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首页 Emperor Huizong and late Northern Song China

Emperor Huizong and late Northern Song China

Emperor Huizong and late Northe…

上传者: 2010-05-15 评分 0 0 0 0 0 0 暂无简介 简介 举报

简介:本文档为《Emperor Huizong and late Northern Song Chinapdf》,可适用于人文社科领域,主题内容包含bythePresidentandFellowsofHarvardCollegePrintedintheUnitedStatesofAmericaT符等。

bythePresidentandFellowsofHarvardCollegePrintedintheUnitedStatesofAmericaTheHarvardUniversityAsiaCenterpublishesamonographseriesand,incoordinationwiththeFairbankCenterforEastAsianResearch,theKoreaInstitute,theReischauerInstituteofJapaneseStudies,andotherfacultiesandinstitutes,administersresearchprojectsdesignedtofurtherscholarlyunderstandingofChina,Japan,Vietnam,Korea,andotherAsiancountriesTheCenteralsosponsorsprojectsaddressingmultidisciplinaryandregionalissuesinAsialibraryofCongressCataloginginPublicationDataEmperorHuizongandlateNorthernSongChina:thepoliticsofcultureandthecultureofpoliticseditedbyPatriciaBuckleyEbreyandMaggieBickfordpcm(HarvardEastAsianmonographs)IncludesbibliographicalreferencesandindexISBN(cl:alkpaper)IChinaHistorySongdynasty,SongHuizong,EmperorofChina,IEbrey,PatriciaBuckley,IIBickford,MaggieIIISeriesDSIE'dcIndexbyDavidProutPrintedonacidfreepaperLastfigurebelowindicatesyearofthisprintingIIAcknowledgmentsThisvolumehasbeeningestationforseveralyears,andalongthewaywehaveaccumulatedmanydebtsThetwoofusbegantalkingaboutHuizonginwhenwewerespendingtheyearattheInstituteforAdvancedStudyatPrincetonPatwasworkingonabookaboutHuizongandhisreignandhaddecidedtospendthatyearworkingonhisinvolvementwithartMaggiewasworkingonauspiciousimageryinChineseartanddoingachapteronHuizong'spaintingsofauspiciousobjectsandeventsAswegavetalksonourworkattheregularChinacolloquium,thearthistoryseminar,andtheonedaySymposiumonVisualDimensionsofChineseCulture,wegotfeedbackfromInstituteprofessorsandotherscholarsparticipatingintheseevents,includingJamesCahill,CharlesHartman,IrvingLavin,MarilynLavin,VictorMair,NancySteinhardt,HsingyuanTsao,andmanyothersTheresponsetoouroverlappingprojectswaspositiveenoughthatweorganizedapanelfortheAASmeetingsinwiththesametideweareusingforthisvolumeForthatoccasionwewantedtomovebeyondourpreviousfocusonartPatthereforeturnedtoHuizong'srelationswithDaoistmastersandwesolicitedpapersbyCharlesHartmanonthebanonthepartisansduringHuizong'sreignandbyRonEganonHuizong'sinvolvementwithliteraticultureInaddition,PaulSmithandJeromeSilbergeldjoinedusasdiscussantsSomanyscholarscameupafterthepaneltotellusthattheywereworkingonrelatedsubjectsthatwedecidedtoseeifwecouldn'tflndawaytogetalargergroupofpeopleinterestedinthelateNorthernSongtogetherWearegratefulthattheChinaProgramandtheEastAsiaCenterattheUniversityofWashingtonagreedtofundawork•ViAcknowledgmentsshoponthistopic,anditwasheldinFebruaryinSeattleBesidesthosewhohadparticipatedinthepanel,thistimewewerejoinedbyPeterBol,ElizabethBrotherton,SusanBush,HughClark,DavidKnechtges,AriLevine,FredaMurck,andStephenWestThosewhohadgivenpapersattheAASgavenewpapersthistime,generallybecauseourearlierpapersweretobepublishedelsewhereThuswehadtenessentiallynewpapersonthatoccasionTheSeattleworkshopturnedouttobeaverystimulatingoccasion,andbythetimeitwasoverwewereconfidentthatwehadthemakingsofastrongvolumeStill,wewantedtodomorethereweretoomanydimensionsofcourtcultureandlearningthatnoneofusknewmuchaboutandwedecidedtoseeifwecouldrecruitscholarswillingtoexaminemusic,science,andreformprogramsatHuizong'scourtWeapproachedJohnChaffee,AsafGoldschmidt,andJosephLamandwereabletoconvinceallthreeofthemtowritepapersforourvolumeThenextacademicyear,,bothMaggieandPathadthegoodfortunetogetGuggenheimFellowshipstoworkontheirbooksPerhapsthatsparkedourdecisiontotrytogeteveryonetogetheroncemoreWeknewabetterfinalbookwouldresultifthethreenewpaperwritershadachancetointeractwiththerestofthegroupBesides,someofthosewhohadpresenteddraftsinSeattlewereplanningsubstantiallyrevisedpapersforthevolume,anditwouldbebestifeveryonehadthechancetodiscussthemThistimewewerefortunatethatunitsatBrownwereabletofundus,includingtheThomasJWatsonCenterforInternationalStudies,theProvost'sContingencyFund,andtheDepartmentsofHistoryofArtandArchitectureandofEastAsianStudiesWemetinProvidenceinDecember,andthistimewereabletoinvolveseveralnewdiscussants:RichardLDavis,RobertEHarristJr,DoreJLevy,andJuliaKMurrayOneofthemanySongscholarswhoattendedtheBrownsymposiumwasTsuyoshiKojima,visitingHarvardfromTokyoUniversityInhisworkonSongintellectualhistory,hehadconcentratedonthefinalyearsoftheNorthernSong,andwewereabletotalkhimintojoiningourprojectbywritingapaperforthevolumeWeareindebtedtoByoungheeMinofHarvardfortranslatinghispaperfromJapaneseforusStillwefeltthevolumewouldbeincompletewithoutsometreatmentofHuizong'sinvolvementwithDaoismLuckily,wewereabletoconvinceShinyiChaotojoinourprojectandwritesuchapaperAcknowledgments••VllFinallywewouldliketothankourgroupofauthors,whohavebeenapleasuretoworkwithfromthebeginningWelearnedalotfromoneanother,perhapsespeciallywhenwefoundourselvesdisagreeingPBEMBTables,Maps,andFiguresAbbreviationsChronologyContributorsIntroductionContentsPatriciaBuckleyEbreyPartICourtPoliticsandPolicies•Xl•XlVXV••XVllHuizong,CaiJing,andthePoliticsofReformJohnChaffeeIrredentismasPoliticalCapital:TheNewPoliciesandtheAnnexationofTibetanDomainsinHehuang(theQinghaiGansuHighlands)UnderShenzongandHisSons,PaulJakovSmithTermsofEstrangement:FactionalDiscourseintheEarlyHuizongReign,AriDanielLevinePartIIImperialIdeologyEmperorsCanClaimAntiquityToo:EmperorshipandAutocracyUndertheNewPolicies,PeterKBolxContentsTuningandNumerologyintheNewLearningSchoolTsuyoshiKojimaPartIIIExtendingtheImperialPresenceHuizong'sStoneInscriptionsPatriciaEbreyHuizong'sImpactonMedicineandonPublicHealthAsafGoldschmidtHuizongandtheDivineEmpyreanPalaceTempleNetworkShinyiChaoPartIVTheEmperorandtheArtsHuizong'sPalacePoemsRonaldEganHuizong'sDashengyue,aMusicalPerformanceofEmperorshipandOfficialdomJosephSCLamIIHuizong'sPaintings:ArtandtheArtofEmperorshipMaggieBickfordPartVWho'sTellingtheStoryRethinkingtheSourcesATextualHistoryofCaiJing'sBiographyintheSongshiCharlesHartmanCrossingOver:HuizongintheAfterglow,ortheDeathsofaTroublingEmperorStephenHWestIndexTables)Maps)andFiguresTablesIIAdvisoryOfficestaff,IChronologyofpoliticsandreform,IIHuizong'sstoneinscriptionswithsurvivingtextsEightConductsstelesthatsurvivedtoberecordedbyQingorlaterepigraphersNewmedicaltitlesenhancingtheprestigeofphysiciansMapsSongfrontierontheeveoftheHehuangannexationAnnexationofHehuang,IIIFiguresfollowingpCaiJingcalligraphyofthetitlefortheBiyongstele,IIHuizong'scalligraphyontheBiyongstele,IIHuizong'scalligraphyontheEightConductssteleinTaianHuizong'scalligraphyontheEightConductsstele,IHuizong'scalligraphyontheSteleonAppearanceofSpiritsinKunmingHall,IIIHuizong'scalligraphyontheDivineEmpyreanTemplestele,InxiiTables,Maps,andFiguresHuizong'stranscriptionoftheThousandCharacterClassicinregularscript,Huizong'stranscriptionoftwopoems,beginning"wishtoborrow,"ndExamplesofHuizong'sstopsfromfourearlycalligraphiesExamplesofHuizong'snastrokesfromfourearlycalligraphiesExamplesofHuizong'spiestrokesfromfourearlycalligraphiesExamplesofHuizong'shooksfromfourearlycalligraphiesCaiJing'scursivescriptcalligraphy,lettertoJiefu,ndXueJi'scalligraphyonSteleforChanMasterXinxing,ChuSuiliang'scalligraphyforYanPagodaPrefacestotheBuddhistCanon,XueYao'scalligraphyofpoems,HuangTingjian'scalligraphyonsteleforBoyiandShuqiChongningandDaguancoinsHuizong'sEdictforXiangYuzhi,ndHuizong'sEdictforXiangYuzhi,nd,detailMusicexampleI:"WelcomingtheDeities"SongshipresentationoftheDashengfu"WelcomingtheDeities"LateNorthernSongKaifenganditsritualmusicalsitesAsetofsixteenbellchimesTheeightclassesofmusicalinstrumentsandfourteensamplesAlateNorthernSongcourtyardorchestraanditsarrangementofmusicalinstrumentsMusicexample:JiangKui,"Zhishao"followingpILlHuizong,TheFiveColoredParakeetonaBlossomingApricotTreeHuizong,CranesifGoodOmenHuizong,AuspiciousDragonRockTables,Maps,andFiguresIHuizong,HibiscusandGoldenPheasantIHuizong,WaxPlumandBirdsHuizong,FloweringPeachandDoveHuizong,FinchesandBambooHuizong(attributed),CatIHuizong(attributed),ImperialHawkIIIOUnidentifiedartist(latethc),Sparrows,PlumBlossoms,andBambooIIIIHuangQuan(attributed),StudiesfromNatureUnknownmakers,rubbingofGoodOmenslab,WuLiangShrine(CE)Unknownmaker(thc),Dunhuang,AuspiciousOmensIllustratedUnknownmaker,IllustrationtheImperialGuardHonor,Unknownmakers(Jindynasty),"CraneMantle"Anonymous(Songdynasty),ImmortalsinaMountainPalaceThegrowthanddevelopmentoftheSongshibiographyofCaiJing•••XAbbreviationsCBXuZiZhitongjianchangbiantiik,byLiTao*l(III)UsuallywecitetheBeijing,Zhonghuapunctuatededition,butwhennecessarytheolderZhejiangshujuedition,citedtojuanandfolio,asinnpaCBSBXuZiZhitongjianchangbianshibu(eithertheZhonghuashujupunctuatededition,citedbypage,orareprintoftheZhejiangshujuedition,citedbyjuanandfolio)CSCCongshujichengitf<SBBYSibube!JaolmgHSBCKSibucongkanlmitflJSKQSSikuquanshulm'*:SSSongshi*t,edTuoTuoIDtIDt()etal(Beijing:Zhonghuashuju,)SHY*t,edXuSong{t{'A()etalBeijing:Zhonghuashuju,)SBMXuZiZhitongjianchangbianjishibenmo*iik**(ca),byYangZhongliang:fIiptt()InSongshizjliaocuibian(Taibei:Wenhaichubanshe,)ChronologyXiadynasty,caBCEShangdynasty,caBCEZhoudynasty,BCEQindynasty,BCEHandynasty,BCECEThreeKingdoms,(Western)Jindynasty,NorthernandSouthernDynasties,Suidynasty,Tangdynasty,FiveDynasties,Songdynasty,Liaodynasty(Khitans),NorthernSongdynasty,Taizu,rTaizong,rZhenzong,rRenzong,rYingzong,rwife,EmpressGaoShenzong,rwife,EmpressXiangXiningperiod,Yuanfengperiod,Zhezong,rwife,EmpressMeng,EmpressLiuYuanyouperiod,Shaoshengperiod,Yuanfuperiod,•XVlChronologyHuizong,rwife,EmpressWang,EmpressZhengJianguojingzhongperiod,Chongningperiod,Daguanperiod,Zhengheperiod,IIIIIZhongheperiod,IXuanheperiod,IJindynastyQurchens),IIIQinzong,rwife,EmpressZhuJingkangperiod,SouthernSongdynasty,Gaozong,r•SIXmoreemperorsYuandynasty,Mingdynasty,Qingdynasty,ContributorsMAGGIEBICKFORDisProfessoroftheHistoryofArtandArchitecture,andProfessorofEastAsianStudiesatBrownUniversitySheisauthorofInkPlum)theMakingrfaChineseScholarPaintingGenre()andBonesrfJadeSoulrfIce)theFloweringPluminChineseArt()Recently,shehasstudiedimperialSonginitiativesinproducingadefinitiveChinesevisualcultureandinvestigatedproblemsofauspiciousvisualityinChina,throughworkssuchas"EmperorHuizongandtheAestheticofAgency"()PATRICIABUCKLEYEBREYisProfessorofHistoryattheUniversityofWashingtonHermanystudiesofSongsocialandculturalhistoryrangebroadlyovertopicsinfamily,class,ritual,andvisualculture,amongwhichthebestknownisprobablyTheInnerQuarters:MarriageandtheLvesrfChineseWomenintheSungPeriod()SheiscurrentlyfinishingabooklengthstudyofHuizong'sartandantiquitiescollections,afterwhichshewillreturntoher"lifeandtimes"ofHuizongPETERKBOListheCharlesHCarswellProfessorofEastAsianLanguagesandCivilizationsatHarvardUniversityHeistheauthorof'ThisCulturerfOurs":IntellectualTransitionsinTangandSongChina()andcoeditorofWqyswithWordr:WritingAboutReadingTextsfromEarlYChina()andtheChinaHistoricalGeographicbiformationSystem()HeiscurrentlyworkingonthehistoricalroleofNeoConfucianideologyandlocalculturalhistory•••ContributorsXVUJOHNCHAFFEEisProfessorofHistoryandDirectoroftheAsianandAsianAmericanStudiesProgramatBinghamtonUniversityHeistheauthorofTheThornyGatesofLearninginSungChina:ASocialHistoryofExaminations(,),andTheBranchesofHeaven:AHistoryoftheSungImperialClan()andcoeditorofNeoConfucianEducation:TheFormativeStage()HiscurrentresearchinvolvesthehistoryoftheMuslimmaritimecommunitiesofGuangzhouandQuanzhoufromtheTangtoearlyMingSHINYICHAOisanAssistantProfessorofReligionatRutgersUniversity,CamdenSheisauthorofadissertationentitled"Zhenwu:TheCultofaChineseWarriorDeityfromtheSongtotheMingDynasties()"()andhaswrittenarticlesonChinesepopularreligionandDaoisminthetraditionalandmodernperiodsHerinterestsincludepopularreligion,Daoism,ritualstudies,womeninreligion,andtherelationshipbetweenstateandreligionRONALDEGANisProfessorofChineseattheUniversityofCalifornia,SantaBarbaraHeistheauthorofbooksontheSongdynastywritersOuyangXiuandSuShi,aswellasTheProblemofBeauty:AestheticThoughtandPursuitsinNorthernSongDynastyChina()HehasalsoproducedaselectivetranslationoftheessaysofQianZhongshuonChineseaesthetics,entitledLimitedViews:EssqysonIdeasandLetters()ASAFGOLDSCHMIDTisLecturerintheHistoryofMedicineandtheHistoryoftheSongDynastyattheDepartmentofEastAsianStudiesofTelAvivUniversityRecently,hehasstudiedtheimpactofthegovernmentandenvironmentonthereshapingofmedicineduringtheNorthernSongperiod,resultinginamanuscriptentitled"Politics,Environment,andtheIntegrationofMedicalApproachesDuringtheNorthernSongDynasty(CE)"HealsostudiedthehistoryoftheImperialPharmacyandothermedicalinstitutionsduringtheSongCHARLESHARTMANisProfessorofChineseandfoundingchairoftheDepartmentofEastAsianStudies,theUniversityatAlbany,StateUniversityofNewYorkAuthorofHanYiiandtheT'angSearchforUnity()andassociateeditorforpoetryofTheIndianaCompaniontoContributors•XlXTraditionalChineseLiterature(,),hehasalsowrittenarticlesonSongdynastyhistoriographyandthetextualhistoryofSonghistoricalworksthathaveappearedintheHarvardJournalofAsiaticStudies,T'oungPao,theJournalofSongYuanStudies,andChineseLiterature:Essqys,Articles,ReviewsTSUYOSHIKOJIMAisAssociateProfessorintheDepartmentofChinesePhilosophy,GraduateSchoolofHumanitiesandSocialStudyattheUniversityofTokyo,JapanHeisauthorofbooksonthehistoryoftheSongDynastyandonNeoConfucianism,twoofwhichweretranslatedintoKoreanSince,hehasledamajorprojectinvolvingsomeresearchersentitled"MaritimeCrossculturalExchangeinEastAsiaandtheFormationofJapaneseTraditionalCulture"(wwwlutokyoacjpmaritimeenglishindexhtml)JOSEPHSCLAMisProfessorofMusic(Musicology)attheSchoolofMusic,UniversityofMichigan,AnnArborHeisauthorofStateSacrificesandMusicinMingChina:Orthodo:>ry,Creativity,andExpressiveness()andmanyarticlesontraditionalChinesemusicandmusicalcultureCurrently,heiscompletingamonographentitled"BeautifulandPerfectMusicfromSouthernSongChina,aTransculturalHistory"andlaunchingaresearchprojectonmusicalmenoflateMingChinaAmDANIELLEVINEisAssistantProfessorofHistoryattheUniversityofGeorgiaHehaswrittennarrativechaptersontheZhezongandHuizongreignsforvolumeoftheCambridgeHistoryofChinaCurrently,heiscompletingabookmanuscriptonfactionalrhetoricinthelateNorthernSongPAULJAKOVSMITHisProfessorofHistoryandEastAsianStudiesatHaverfordCollegeandthecurrentJohnRColemanProfessorofSocialSciencesHeistheauthorofTaxingHeaven'sStorehouse:Horses,Bureaucrats,andtheDestructionoftheSichuanTeaIndustry,II(),andcoeditor,withRichardvonGlahn,ofTheSongYuanMingTransitioninChineseHistory()Hiscontributiontothisvolumeispartofalargerstudyofsoldiers,courtiers,andthepoliticalcultureofwarinSongChinaintheeleventhandtwelfthcenturiesxxContributorsSTEPHENHWESTisFoundationProfessorofChineseoftheSchoolofGlobalStudiesandtheSchoolofInternationalLettersandCulturesatArizonaStateUniversityFormerlyLouisAgassizProfessorofChineseattheUniversityofCalifornia,Berkeley,heistheauthor,withWiltIdema,ofChineseTheaterIIgQI()andTheMoonandtheZither:WangShifu'sStoryiftheWesternWing()Recentlyhehasbeeninvolvedwiththestudyofmemory,place,andmaterialityinthesocialandliterarylifeoftheSong,asreflectedinhisrecentarticle,"Spectacle,Ritual,andSocialRelations:TheSonofHeaven,Citizens,andCreatedSpaceintheEasternCapitaloftheNorthernSong"FigCaiJingcalligIaphyofmetitleformeBiyongstele,IIoRubbinginmecollectionofmeBeijingLibraryFigHuizong'scalligraphyontheBiyongstele,IIDetailRubbinginthecollectionoftheBeijingLibraryFigHuizong'scalligraphyontheEightConductssteleinTaianPhotographcourtesyof

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