独立进行研究工 作所取得的研究成果。除文中已经标明引用的内容外，本论文不包含任何其他个 人或集体已经发表或撰写过的研究成果。对本文的研究做出贡献的个人和集体， 均已在文中以明确方式标明。本声明的法律结果由本人承担。 学位论文作者签名：椎 日期：沙鼍年r月1r日 学位论文版权使用授权书 本学位论文作者完全了解学校有关保留、使用学位论文的规定，即：学校有 权保留并向国家有关部门或机构送交论文的复印件和电子版，允许论文被查阅和 借阅。本人授权湖北工业大学可以将本学位论文的全部或部分内容编入有关数据 库进行检索，可以采用影印、缩印或扫描等复制手段保存和汇编本学位论文。 学位论文作者签名：《讨睦 日期：硝年f月lf日 指导教师签名：夕锄 嘣叶州∥日 湖北工业大学硕士学位论文 1Introduction Asearlyasinthe1950s，architecturalstructurehadbeenincluded私all environmentalfactorintheresearchonnonverbalcommunication．Beingapartof environmentallanguage，nowarchitecturaldesignandinteriordecorationhavebeenone ofnlemaincategoriesofcross-culturalnonverbalcommunicationresearch．(BiJiwart, 2004)． ArchitectureiSthemostenornlousandattractivememberintheworldofart．As solidifiedculture，itsinfluenceonhumanlifehaSalwaysbeenwideandprofotmd．Of practicalvalue，itisanecessaryshelteragainstwind，rainandsnowaswellasfor survival；atthesametime，ithaSstrongsocialculturalvalue．Astherecorderand witnessofhistoryandculture，architecturetrulyreflectsthepolitics，economMideaSand cultureinsociety,anditisusuallycalled‘'themonumentofhumanculture'’．Different languagesexpressdifferentideasandfeelings；differentbuildingsbeardifferentcultures andfaiths．Duringaratherlongperiodoftime，Chineseandwesternarchitecture developindependentlyinrelativelyclosedsystems，withlittlecommunication，and thereforetheydifferfromeachotherinformandtrait．Onlyinmoderntimes，withthe communicationandfusionofChineseandwesternideas，culturesandscienceand technology,Chineseandwesternarchitecturenotonlyhasdevelopedagainsttheir traditionalstyles，buttowardconformance．Hence，architecture，thevisualcultural carrier,ischosenasthesubjectinthecross—culturalcomparativestudy． Architectureistheintegrationoftechniques，artandlife．Thougharchitectureis lifelessentity,thearchitectsvitalizeitwiththeirculturalconsciousnessandmentality． Beingakindofculturalsymbol，architecturebecomestheexteriorcarrierofcultural representation．OnlywhenweunderstandthedifferentcharacteristiesofChineseand westerncultures，Canwehaveathoroughperceptionofdifferentarchitecturalcharms； andonlywhenweprobeintoculture，Canwetrulyunderstandthefundamental motivationofarchitecturalforms．Iffatherandmotherofarchitecturearetechnology andaesthetics，thenitssoulisideasandculture．Man’stechniquescreatematerial archiltecturalculture，andman’sideasandcultures嬲wellausaestheticideascreate spiritualarchitecturalculture． 湖北工业大学硕士学位论文 ThispaperanalyzesthedifferencesbetweenChineseandwesternculturesby comparingtheirarchitecturalculturesintheaspectsofbuildingmaterialsandspatial layout．Here，besidesarchitecture，comparisonbetweenChineseandwesterncultures areemphasized；whilecomparingmaterialculturesofarchitecture，priorityisgivento theenvironmental，survival，socialandhistoricalculturesreflectedbyarchitecture； whilecomparingthedifferencesbetweenmateriallayersofsuperficialcultures，i．e．the structureandexternalcharacters，thedeepestpsychologicallayers，i．e．theimplicit moraloutlook,worldoutlook,naturalview,aestheticviewandvaluesareplaced emphasisupon．Thecross—culturalcomparisonisconductedthroughnonverbal communicationandbynonverbalmeansofenvironmentallanguageincludingspace information，timeinformation,architecturaldesign，etc．，SOastostudyandmasterthe methodsandskillsofcross-culturalcommunication(WangPeiying，2007)．Insucha way,wemayhaveanactiveattitudetowardtheunderstandingofdifferentcultures， graspthecharacteristicsofChineseandwesterncultures，cultivatetheadaptabilityto crosscultures，andimprovecross—culturalcommunicationskills． 2 湖北工业大学硕士学位论文 I—————■■■—■——●—■■■●■■—■■—●—■■■——●●■■■■——■■■●■■—■—■■■●—■●———■—■—■■■●—■■●—●■—■●■●■——■—■——■——●■—————_ 2GeneralSituationofChineseandWestern ArchitecturalCultures 2．1ChineseArchiteCturalCulture —-DeeplyInfusedwithConfucianism Chinesearchitecturalcultureisauniquecultureintheeast．Ithasrichand profoundconnotation，alongstandinghistoryandaparticularsystem，anditsspritis worldwideinfluential．Thelongandsplendidhistoryofseveralthousandyears witnessesprehistoricdawn，morningsunlightoftheQingandHanDynasties，beautiful sunoftheSuiandTangDynasty,andsunsetglowoftheMingandQingDynasties．As thecarrierofChineseculture，Chinesearchitecturehasforgedthegreatspiritofthe Chinesenationonthehorizonintheeast，anditstilldevelopswithoutcease． Chinahasbeenacountrywhoseideologyis govemexlbyConfucianism． Confucianismwasthespiritualaxisinancientsociety．Itimpactedeverythingincluding thebasicelementsofculturalessence，suchasnationalcharacter,values，group mentality,ethicideas，moralstandards，religiousfeelingsandaesthetictastes，andalso exertedade印influenceonChinesearchitecture．Confucianismadvocatescourtesyand regardsthisasthebaseofgoverningastateandtheprincipleofpersonalbehaviors， basedonwhichthemultitypesaswellastheformandsystemofarchitecturecalneinto being，wimfeudalregimeasthecore；Confucianismupholdssupremacyofmonarchical power．Theemperorwasthedestinedlordofthousandsofpeople，andthereforecapital palaceswerebuiRtomagnifyhissupremeregality；Confucianismadvocatesheaven worship．Worshipofheavenandearthwasimportantineverydynasty；therefore，the TempleofHeaven，theTempleofEarth，theTempleofSun，theTempleofMoon,the ImperialDivineTempleandtheTempleoftheFirstFarmerwerebuilt．Confucianism supportsfilialpietytoparentsandimitationofancestors，andthereareancestraltemples andmausoleums；ConfucianismstandsforbalancedandorderlyYinandYang，thus therearePalaceofHeavenlyPurity,PalaceofEarthlyTranquility,representingthe 3 湖北工业大学硕士学位论文 heavenandtheearth,respectively,andthedifferentpositionsofdragonandphoenix symbolizetheownershipofimperialpower；Confucianismadvocatespriorityinrank anddifferencesbetweenthesuperiorandtheinferiorandstressestoembodytheseby architecture．Therewererigidregulationsonbaywidth,formandsystem，color,ridge decorations，anddisobeyorarrogationwasnotallowed(QinHongling，2004)； Confucianismisinfavorofexcellenceandorderliness．Thearchitectureissquareandin neatformation，hierarchicalandorderly,inagroupstyleandhorizontallystretched， formingthestrictlayoutofcapitalcity,imperialpalacesandbuildingswithasymmetric centralaxis；ConfucianismadvocatesHarmonyofManwithNatureandOnenessof SubstanceandSelfandemphasizesthathumanarecloselyconnectedwithnature (ZhangShiying，2007)．Withmellowandfinewoodasitsbasicbuildingmaterial， architecmrecomposesahistoryofwoodandwaterculture(Yinculture)． LocatedintheYellowRiverandtheYangtzeRivervalleys，Chinathatisof mainlandcivilizationisamultinationalcountrywiththelongesthistory,thelargest populationandthevastestregions．Undertheinfluenceoftheworldoutlookof ‘'HarmonyofManwithNature'’，naturaloutlookof“OnenessofSubstanceandSelf', environmentaloutlookof‘'BalanceandOrderbetweenY'mandYang(negativeand positive)”，moderateviewofsocietyandculture，andremarkablydifferentregional environments，Chinesearchitecturehasformeditshistoricalandregionalcultural features：antiquityintheHartDynasty,magnificenceintheT0ngDynasty, standardizationintheSongDynasty,freedomintheYuanDynasty,andformandsystem intheMingandQingDynasties；purityandhonestyinthenorthland，graceandbeauty inregionssouthoftheYangtzeRiver,simplicityandeleganceinSichuan，sublimityin thenoahoftheGreatWallandflowerinessontheYunnan—GuizhouPlateau． TheancientChinesearchitectureisdiversifiedintype，andtheachievementsin palacesandgardensareespeciallyoutstanding． 2．1．1PalaceArchitectureCulture —-RepletewithMajesty PalacearchitectureisthemosthonoredandmagnificentachievementsinChinese architecture，representingthehighestlevelofarchitecturaltechnologyandart． 4 Figure2—1theForbiddenCity PalaceMuseum，theForbiddenCity,experiencedtheMingandQingDynastieslls constructionperiodwasfifteenyears，anditisthelargestandthemostcompleteancient architectureinChinaglOWItsfrontpartismainlycomposedofTaihePalace，Zhonghe PalaceandBaohePalace，thehackpartmainlyincludesthePalaceofHeavenlyPuritM theHallofUnionandthePalaceofEarthlyTranquility,andintheeastandwestparts， therearethreepNaces，respectively,whichwereresidencesoftheemperor’swivesThe centerofthePalaceMuseumisTaihePalace，encompassedbyenormousbuilding groupswhicharesurroundedandprotectedbyperipheralTempleofHeaven，Imperial DivineTemple，TempleofSun，andTempleofMoonThisaccordswiththedivisionof thesun，themoon，andstarsbyancientastronomy AtthebackofthePalaceofEarthlyTranquilityistheroyalgardenwhichis portraitureoftheemperor’sluxuryandextravagantlifeOutsidethenorthgateofthe ForbiddenCity,thereisShenWuGatefacingthe50m+highCoalHillOingshanlfar awaNwithwatersurroundedbyhillTheoveralllayoutgivesprominencetotheaugust imperialhierarchyandabsoluteauthorityoftheemperorandtohisstatusofgoverning thespiritualandmateriallifeofthepeople IntheForbiddenCity,thesixmajorpalacesatthefrontandbackpartsandthe 湖北工业大学硕士学位论文曼I———— I_—_—一 royalgardencomposeamainrhythmofthemagnificentsymphonyeulogizingimperial power,withTian’anmenSquareandWuMenSquareastheappealingprelude，theCoal Hillasthevigorousepilogue，andthesymmetricpalacesandcourtsbesidethecentral axisastheharmony． Palacearchitectureissolemn,splendid，magnificent，luxurious，precisely symmetricandsternlyhierarchical．Itistheembodimentofsupremeandstately imperialpowerandConfucianismwithrigidfeudalhierarchy． 2．1．2ClassicalGardenCulture --ExpressingConfuciusWisdom Chinesegardensareimportantheritageofhumancivilizationandamarvelous spectacleinworldart． Chinesegardensareessenceofnaturalbeautyandharmonyandareinfusedwith human’Sideas，cultureandtastes．Gardenshavesuchelementsashills，pools，plants， structures，paintingsandcalligraphy．Withpaintingsasthebaseandpoetryasthetheme， poolsareexcavatedtoformhills，flowersandtreesareplanted，pavilionsandsmall bridgesareconstructed，andflowingwaterisintroduced，interspersedwithpoemsand paintingsaswellasinscriptionsandcouplets，creatingapicturesquesceneryanda natural‘'musicofhills，Water,treesandsprings”一“silentpoemandthree·dimensional painting”．Beingartificialwork,thegardensarelikenaturalcreation．Theyare impregnatedwimthegreatwisdomofConfucianisminhandlingtherelationship betweenhumanandnature，humanandsociety,andhumanandsoul．Thenaturalbeauty ismadetypicalandconvenedintobeautyofgardenbyobstructive，added，oppositeand enframedscenery,makinganartisticeffectthatthemostpleasantscenerygradually appears，smallsceneryleadstoalargeoneandscenerychangesalongwithmovement ofvisitors．Thisindicatesthenatural，tranquil，implicitandharmoniousConfucian culturalstateofChinesepeoplewhoareindifferenttofameandfortune． Generally,Chinesegardensaredividedintotwokinds： (1)Royalandprivategardensbystatusofowners． “Allofthelandundertheheavenbelongstotheking．’’Royalgardensare large—scaledandgorgeous，wimrealhillsandwater；privategardensaresmalland 6 湖北工业大学硕士学位论文 exquisite，withartificialhillsandflowingwater． (2)Northerngardens，gardensontheYangtzeDelta,andsoutherngardensbylocation． Northerngarden：NoAhChinahasabroadterritory,islackinginrivers，lakes， gardenstonesandgreentrees．Theselargerobust-stylegardenshaveimitatedand miniaturesceneriesandtheirlayoutsarepermeatedwithConfucian，Taoistand Buddhistideas．MostofthemareinancientcapitalcitiessuchasBeijing，Xi’all， Kaifeng，etc． GardensontheYangtzeDelta：TheareassouthoftheYangtzeRiverarepopulous andhavepicture—likesceneries．Localgardensalesmallandexquisite，brightand beautiful，quietlyelegantandnaive，andzigzag，deepandserene．Theyare“gentle freehandbmshworklandscapepaintings'’fullofculturalimplications，representedby Suzhougardens．Thefourfamousgardens，i．e．theSurgingWavePavilion，theLion GroveGarden，theHumbleAdministrator’SGardenandtheLingeringGarden，which concentratetheessenceofgardensontheYangtzeDelta,representthearchitectural stylesintheSong，Yuan,MingandQingDynastiesandarelistedintheWorldNatural andCulturalHeritage． Southerngardens：Theyarelocatedintheblessedsubtropicalregionswith evergreenseasonsandrichrivers．Thesegardenshavetropicalsights：theflowershave multiplevarietiesandarearomaticalltheyearround，theplantsarealwaysgreen，and thestructuresarehighandspacious．ExistentgardensareQinghuiGardeninShunde andKeGardeninDongguan，Guangdong． 2．1．3FolkHouseCulture --ExhibitingRegionalFeatures Chinahasawideterritory,densepopulation，variousenvironments，andstrongly enclosedregions(especiallyareaswhereminoritiesresideandmountainbelts)．For bettersubsistence，peopleadapttoandmakeuseoftheirsurroundingenvironments，and multipletypesoffoⅡ【housesarebuilt．Forexample，gorgeousnorthcourtyardhouses (Beijing)；stiR-styleprettybamboohousesofDaiethnicminoritygroup(Yunnan)； spaciousstiltedhousesofMiaoandWujiaethnicminoritygroups(westernHunan)；cave housesontheLoessPlateau(northernShannxi)；round-castle-styletraditionalhouses 7 湖北工业大学硕士学位论文 (Fujian)；felt-bag—styleMongoliayurtsofnomads(innerMongolia)；andthereare peculiarTibetanfoll【houses，如Ⅱ【housesinbeautifulwater-townJiangsu，merchants’ yardsinShanxiandHuizhou，whicharediversifiedinshapeandstyle，withregional characteristics． Inaword,thefive—thousand-yearhistoryofChinacreatesthecountry’Scolorful architecturalcultures，whichhighlydisplaycharacteristicsofChineseConfucianculture andbroadregions．Modemarchitectureintheneweraisthecombinationofthepastand thepresentaswellasChineseandwesternideas，pavingapromisingwayforthe developmentofarchitecturalculture． 2．2WesternArchitecturalCulture --ConcealingChristianDoctrines 2．2．1WesternArchitecturalCulture ---NarratingChristianCulture Inthelonghistoryofdevelopment，westernarchitecturalculturehasformed differentstyleswithclearcharacteristics．Itisanintegralpartoftheglobaltreasuryof architecturalcultureandartandisthepreciousspiritualwealthofhumanbeing． Buildingsofvariousfeaturesglorifytheeternityandloftinessofarchitecturalartby giganticmassandsize．Withstrictgeometry,theirverticalityisusuallyshowedoffby outstretchedcovesandsteeples，formingatoweringandanti—natureoutline．This impressespeoplewithanoutstanding，aggressiveandupwardpowerandappeal．While discussingwesternreligiousarchitecture，Marxsaid，‘‘Theirmagnitudeisimpressive andastonishing'’(Marx，1979)⋯Thisreflectsthattheextrovertedandaggressive behavioralmodeandvalueorientationofwesternpeopleintheprocessofconquering nature． Westernculturedatesbacktoveryearlytimes，rootinginandcenteringonthe ancientGreekcultureandradiatingtotheentireEuropeanContinentandtheNorth AmericanContinent．Similarly,ancientGreekarchitectureistheexploiterofWestern Europeanarchitectureandisprofoundlyinfluentialonmorethantwothousandyearsof 8 湖北工业大学硕士学位论文 Europeanarchitecturaihistory． WesterncultureisChristianculture．Astheonlyandabsoluteideologyinwestern society,ChristianitybelievesthatGodisunparalleledandomnipotentandhecreates everythingintheworldanddominatesthehistory,andthatman’sancestorsAdamand EveatetheForbiddenFruit，theywerebornguiltyandcouldnothelpthemselvesbutto embraceGod，insuchawaytheycouldgototheheavenaftertheydied，ortheywould bethrownintothedisaster-riddenhell(ChenQinzhuang，2002)． 2．2．2UpwardandConspicuousStyle --ConcealingChristianDoctrines Astheonlyandabsoluteideologyinwesternsociety,Christiancultureimpacts everyfieldofpeople’Slife，andalsoinfusesthearchitecturalculturewithChristian doctrines． Religiousarchitecturehasbeenprevailingforalongtime，andmodemwestern architectureinheritsandcontinuesthisstyle． Christiantheoryofheavenandhellmakespeopleobsessedwimconfusion， fanaticism，illusionandbewilderment，andthereforethearchitecturehasgiantsize， strongspatialcomparison，mysteriouschangesofshadeandshadow,unexpectedshape， unrulyforceandunrestatmospherefranklyexternalizepeople’Sreligiouspassion(Fu Dan，2004)． ChristianitydisseminatesOriginalSindoctrine，andthespatiallayoutof architectureisaccordinglyverticallyupwardandconspicuous．Thespacious，slim， toweringandsteeple—crownedarchitectureguidesman’sspirittotheheavenwi也 obviousandoverwhelmingforce，whichdrivesmantoloI玛fordeparturefromthis disaster-strickenworldfullofsinandflytothechanningheaven．Thisshowsthe philosophyof“standingalooffromworldlyaffairs'’ ． ChristianityproducesthetriuneGodwhocreatestheworldandatonesforhuman being’Ssin,andpeopleworshipGodtopurifytheirsouls．However,‘"westerntheology doesnotrejectmaterials，whileeasterntheologydoes'’(WangPeiying，2007)．Western peopleadmitandcreatematerials，andtheirworldoutlookisthatman’spowerand wisdomCanconquereverything．Manshould