《追风筝的人》翻译中的美学体现_英语论文

《追风筝的人》翻译中的美学体现_英语 论文 政研论文下载论文大学下载论文大学下载关于长拳的论文浙大论文封面下载 ---------------------------------------------------------------范文最新推荐------------------------------------------------------ 《追风筝的人》翻译中的美学体现_英 语论文 摘要翻译作为一种跨文化活动，其与美学的“联姻”是历史定势和文化整体发展不可避免的要求。本文主要包括两部分:毛荣贵、傅仲选等人对翻译美学理论的阐述以及小说《追风筝的人》中译本中应用美学处理的具体文本 分析 定性数据统计分析pdf销售业绩分析模板建筑结构震害分析销售进度分析表京东商城竞争战略分析 。本文更加注重对范例中美学处理进行具体分析，在对比分析原著与译本的过程中，从音韵、用词、句式和意境四个方面分类阐述，争取做到有理有据，旨在体会美学对翻译的具体的积极影响。6144 关键词翻译美学美学理论美学处理对比分析 外 文 摘 要 TitleAesthetic Incarnation in Chinese Version ofThe Kite Runner 1 / 8 Abstract It is an unavoidable requirement that translation, as an intercultural activity, must unite aesthetics due to history tendency and entire development in culture. This thesis mainly contains two parts: Mao Ronggui, Fu Zhongxuan and other people’s elaboration on translation aesthetics theory; the other part is concrete examples analysis which has applied aesthetic processing in Chinese version of The Kite Runner. This thesis pays more attention to concrete analysis of various examples, and through the process of comparing original work with its Chinese version elaborates from the angles of phonetic level, lexical level, syntactic level and artistic conception level. It endeavors to combine theory with grounds, aiming to understand specific and positive influence in translation brought by aesthetics. Keywordstranslation aestheticsaesthetic theoryaesthetic processing ---------------------------------------------------------------范文最新推荐------------------------------------------------------ Modern Chinese scholar Yan Fu advocates three-character criteria in translation: faithfulness, expressiveness and elegance. These three criteria are still used by many translators. But with the improvement of academic level, more advanced and specific criteria are put forward by diligent specialists in their monographs. In the process of translation, Aesthetic subject and aesthetic object are involved which refer to translator and version respectively (Liu Miqing, 2005: 222-225). This theory is complemented: there are two aesthetic objects; they are original text and its translation, because translation involves two languages (Fu Zhongxuan, 1998: 6). In order to create a high quality translation, translator must have the awareness of where beauty lies in the original text and the target version. The beauty of English lies in its sound, word, sentence and logic (Mao 3 / 8 Ronggui, 2005: 111-181). The beauty in Chinese lies in form, sound, word, sentence and artistic conception (Mao Ronggui, 2005: 190-216). To tell the truth, there is still argument in the criteria of judging whether a version is good or not due to the fact that people’s subject sensibility varies greatly. Another factor we must take into consideration is when and where the translator stays. That is to say, translation involves so many factors that it couldn’t be concluded completely. Translation aesthetics is not the only standard. But it is an important guide theory to create good translation and to appreciate. 1.2 Definition of Translation Aesthetics Translation aesthetic is defined as following words: the research object of translation aesthetics in translation is aesthetic object which consists of original text and version. And the aesthetic subject includes the translator and the ---------------------------------------------------------------范文最新推荐------------------------------------------------------ reader. The content of translation aesthetics also includes aesthetic taste activity, aesthetic judgment and aesthetic appreciation in translation. Besides, creative aesthetic reproduction in the process of translation should be added, too (Mao Ronggui, 2005: 7). 2.2 Loyalty In Fu Zhongxuan’s monograph Practical Translation Aesthetics, he puts forward the requirement that the version be loyal to the original text in the aspect of both form and content (Fu Zhongxuan, 1998: 198-199). In order to reproduce the sense of beauty in versions, grasping and obeying to original text is preliminary. Firstly, in the aspect of form beauty, attentions are paid to at least three levels, namely, phonetic level, lexical level and syntactic level. Rhythm is the most obvious character in 5 / 8 phonetic level. Given the fact that there are huge differences between phylums, rhythm in accordance with original text is not a must. But if it can be achieved, luster and reading enjoyment are added. The suffix of words, capitalization and the use of certain kinds of the punctuation such as the dash carry beauties in the lexical level. Rhetoric in syntactic level contains many kinds, and familiar ones are antithesis, parallel structure, inverted sentences and repetition. In the aspect of content beauty, Fu has mentioned three parts: original meaning, applied meaning and inner meaning in languages ( Fu Zhongxuan, 1998: 32-43). It is well-known that sentences are made up of vocabularies. And almost every language has abundant vocabularies. Vocabularies make up sentences which show meanings which convey a great number of information. Using rhetoric is reflected through vocabularies too. It is safe to say that words’ meaning is the elementary component of text content. This thesis puts more efforts on elaboration and illustration for applied meanings. Because this part contains many remarkable phenomena of connotation, it is one of ways to make languages vivid and powerful, and through using connotation come many ---------------------------------------------------------------范文最新推荐------------------------------------------------------ rhetorical phenomena (Fu Zhongxuan, 1998: 28-38). These rhetorical phenomena consist of simile, metaphor, synecdoche, personification, irony, hyperbole, euphemism and so on. And these could be found in English novel The Kite Runner, so attention is paid to the corresponding part in its Chinese version about these rhetorical phenomena. 3. Aesthetic Representation in The Kite Runner This part will give concrete examples and elaborations on the topic from the angels of four levels and try to conduct a relatively in-depth analysis. 3.1 Beauty of Sound 7 / 8 Unlike poetry, idioms and verse, novels do not bear many remarkable characteristics in the phonetic level. However, writers can add more literary appeal to novels through adopting some devices in the phonetic level so that translators do the job to the target version. The Chinese translator of The Kite Runner bears that in mind and he deals with the process of translation carefully and skillfully in order to save aesthetic value points in the original text. The aesthetic representation in the phonetic level can be represented by rhetoric devices such as onomatopoeia. A good example is illustrated in following content. 《追风筝的人》翻译中的美学体现(4):