On Oscar Wilde Aestheticism Art Viewpoint

On Oscar Wilde Aestheticism Art Viewpoint Paper Keywords: art concept Wilde esthetes Abstract: Aestheticism is “art for art” ideas and the mainstream. Oscar Wilde is a representative of aestheticism, he considered the United States is supreme, and with the absolute value of education, art itself is heading for. Thus, in Wilde’s view, art is a kind of “lied to” skills. Of life imitating art, not art imitating life. The nineteenth century, “art for art” ideas and diffuse Europe. “Art for Art” is the general name of a series of aesthetic ideas, is a series of literary genre of the overall program, its philosophy is: America is a kind of supreme, absolute value, art is an end in itself. The center of Aestheticism in Britain, its leaders as Oscar Wilde (1856-1900). 1 1. As the supreme value of beauty and worship of money or materialistic society at that time the contrary, esthetes aroused enthusiastic worship of beauty. Oscar Wilde said: “In this era of turmoil and chaos, strife and despair in this terrible moment, only the United States non-excellent hall, you can make people forget that people joy. We do not Quwang beautiful hall still Quwang Where then? “?” not only the United States is the time of injury, all kinds of sand, like philosophy, like the collapse of the various religious doctrines, like the autumn leaves one after another as they die, something the United States alone is all-season fun, eternal wealth. “?” How many kinds of human emotions, the United States there are many kinds of significance. America is a symbol of a variety of symbols; it reveals everything, because it does not show anything. When the U.S. to show us its own time, also shows the whole colorful world. “? the emotional point of view, in theory, there is little unique. The value of the United States have been unrestrained overstating, and in the attitude or the way of living were as follows: life should be beautiful, while the 2 life of all other values - truth, goodness, justice and wisdom, are not included in the aesthetic into the completion of is serving in such a completion (aestheticism in any one writer, are not fully develop this concept, or succeeded in bringing this idea is reflected in the creation of their own lives). Oscar Wilde in the garment deportment to marked signs are: peacock feathers, sunflowers, lilies, blue pottery, long hair, and cotton velvet breeches. This “aesthetic life” tend to be flashy, artificial form, not only can not avoid suffering, but may lead to disaster. The reality is, in esthete who were rated as pathological Oscar Wilde, the typical life of decadence. Facts have proved that only by “beauty” to guide the living will not work. The question in the United States on the esthetes idealism in life issues, he played mostly hedonistic. On the one hand, they isolated the self-reward to high-living “temple of beauty” or the art of “ivory tower” (the “self-worth pondering” is engraved in a variety of esthetes works of art in the motto); the other hand, they reluctantly willing heart a stone that he had 3 despised the bourgeois forces like indulge in pleasures of life. Wilde’s characters in his novels by Henry to help the mouth of Christopher said: “The treatment of the soul through the senses pain, through the senses of hunger and thirst to lift the soul.” ? so that will not work in real life, “America is the supreme value” of this principle, can only be transferred to the arts. 2. Alienated life and the nature of art, “All bad art is life and the natural result of Fan Gui, and is the ideal life and the natural result of an increase.” ? this as Oscar Wilde said that he yi “new aesthetic” in a principle. His contempt and even hostility. Sulcus attitude towards real life, respected to avoid the reality or exceed the real art, artistic methods and dismissive of realism. He who by means of myths, legends and ancient stories of the great creative artists (such as Homer, ace fried Rose, Shakespeare and Keats, etc.) regarded as a model, refused to show real life on the nineteenth-century art of the theme of taboo Ge-shaped groove of modern art and themes of modernity. In all fairness, as an artist or a literary genre, in 4 the way of artistic expression that has unique skills or in terms of subject choice has a special preference is normal. But Wilde’s real life cut off the source of art, not only narrowed the scope of artistic expression, but also artistic sense of reality or sense of history greatly undermined. “Art for Art” many of the writers are advocating an artificial formal beauty, the natural as some sort of vulgar, inferior, and hateful things to be excluded. Flaubert, Baudelaire and the Goncourt, and others have expressed detract from the natural tendency. Accordingly, the Oscar Wilde said: “The more we study art, the less do not care about nature. Art really reveals to us is only natural that the deficiencies in the conception, is hard to understand her uncivilized state, she was amazing Blue tone dull, and she was absolutely rough conditions. “? one-sidedness of this view is very clear: that ignored the natural material and inspiration for artists, art should not ignore the natural with the breach of the law and difficult to go beyond charm. 5 Esthete to form a paranoid mind-set: the more lightly in real life and nature, the more he is indulging in “beauty” of the primacy of worship and the arts and vice versa. Throughout the ages, many schools of aestheticians and artists have admitted that the U.S. is higher than life, art is higher than the natural, even though each have their own stand, viewpoint and method, but they certainly during the intrinsic link. Esthete to elevate the beauty and art into the lives of the extent and nature unattainable, so that they have in mind the “good art” can only be yes or some abstruse fairy tales and myths, dreamy, mysterious and strange things. 3. As the purpose of art aestheticism were unanimous in declaring the arts should not serve on any external purposes. Wilde summary of the arguments put forward by the so-called “new aesthetics” of a principle: “Art In addition to the performance of its own outside does not show anything. It and thought the same, independent lives, and purely by their 6 own route development.” ? preaching in the arts become a means of goods or utilitarian age esthetes of art the emphasis given to their own purposes, there are many positive, rational point. Its mistake was its failure to integrate the arts as a duality of purpose and means of splitting them up. This allows them to, in theory, into a dead end: it is necessary to explain “art itself,” what is to be clearly defined the scope of artistic expression and its interpretation, but also rather vague and even contradictory. Out of indulgent affection and simple imitation of the real against the kind of work, in other words, out of dissatisfaction with the mainstream literature at that time, Wilde declared: “The real artist will not allow any rough or annoying things, any cause of pain, caused by arguments and things that were controversial and sacred into the bite by the beauty of the hall. “?” As has been said, the only beautiful things are nothing to do with our things. as long as a thing to us useful or necessary, , or to some extent affect us so that our pain or joy, or to strongly arouse our sympathy, or the composition of the 7 environment we live in an extremely important part of it outside the scope of a real art. “? This fu House worship and others point of view is the same. Detached observer and independence, artistic images of clarity and objectivity, was esthetes as to be to enjoy the magic of America Dan Chung had apparently been on the aesthetics of Kant and Schopenhauer disinterestedness of aesthetic observing the impact of ideas). According to the above principles to measure the Oscar Wilde’s novel, plays and fairy tales (his fairy tale “The Happy Prince” tells of the injustice and human suffering caused by such criticism would be the reality on the suffering, involuntary surge of quasi-American way “Art Scope “), we can say: As Health-American leaders, Wilde does not belong to the” real artist “in the column. “The real art of the scope of” extremely narrow and flat, the “real artist” extremely rare. A striking contradiction of aestheticism is: to safeguard the independence and purity of art has become a subject of the lack of freedom of choice, performance methods, and so not free. Art theory of mind, or narrow roads or destined to a life of its artistic short. 8 In the “Art is an end in itself,” this issue, Oscar Wilde’s ideas are contradictory. In his memoirs, “Britain’s Renaissance”, he had emphasized the responsibility of art to arouse people’s elegant, friendly feelings, the mind used to love art for art itself, but ... ... From this, more or less inherited Oscar Wilde Aristotle said that art purification of the aesthetic tradition of art definitely has a purification of the mind, and character cultivation of the role, but also recognize the art critic can be achieved through aesthetic purposes. Art as an end and means problem, which is the art of self-discipline and his law to the question. Self-discipline (Au 7 ~ Yun) means the art of independent self-sufficiency, it is a for-itself system; heteronomy (Het bites. Nomie) refers to the relevance of art, it is external or for him. We believe that the law of self-discipline and his art as a double feature of a dialectical unity. Law from his point of view, surgery is an art as a cultural category rather than the will to exist. It is in the whole culture, a large system, and the economy, politics, 9 religion and philosophy and other social and cultural context are closely related, is by no means a self-enclosed, self-isolation system. From the self-discipline perspective, art is a relatively independent social and cultural areas, is a special social and cultural phenomenon, has its own structure, elements and patterns. Quality of words, art is neither to increase the material wealth of society, nor to the social and cognitive nature, but to trigger people’s aesthetic-hing, or to give people a sense of aesthetic pleasure. Esthete this self-regulation characteristics of the arts are exaggerating to negate the heteronomy of art, so art has become an isolated phenomenon of insulation. We believe that this art of self-discipline to use an absolute exclusion of heteronomy point is one-sided. 4. Regarded as a form of art spring-kyu, said Allan Poe, writing poetry is the rhythmical creation of beauty. Pater believed that the realm of art music, yet to be achieved. Oscar Wilde also revel in the charm of rhythm, he is the most perfect music as an art form, because “Music can never reveal its 10 ultimate secret,” “America in the form of a major characteristic is that it can be left to you to really want to things to be added, brushing from which you want to see their contents. “ . The rhythm they say, has not limited its rhetorical significance, rhythm, giving works of art in the form of the United States, also gave works of art in order to Culvert to be satisfied that the performance of the artist’s idea, subject or content of the overall beauty. Esthete pairs of exquisite art form and rhythm (or the poetic musical) and pay attention to is not without merit. From an artistic point of view of progress, or to enhance artistic expression from the point of view, this is the contribution of its advantages, or lies. The real art of innovation, in large part the form of innovation. Form, is a measure of art and an important criterion for the non-art. It can be said for quick success of the mind is not the aesthetic mind, shoddy work is not art. Of course, esthete demonstrated the concept of the artist, subject or content is picked apart by the. As mentioned above, the division of Oscar Wilde “The real art of the scope of a” 11 very narrow-minded. Aestheticism in the relish in the “rhythm”, the neglect of those who will inevitably act on the art form spirit of the times, the social reality or cultural, psychological and other factors, they have performed dismally the “temple of beauty,” filled with cold winter’s gloomy atmosphere. Oscar Wilde opposed to the direct revelation of the artist or purely emotional subjective self-expression, thus he stressed form, it is justified. Stressed in form from the forms of worship, it biased the. “Form is everything,” “... ... From forms of worship starting, there was no you can not see the mystery of the art”, “not only in the arts which is the case, every area of life, the form is the starting point of all things . “ @ Has been isolated to worship the “form” has become a priori categories, has become the content of primitive art, or even dominate. In this way, the content is not only attached to the form, but also completely blanking in the form of “bottomless pit” where the. Reposted elsewhere in the paper for free download ..com 12 5. Lies the art of Oscar Wilde believed that the majority of nineteenth-century literature were inexplicably worn with a mediocre reputation, one main reason is: many writers develop a kind of morbid, unhealthy habit of telling the truth, and the write-through too often true that no one will believe that his probability of fiction in the end. “If you do not want to stop or at least change our approach to the facts of the absurdity of this cult, art becomes lifeless, the United States to disappear from the earth.” As a result, Oscar Wilde proposed a concept to shock the world - lying, he re - Zhen, in his view already decrepit clamor of the art of lying. “Lying” about the art of the tendency in the West in the eighteenth century literary theory has emerged, which tend to go beyond the art of nature With the imitation of the principle of completely separated, and with the experience of the Department’s world, no 1000. Wilde’s so-called “lie” is actually deviate from the 13 experiences of real artistic imagination or artistic fiction, he stressed that lying has its own skills, like writing poetry as an art, the only blameless form of lying is to lie The lying, its highest development is the art of lying about the US-11 instead of the real story. If the use Wilde’s “art fiction” (instead of “lying”), the concept, then at least relief of some controversy and misunderstanding. Many literary genres (including the realism) are particular about the arts fiction, also pay attention to artistic imagination, but their different understanding of the relationship between true and false, carrying ideas or imagination with the realities of life to maintain the distance is different from their own artistic treatment ( or Communication), in different ways. Even the experience of the deviation from the true art of an affirmative attitude toward the people were mostly admitted: fiction must be consistent with the usual belief (that is, the Chinese people are talking about the “customary”). In this issue, Oscar Wilde’s bias is still in the denial inherent in art and real life contact and belittle the nineteenth-century literary mainstream. 14 6. Art imitating life and life imitating art “art imitating life” is the tradition of Western literary theory since Aristotle, or that it is the principles of classical art. Romantic first time this principle was the impact of Rousseau that art is not a description of the world of experience, or replication, but emotions and feelings of the emanation. Art thus shifted the focus, the aesthetics on the sister did not achieve a decisive change, because in this case, as Cassirer says: “Art will remain a replication, though not as physical objects The replication of things, but became the right of our internal life, our feelings and emotions of the replication. “? In “The Decay of Lying,” a text, Wilde made his a ‘new aesthetic “of a principle: Life imitating art imitating life of art rather Zi. This is easily his most original and most controversial arguments, one of he was confident that argument, “in art history, cast a new light.” In his view, the existence of all things is but art is not a perfect imitation, “art will be living as part of their material, re-create it, give it a new form of ... ... ““ Literature has always precedence on life. It is not to 15 imitate it, but cast it according to its own purposes. “0” Life is the best art students, art students only. “? From the perspective of everyday experience, Wilde proved that life imitating art imitating life, is not only the result of instinct, but also a result of this fact: The purpose of life is to seek self-conscious performance; art as it provides some form of beauty, through which form, which can be implemented it is the kind of positive activities. in the visual arts and literature, have this kind of phenomenon: a great artist invented a classic, life is trying to imitate it, and in popular forms of copying it ... ... In Oscar Wilde, where art has become the ideal life and the natural model, the artist became the omnipotent God (... to create and destroy many of the world, you can use a red moon from the sky to pull away). Indeed, art can be a carrier, or imagine an ideal embodiment of the artist’s creation is a never-ending. But Oscar Wilde exaggerate “art is higher than life” to this principle, and consciously between art and life in establishing a “non-intrusion barrier.” Moreover, the Oscar Wilde ignores two essential premises: First, life has precedence 16 in art, life has been a source of art; second, only when the development of the arts to a certain stage, it was to play its active role in consciously. In this way, Wilde on the “life imitating art” made by the rich in original ideas with a strong argument on the subjective assumption or transcendentalism colors. As for the induction of life imitating art to make a comprehensive analysis of the phenomenon, although with a strong persuasive, but not enough to prove that “life imitating art imitating art even more than life.” In short, “Life imitating art imitating art even more than life” of this aesthetic principle, broke through the “art imitating life” one-way model, in order to examine the relationship between art and life, provided a new perspective on life and art of the objective have put forward higher requirements. However, as Oscar Wilde in the stand, viewpoint and method of bias, we can only have abandoned the premise of absorbing its reasonable factors. This principle involves the arts and arts outside of their own many of the problems, Wilde unable to answer. Aestheticism of the sink that advertised it difficult to overcome the art has its own weaknesses, you’re 17 not living the good teachers; it to establish the ideal of completely cut off because of contact with reality, and thus to a large extent is not realistic utopia. Aestheticism in the treatment of hair on the temples and art issues, there is a serious, rational side, and when they realized that the United States and irreconcilable with the arts are facing a hostile world, and when they are fanatical worship of beauty and art of the time, and exposed the out the impetuous, irrational side. Esthete hold deep resentment of social reality but can not find the way to change the reality, which is its class limitations; their environment, the arts are deeply anxious, hard way to explore the arts, which is very valuable, and its artistic limitations is: struggling to find a “way out” is trying to isolate art and real life, which is obviously not the real way out. By Oscar Wilde’s aestheticism represented as a product of 18 specific historical conditions, as early as a hundred years ago on the sink, and gone forever. Artificially revive “art for art” of thinking or aesthetic movement’s attempt is not only inappropriate, but also impossible. Notes ? ? ? Oscar Wilde: “Britain’s Renaissance.” See “Aestheticism”, China Renmin University Press, 1988. ? ? 17 Oscar Wilde: “As artists, critics,” see “aestheticism.” ? Oscar Wilde: “Dorian Gray’s portrait,” a quote from “Aestheticism”, p. 426. 19 ? ? ? ? 12.14.15.16 Oscar Wilde: “The Decay of Lying”, see “aestheticism.” 18 Cassirer: “An Essay on Man”, the Chinese translation, Shanghai Translation Publishing House, 1985, p. 180. Reposted elsewhere in the paper for free download ..com 更好的翻译建议 感谢您为 Google 翻译提供翻译建议。 提供更好的翻译建议: On Oscar Wilde Aestheticism Art Viewpoint Paper Keywords: art concept Wilde esthetes Abstract: Aestheticism is “art for art” ideas and the mainstream. Oscar Wilde is a representative of aestheticism, he considered the United States is supreme, and with the absolute value of education, art itself is heading for. Thus, in 20 Wilde’s view, art is a kind of “lied to” skills. Of life imitating art, not art imitating life. The nineteenth century, “art for art” ideas and diffuse Europe. “Art for Art” is the general name of a series of aesthetic ideas, is a series of literary genre of the overall program, its philosophy is: America is a kind of supreme, absolute value, art is an end in itself. The center of Aestheticism in Britain, its leaders as Oscar Wilde (1856-1900). 1. As the supreme value of beauty and worship of money or materialistic society at that time the contrary, esthetes aroused enthusiastic worship of beauty. Oscar Wilde said: “In this era of turmoil and chaos, strife and despair in this terrible moment, only the United States non-excellent hall, you can make people forget that people joy. We do not Quwang beautiful hall still Quwang Where then? “?” not only the United States is the time of injury, all kinds of sand, like philosophy, like the collapse of the various religious doctrines, like the autumn leaves one after another as they die, something the United States alone is all-season fun, eternal wealth. “?” How many kinds of human emotions, the United States there 21 are many kinds of significance. America is a symbol of a variety of symbols; it reveals everything, because it does not show anything. When the U.S. to show us its own time, also shows the whole colorful world. “? the emotional point of view, in theory, there is little unique. The value of the United States have been unrestrained overstating, and in the attitude or the way of living were as follows: life should be beautiful, while the life of all other values - truth, goodness, justice and wisdom, are not included in the aesthetic into the completion of is serving in such a completion (aestheticism in any one writer, are not fully develop this concept, or succeeded in bringing this idea is reflected in the creation of their own lives). Oscar Wilde in the garment deportment to marked signs are: peacock feathers, sunflowers, lilies, blue pottery, long hair, and cotton velvet breeches. This “aesthetic life” tend to be flashy, artificial form, not only can not avoid suffering, but may lead to disaster. The reality is, in esthete who were rated as pathological Oscar Wilde, the typical life of decadence. Facts have proved that only by “beauty” to guide the living will not work. The question in the United States on the esthetes idealism in 22 life issues, he played mostly hedonistic. On the one hand, they isolated the self-reward to high-living “temple of beauty” or the art of “ivory tower” (the “self-worth pondering” is engraved in a variety of esthetes works of art in the motto); the other hand, they reluctantly willing heart a stone that he had despised the bourgeois forces like indulge in pleasures of life. Wilde’s characters in his novels by Henry to help the mouth of Christopher said: “The treatment of the soul through the senses pain, through the senses of hunger and thirst to lift the soul.” ? so that will not work in real life, “America is the supreme value” of this principle, can only be transferred to the arts. 2. Alienated life and the nature of art, “All bad art is life and the natural result of Fan Gui, and is the ideal life and the natural result of an increase.” ? this as Oscar Wilde said that he yi “new aesthetic” in a principle. His contempt and even hostility. Sulcus attitude towards real life, respected to avoid the reality or exceed the real art, artistic methods and dismissive of realism. He who by means of myths, legends and ancient stories of the great creative artists (such as Homer, ace fried Rose, Shakespeare and Keats, etc.) regarded as a model, 23 refused to show real life on the nineteenth-century art of the theme of taboo Ge-shaped groove of modern art and themes of modernity. In all fairness, as an artist or a literary genre, in the way of artistic expression that has unique skills or in terms of subject choice has a special preference is normal. But Wilde’s real life cut off the source of art, not only narrowed the scope of artistic expression, but also artistic sense of reality or sense of history greatly undermined. “Art for Art” many of the writers are advocating an artificial formal beauty, the natural as some sort of vulgar, inferior, and hateful things to be excluded. Flaubert, Baudelaire and the Goncourt, and others have expressed detract from the natural tendency. Accordingly, the Oscar Wilde said: “The more we study art, the less do not care about nature. Art really reveals to us is only natural that the deficiencies in the conception, is hard to understand her uncivilized state, she was amazing Blue tone dull, and she was absolutely rough conditions. “? one-sidedness of this view is very clear: that ignored the natural material and inspiration for artists, art should not ignore the natural with the breach of the law and difficult to go beyond charm. 24 Esthete to form a paranoid mind-set: the more lightly in real life and nature, the more he is indulging in “beauty” of the primacy of worship and the arts and vice versa. Throughout the ages, many schools of aestheticians and artists have admitted that the U.S. is higher than life, art is higher than the natural, even though each have their own stand, viewpoint and method, but they certainly during the intrinsic link. Esthete to elevate the beauty and art into the lives of the extent and nature unattainable, so that they have in mind the “good art” can only be yes or some abstruse fairy tales and myths, dreamy, mysterious and strange things. 3. As the purpose of art aestheticism were unanimous in declaring the arts should not serve on any external purposes. Wilde summary of the arguments put forward by the so-called “new aesthetics” of a principle: “Art In addition to the performance of its own outside does not show anything. It and thought the same, independent lives, and purely by their own route development.” ? preaching in the arts become a means of goods or utilitarian age esthetes of art the emphasis given to their own purposes, there are many positive, rational 25 point. Its mistake was its failure to integrate the arts as a duality of purpose and means of splitting them up. This allows them to, in theory, into a dead end: it is necessary to explain “art itself,” what is to be clearly defined the scope of artistic expression and its interpretation, but also rather vague and even contradictory. Out of indulgent affection and simple imitation of the real against the kind of work, in other words, out of dissatisfaction with the mainstream literature at that time, Wilde declared: “The real artist will not allow any rough or annoying things, any cause of pain, caused by arguments and things that were controversial and sacred into the bite by the beauty of the hall. “?” As has been said, the only beautiful things are nothing to do with our things. as long as a thing to us useful or necessary, , or to some extent affect us so that our pain or joy, or to strongly arouse our sympathy, or the composition of the environment we live in an extremely important part of it outside the scope of a real art. “? This fu House worship and others point of view is the same. Detached observer and independence, artistic images of clarity and objectivity, was esthetes as to be to enjoy the magic of America Dan Chung 26 had apparently been on the aesthetics of Kant and Schopenhauer disinterestedness of aesthetic observing the impact of ideas). According to the above principles to measure the Oscar Wilde’s novel, plays and fairy tales (his fairy tale “The Happy Prince” tells of the injustice and human suffering caused by such criticism would be the reality on the suffering, involuntary surge of quasi-American way “Art Scope “), we can say: As Health-American leaders, Wilde does not belong to the” real artist “in the column. “The real art of the scope of” extremely narrow and flat, the “real artist” extremely rare. A striking contradiction of aestheticism is: to safeguard the independence and purity of art has become a subject of the lack of freedom of choice, performance methods, and so not free. Art theory of mind, or narrow roads or destined to a life of its artistic short. In the “Art is an end in itself,” this issue, Oscar Wilde’s ideas are contradictory. In his memoirs, “Britain’s Renaissance”, he had emphasized the responsibility of art to arouse people’s elegant, friendly feelings, the mind used to love art for art itself, but ... ... From this, more or less inherited Oscar Wilde Aristotle said that art purification of the aesthetic 27 tradition of art definitely has a purification of the mind, and character cultivation of the role, but also recognize the art critic can be achieved through aesthetic purposes. Art as an end and means problem, which is the art of self-discipline and his law to the question. Self-discipline (Au 7 ~ Yun) means the art of independent self-sufficiency, it is a for-itself system; heteronomy (Het bites. Nomie) refers to the relevance of art, it is external or for him. We believe that the law of self-discipline and his art as a double feature of a dialectical unity. Law from his point of view, surgery is an art as a cultural category rather than the will to exist. It is in the whole culture, a large system, and the economy, politics, religion and philosophy and other social and cultural context are closely related, is by no means a self-enclosed, self-isolation system. From the self-discipline perspective, art is a relatively independent social and cultural areas, is a special social and cultural phenomenon, has its own structure, elements and patterns. Quality of words, art is neither to increase the material wealth of society, nor to the social and cognitive nature, but to trigger people’s aesthetic-hing, or to give people a sense of aesthetic pleasure. Esthete this 28 self-regulation characteristics of the arts are exaggerating to negate the heteronomy of art, so art has become an isolated phenomenon of insulation. We believe that this art of self-discipline to use an absolute exclusion of heteronomy point is one-sided. 4. Regarded as a form of art spring-kyu, said Allan Poe, writing poetry is the rhythmical creation of beauty. Pater believed that the realm of art music, yet to be achieved. Oscar Wilde also revel in the charm of rhythm, he is the most perfect music as an art form, because “Music can never reveal its ultimate secret,” “America in the form of a major characteristic is that it can be left to you to really want to things to be added, brushing from which you want to see their contents. “ . The rhythm they say, has not limited its rhetorical significance, rhythm, giving works of art in the form of the United States, also gave works of art in order to Culvert to be satisfied that the performance of the artist’s idea, subject or content of the overall beauty. Esthete pairs of exquisite art form and rhythm (or the poetic musical) and pay attention to is not without merit. From an 29 artistic point of view of progress, or to enhance artistic expression from the point of view, this is the contribution of its advantages, or lies. The real art of innovation, in large part the form of innovation. Form, is a measure of art and an important criterion for the non-art. It can be said for quick success of the mind is not the aesthetic mind, shoddy work is not art. Of course, esthete demonstrated the concept of the artist, subject or content is picked apart by the. As mentioned above, the division of Oscar Wilde “The real art of the scope of a” very narrow-minded. Aestheticism in the relish in the “rhythm”, the neglect of those who will inevitably act on the art form spirit of the times, the social reality or cultural, psychological and other factors, they have performed dismally the “temple of beauty,” filled with cold winter’s gloomy atmosphere. Oscar Wilde opposed to the direct revelation of the artist or purely emotional subjective self-expression, thus he stressed form, it is justified. Stressed in form from the forms of worship, it biased the. “Form is everything,” “... ... From forms of worship starting, there was no you can not see the mystery of the art”, “not only in the arts which is the case, every area of 30 life, the form is the starting point of all things . “ @ Has been isolated to worship the “form” has become a priori categories, has become the content of primitive art, or even dominate. In this way, the content is not only attached to the form, but also completely blanking in the form of “bottomless pit” where the. Reposted elsewhere in the paper for free download ..com 5. Lies the art of Oscar Wilde believed that the majority of nineteenth-century literature were inexplicably worn with a mediocre reputation, one main reason is: many writers develop a kind of morbid, unhealthy habit of telling the truth, and the write-through too often true that no one will believe that his probability of fiction in the end. “If you do not want to stop or at least change our approach to the facts of the absurdity of this cult, art becomes lifeless, the United States to disappear from the earth.” As a result, Oscar Wilde proposed a concept to shock the world - lying, he re - Zhen, in his view already decrepit clamor of the art of lying. “Lying” about the art of the tendency in the West in the eighteenth century literary theory has emerged, which tend to go beyond the art 31 of nature With the imitation of the principle of completely separated, and with the experience of the Department’s world, no 1000. Wilde’s so-called “lie” is actually deviate from the experiences of real artistic imagination or artistic fiction, he stressed that lying has its own skills, like writing poetry as an art, the only blameless form of lying is to lie The lying, its highest development is the art of lying about the US-11 instead of the real story. If the use Wilde’s “art fiction” (instead of “lying”), the concept, then at least relief of some controversy and misunderstanding. Many literary genres (including the realism) are particular about the arts fiction, also pay attention to artistic imagination, but their different understanding of the relationship between true and false, carrying ideas or imagination with the realities of life to maintain the distance is different from their own artistic treatment ( or Communication), in different ways. Even the experience of the deviation from the true art of an affirmative attitude toward the people were mostly admitted: fiction must be consistent with the usual belief (that is, the Chinese people are talking about the “customary”). In this issue, Oscar 32 Wilde’s bias is still in the denial inherent in art and real life contact and belittle the nineteenth-century literary mainstream. 6. Art imitating life and life imitating art “art imitating life” is the tradition of Western literary theory since Aristotle, or that it is the principles of classical art. Romantic first time this principle was the impact of Rousseau that art is not a description of the world of experience, or replication, but emotions and feelings of the emanation. Art thus shifted the focus, the aesthetics on the sister did not achieve a decisive change, because in this case, as Cassirer says: “Art will remain a replication, though not as physical objects The replication of things, but became the right of our internal life, our feelings and emotions of the replication. “? In “The Decay of Lying,” a text, Wilde made his a ‘new aesthetic “of a principle: Life imitating art imitating life of art rather Zi. This is easily his most original and most controversial arguments, one of he was confident that argument, “in art history, cast a new light.” In his view, the existence of all things is but art is not a perfect imitation, “art will be living as 33 part of their material, re-create it, give it a new form of ... ... ““ Literature has always precedence on life. It is not to imitate it, but cast it according to its own purposes. “0” Life is the best art students, art students only. “? From the perspective of everyday experience, Wilde proved that life imitating art imitating life, is not only the result of instinct, but also a result of this fact: The purpose of life is to seek self-conscious performance; art as it provides some form of beauty, through which form, which can be implemented it is the kind of positive activities. in the visual arts and literature, have this kind of phenomenon: a great artist invented a classic, life is trying to imitate it, and in popular forms of copying it ... ... In Oscar Wilde, where art has become the ideal life and the natural model, the artist became the omnipotent God (... to create and destroy many of the world, you can use a red moon from the sky to pull away). Indeed, art can be a carrier, or imagine an ideal embodiment of the artist’s creation is a never-ending. But Oscar Wilde exaggerate “art is higher than life” to this principle, and consciously between art and life in establishing a “non-intrusion barrier.” Moreover, the Oscar Wilde ignores two essential premises: First, life has precedence 34 in art, life has been a source of art; second, only when the development of the arts to a certain stage, it was to play its active role in consciously. In this way, Wilde on the “life imitating art” made by the rich in original ideas with a strong argument on the subjective assumption or transcendentalism colors. As for the induction of life imitating art to make a comprehensive analysis of the phenomenon, although with a strong persuasive, but not enough to prove that “life imitating art imitating art even more than life.” In short, “Life imitating art imitating art even more than life” of this aesthetic principle, broke through the “art imitating life” one-way model, in order to examine the relationship between art and life, provided a new perspective on life and art of the objective have put forward higher requirements. However, as Oscar Wilde in the stand, viewpoint and method of bias, we can only have abandoned the premise of absorbing its reasonable factors. This principle involves the arts and arts outside of their own many of the problems, Wilde unable to answer. Aestheticism of the sink that advertised it difficult to overcome the art has its own weaknesses, you’re not living the good teachers; it to establish the ideal of 35 completely cut off because of contact with reality, and thus to a large extent is not realistic utopia. Aestheticism in the treatment of hair on the temples and art issues, there is a serious, rational side, and when they realized that the United States and irreconcilable with the arts are facing a hostile world, and when they are fanatical worship of beauty and art of the time, and exposed the out the impetuous, irrational side. Esthete hold deep resentment of social reality but can not find the way to change the reality, which is its class limitations; their environment, the arts are deeply anxious, hard way to explore the arts, which is very valuable, and its artistic limitations is: struggling to find a “way out” is trying to isolate art and real life, which is obviously not the real way out. By Oscar Wilde’s aestheticism represented as a product of specific historical conditions, as early as a hundred years ago on the sink, and gone forever. Artificially revive “art for art” of thinking or aesthetic movement’s attempt is not only inappropriate, but also impossible. 36 Notes ? ? ? Oscar Wilde: “Britain’s Renaissance.” See “Aestheticism”, China Renmin University Press, 1988. ? ? 17 Oscar Wilde: “As artists, critics,” see “aestheticism.” ? Oscar Wilde: “Dorian Gray’s portrait,” a quote from “Aestheticism”, p. 426. ? ? ? ? 12.14.15.16 Oscar Wilde: “The Decay of Lying”, see “aestheticism.” 18 Cassirer: “An Essay on Man”, the Chinese translation, Shanghai Translation Publishing House, 1985, p. 180. Reposted elsewhere in the paper for free download ..com 37