红色黑色及其搭配的审美意象（Red, black and Its Aesthetic Imagery）

红色黑色及其搭配的审美意象（Red, black and Its Aesthetic Imagery） 红色黑色及其搭配的审美意象(Red, black and Its Aesthetic Imagery) Red and black collocation of aesthetic images The Art Department of Sichuan Pengzhou Li Ying Chengdu Teachers College Abstract: red and black is a very important color not only has its own rich connotation and their collocation use is extremely well in the use of color. This paper tries to expound it from the color of the physical and symbolic aspects. Keywords red black Red and black total people and evil, life and death, sunlight and shadow, sound and silence, radical and conservative feeling. Although they are extreme opposition but unspeakable common will this pair of contradictions at the same time using color is undeniable classic use of color collocation. First, from the physical color of red and black Black has a dual nature. From the perspective of pigment it is the sum of all colors from the optical perspective it was blank without a trace of light is the abstraction and generalization of a dark color of the world. Take it and the other colors together always have strong contrast effect. For example, black and white is one of the absolute contrast color a bright and dark light and there is also no color attribute. Again, this is a combination of black and yellow color collocation of the most visual impact however white and yellow is too thin and black collocation can highlight too much one party or the other party is too weak. With such a rich black and mystical color, and compete as full and should have sense is red. Red is the longest wavelength in the visible spectrum, the color sense of color. It's a long tone mixed with other colors can produce abundant changes. The red and black collocation is the strength of the contest. Two, red and black in the original art from the beginning of the importance of using the color red and black two colors is closely related to humans. Primitive people are both common features of eastern and western use of color in the spontaneous spirit in the hierarchy is pure and simple. Red and black collocation of ancient human lit red flame in the darkness of the simple and strong impression. Black symbolizes the mysterious natural red represents conquer the forces of nature. The original people of coloring on itself and coloring on the color of the object is given the function of incantations. It is the scope of live in Asia, Africa, Europe seven thousand years ago the Neanderthals began with red brown and black modified body they will symbol life blood red painted on the tombstone and hope remains the dead. The red is very easy to extract by but the original life and witness the blood from the animal and human blood. Black is extracted from the charcoal powder or burned bones is a symbol of death. The ancient Egyptian murals in the God of the underworld of the deceased judge Osiris's face is always coated with black the faithful servant of the image of Anand Biss Dland has always been to black head performance. The original love also represents a hunting and war with red in the dark cave scene. In many ancient tombs of the red and black decoration are emerging as the main color. The ceramics are mostly prehistoric black red in natural soil red or black purple base painted black and red. For example, "Yangshao culture" and the subsequent "Majiayao culture" period pottery mainly "black painted red", "red, black and white pottery" and "red, black and white color pottery pottery Taiyou mainly in red and gray, 36 black. The primitive instinct to find the most stable color system color: black, white and red. These painted pottery produced distinct sensory stimuli at the time of human material with simple conditions under natural conditions will undoubtedly. Three, the red and black China with special status in the traditional color Red and black China has always been in the traditional color plays an important role. The simplest example is black and red antithetical couplet is a good collocation there are both happiness and moderately calm is the best embodiment and the national character of China. At the same time the black Guan represents loyalty two colors also has strong symbolism such as traditional opera face ruddy Bao on behalf of honest. Chinese color view with Yin Yang and the five elements associated is a very subjective color view represents the spirit of Oriental culture philosophy color system. "Zhou Li? 9? 9 Dong Guan Kao Gong Ji" said: "the thing of colored painting. Is that the South East Qinghai red said that North Western White black. That day to call Xuan huang. Blue and white is also red and black are also Xuan and yellow phase time." It is colored by blue, red and yellow three colors plus black and white two colour which composed of red and black respectively in summer and winter and winter Zhu Ming Xuan Suzaku South and North Xuanwu represent two extremes. Black is the most respected color in the China tradition. "The day Xuan Rehmannia" days of color to the black square in the most sacred north is black. According to the record since the summer began to set up the special status of black. "9 90" Han Feizi?? article said: "Yao Shun by zencosmos. As the afternoon is cut hill and wood saw repair paint ink on the wake in the house of Liwu is lost...... Shun zencosmos and biographies of Yu Yu as sacrificial ink in the outer ink painting." The ink is the trend of development has been. After the Qin Dynasty unified color of clothing and its color is black. Significant visible position in the development of Chinese black in color is the result of long-term accumulation and the formation of aesthetic psychology. This tradition of advocating Black influenced later understanding and use of color. Lao Tzu said: "the mystery of mysteries gateway." The black circles and the world beyond the birth color finally evolved into a Chinese painting in the "ink thinking". Black became fit with the nature of the spirit of the individual spirit. Red is the China system of color and black color are equally important. "The book of Rites" records: "the emperor Dan Cang Huang Shi vassal black doctor." Red and black "has been accompanied by the red and black phase time". From the unearthed ceramics can be seen in the black and red juxtaposition produced by solemn stable color effect has been fully recognized. Wang Guowei said "Hu Fu Kao" "Han Shang Chi" Han Jiang Yi Chi Ze often with "Han courtiers and military service so". To the Ming Dynasty is also used in red robes. Red is a typical warm exciting symbol of the sun and fire it is booming, the most favorable auspices. In the folk auspicious red as the color is still in a variety of widely used auspicious wedding. As the wedding package with red all instruments and to greet the new year with the cards, door, lanterns, artillery and wear red to the evil of the customs. Compared with yellow and purple color in the use of traditional China in totalitarian position more humane some red. Four, the black color collocation Kandinsky effects will have red and black with an angle of 90 degrees is 180 degrees. Right angle of peace is stable, so it can be a sense of balance in the black two colors have the same psychological stability. Black is the color of light absorption in all color components, it is the strongest sense it symbolizes the steadfast, energetic, silent. It reminds us of the nineteenth Century British gentlemen dressed in black suits, wearing a black hat and solemn piano color. It is also a symbol of status Stendhal's "red and black" in the "black" is the representative of the high officials and noble lords. Every kind of this kind of steady black sense is often used in painting such as Mondrian works late only yellow, red, blue, white and black color in these basic color which has unique character and special quality. The picture with a black line wide division and achieved stability and clarity of the effect. As the black isolation make each kind of color is isolated and specific he also reached a without modification, the layout geometry guided realism cause visual strong impression. Red is the orthodox colors of integrity, decency and justice on behalf of red. Eaton put the red color to the square. The proportion of primary colors for smooth color gamut: yellow, red, blue 3: 6: 8. That is neither too red jump too well with good sense of contraction. Once the red purple purple is tend to become evil become yellow orange red is mei. So the red people have sense of inviolability. For example, China flag "the world flag is red in at least one hundred and ten above. The red tone accounted for about 1/3". The 46 red and black but can also be typical of extreme color. Red is the symbol of the revolution means the terror and bloodshed and sacrifice such as "red and black" in the "red" represents the power of progress. If the red is synaesthesia battle trumpet blowing high pitched passionate voice make people excited mood and desire charge. English has a word "Iseered." literally translates as "I see red" free translation is "I am very angry expression image. Black represents is dead. Shakespeare described it as "black hell is the symbol of the color is dark clothes dungeon." Black in life often is a derogatory term such as black list, black, black is the symbol of evil society. When the red faced black red burst out unconquerable demonic passion and this is why the devil are wearing red and black dress collocation. Eaton's "color art" wrote: "the color of the blend to join the black yellow lost its bright features become annoying or sinister malicious yellow brilliant degree does not exist. The works of "de Chirico" insane is to use black and yellow for insanity have an irresistible force performance. Black can make it produce purple 'inherent' dark looks like night. ...... The pale blue black blue only blending a few black will all lose light...... Generally speaking Black would deprive the bright colors texture which can make the color from the light and will make them dull." The red and black admixture can produce rich color effect to reduce aggressive factors of the two color itself to moderate and peaceful grey. When the red soil like the mother to get more red than the black kindly add some black component earth like wide Brown add some black will be dignified, calm brown. These are the classical painting color tone. Due to the unique characteristics of red and black collocation makes them can produce dramatic effect and. Such as the famous "black background David Mara" death of a large area to create a dignified tragic atmosphere and the lower right corner of the red rectangle is the expression of the revolutionaries, noble sacrifice. To sum up the black two colors not only in their own colors play different roles and their collocation since ancient times is a classic and perfect collocation. The city's comments "color history" 1990 edition page first page twenty-ninth. The Hu Zhaohua "history" China Arts Southwestern Normal University press page sixth. The 5 fiich Li Guangyuan "Chinese painting color changes and the analysis of" art "" Qilu 1989 second page twenty-sixth. The "color" of Qu Manny have the "Journal of Ningxia University 1986 third page seventeenth. Bibliography 1, date of the city s, Xu Ya Jian Mo translation history "color" of the Zhejiang people's Fine Arts Publishing House 1990 edition. 2 John Eaton? 9? 9 "color art" Shanghai people's fine arts publishing house. Editor: Ji CX 56