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首页 《天堂电影院》未删减版英文电影剧本CINEMA PARADISO

《天堂电影院》未删减版英文电影剧本CINEMA PARADISO.pdf

《天堂电影院》未删减版英文电影剧本CINEMA PARADISO

qiaohua819
2014-05-04 0人阅读 举报 0 0 暂无简介

简介:本文档为《《天堂电影院》未删减版英文电影剧本CINEMA PARADISOpdf》,可适用于人文社科领域

CINEMAPARADISObyGiuseppeTornatoreFOREDUCATIONALPURPOSESONLYShootingScriptGIANCALDOSALVATORE'SMOTHER'SHOUSEEXTINTDAYTheOctobersunslashesthroughthegrayclouds,cutsacrosstheshadowtowardsthesea,alongthecoastwherethenewsuburbsofthecityofGiancaldohavebeenbuiltupBrightlightstreamsthroughthewindows,glancingoffthewhitewallsinanalmostblindingreflectionMARIA,awomanalittleoversixty,istryingtofindsomebodyonthephoneMARIASalvatore,that'sright,SalvatoreDiVitaSalvatoreBut,miss,whatdoyoumeanyoudon'tknowhim!IYes(ShegivesanervoussighShehasdialedherwaythroughendlessnumbersbutstillhasn'tmanagedtospeaktoMrDiVitaShefinallyheavesasighofrelief)That'sright,goodforyou!Oh!yesAndI'mhismotherI'mcallingfromSicilyBeentryingalldayAh,he'snotthereButwouldyoubesokindastogivemeYes(Shenodsatanotherwomanaroundfortysittingnearby:itisLIA,herdaughter,whojotsdownthenumbershermotherdictates:)Six,five,six,two,two,oh,sixThankseversomuchGoodbyeGoodbyeShehangsup,takesthenumberLIAhasjotteddown,determinedtohavestillanothertryLIAspeakstoherasifshewereababy,tobemoreconvincingLIALook,MaIt'suselesscallinghimHe'llbeterriblybusy,GodknowswhereheisBesideshemightnotevenrememberDoasIsay,forgetitHehasn'tbeenhereforthirtyyearsYouknowhowheisMARIApausestothinkitoverThedecisionshehastomakeisimportantThen,stubbornlyMARIAHe'llremember!He'llremember!(Sheputsonherglassesandstartsdialingthenumber)I'mpositiveIknowhimbetterthanyoudoIfheweretofindoutwehadn'ttoldhim,he'dbeangryIknow(Shetakesoffherglasses)HelloGoodmorningCouldIpleasespeaktoMrSalvatoreDiVitaI'mhismotherROMESTREETSEXTINTNIGHTIt'slate,butthereisstilltrafficonthestreetsheadingdowntownInsideahighpoweredcar,amanaroundfiftyisdrivingItisSALVATOREDlVITAElegant,justgrowinggray,ahandsomefacecreasedbydeepwrinklesHiswearyexpressionhidesthedetermined,sellassuredmannerofthesuccessfulselfmademanHemustbeaheavysmokerjudgingbythewayhedrawsthelastpuffsonhiscigaretteHestopsataredlightHestubsoutthecigaretteandrollsdownthewindow,asalittleFiatUnopullsupalongsideArocktuneplaysfullblastontheradioSALVATOREturnsinstinctivelytohavealookatthemanatthewheelaBOYwithabrushcutstandingstraightinthelatestfashionHestudiestheBoy'sexpressionwithalmostexaggeratedattention,butdevoidofcuriosity,coldlyTheGIRLsittingbesidehim,lotsofcurlyhair,overriperedlips,returnsSALVATORE'look,provocativelyTheBOYnotices,turnstoSALVATOREinasurlyvoice:BOYHey!Whatthefuckyoulookingat!GreenlightTheFiatUnoshootsoff,leavingatrailofmusicinitswakeROMESALVATORESAPARTMENTINTNIGHTTheapartmentisluxurious,tastefullyfurnishedThereisnoonewaitingforSALVATOREThroughthepicturewindowontheterrace,thecitycanbeseenslumberinginthenightSALVATOREgetsundressedonhiswaytothebedroomHemovesquietly,asiftomakenonoiseHedoesn'teventurnonthelight,finishesgettingundressedinthepaleblueglowcomingfromthepicturewindowArustlingsound,amovementonthebed,thevoiceofawomanwakingupCLARASalvatoreButwhattimeisitSheturnsonthebedsidelightItisCLARA,ayoungwomanaroundthirtySALVATOREclimbsinbesideherunderthecovers,kisseshersweetly,theninawhisperSALVATOREIt'slate,ClaraSorry,butIwasn'tabletoletyouknowIwouldn'tbecorning(Hefondlesher,butheistired,feelslikesleeping)GotosleepnowSleepHeturnsoverontheothersideCLARAshutshereyes,isabouttodropoff,butwhispersCLARAYourmotherphonedShetookmeforsomebodyelseSALVATORE(Surprised)Andwhat'dyoutellherCLARAIplayeddumb,soasnottodisappointherWehadanicelittletalkShesaysyounevergoseeher,andwhenshewantstoseeyoushehastocometoRomeIsittrueSALVATOREdoesn'tanswerGodonlyknowshowoftenhe'sheardthatquestionbeforeSALVATOREShephonedjusttosaythatShereachesouttoswitchofthelight,buriesherheadintothepillowCLARAShesaidacertainAlfredohaddiedAndthefuneral'stakingplacetomorrowafternoon(AstrangelooksuddenlycomesintoSALVATORE'SeyesTheideaofgoingtosleephasclearlylefthimIt'sapieceofnewshedidn'texpectThat'stakenhimoffguardCLARAwouldliketocarryontheconversation,butsleepinessmakesitalmostimpossibleAnshecanmanageisonelastquestioninafaintlittlevoice:)WhoisitArelativeofyoursSALVATORENoSleepGotosleepShefallsasleepinthedeadsilenceofthenightSALVATOREisseizedbyasortofchilladeep,troubledfeelingHegazesthroughthewindowalthecity,withitsshimmeringlightsstillmovinginthedarkness,suddenlyshroudedinaheavycurtainofrainButhegazesoff,beyondtherowofhouses,beyondthedarkskytheshadowofawindchimeplaysacrosshisfacesummoningupendlessmemories,drawingforthfromtheinfinitedepthsofoblivionapastthathethoughthadvanished,beenwipedout,andinsteadnowreemerges,comesbacktolife,takesonlight,superimposingitselfonthemellowmiddleagedfeaturesofhisface,intheshadowofthecityshakenbythestorm,untilanotherimageisformed,anancient,remoteimageGIANCALDOCHURCHANDSACRISTYINTMORNINGAnimagefromoverfortyyearsbeforeInthebaroquechurchofGiancaldoSALVATOREisnineyearsoldDressedasanaltarboy,heiskneelingbythealtarwithalittlesilverbellinhishandsThecongregationisalsokneelingThePRIESTisconsecratingtheHostLittleSALVATOREhasjustgotoutofbed,isstillhalfasleep,yawnsanddoesn'tnoticethatthePRIESTisstandingtherewiththeHostintheairglaringathim,asiftryingtotellhimsomethingPRIESTPss!Pssst!SALVATOREfinishesyawningandopeninghiseyesmeetsthewitheringlookofthePRIESTHegetsthemessageatonceandringsthebellNowthePRIESTcancarryon,liftsthechaliceandthebellisheardagainCutto:TheserviceisoverThePRIESTisinthesacristyremovinghisvestmentsAndSALVATOREisalsothere,removinghisaltarboytunicPRIESTButhowcanImakeyouunderstandWithoutthebellIjustcan'tgoon!Alwayshalfasleep,youare!WhatdoyoudoatnightanywayEatinsteadofsleepSALVATOREFather,atmyhousewedon'teveneatatnoonThat'swhyI'malwayssleepyThat'swhatthevetsaysThePRIESThasfinisheddisrobingHetakesthebellSALVATOREwasholdingduringtheserviceandturnstoleavePRIESTAllright,Toto,getmoving,I'vegotthingstodoSayhellotoyourmotherSALVATORECanIPRIEST(Interruptinghim)Anddon'taskifyoucancomeBecauseyoucan't!!Shoo,shoo,offwithyou!!SALVATOREgivesashrugandleavesThePRIESTgoesdownacorridor,opensadoor,anothercorridor,andfinallyadoorleadingtoanoutsidecourtyardHecutsacrossitanddisappearsintoanotherdoorCINEMAPARADISOANDPROJECTIONBOOTHINTMORNINGThePRIESTentersamoviehouseNotverybigseatsonthemainfloorandanotherseventyinthebalconyAlongthewalls,postersoffilmstobeshownarestuckupbetweenthelightfixturesInonecorner,astatueoftheVirginMarywithflowersTheCLEANINGLADYhasfinishedworkandisleavingUpinthebalcony,overthelastrowofseats,aretheholesoftheprojectionboothThemiddleholeiscamouflagedbythehugeheadofaroaringlion,allinplaster,andthelensoftheprojectorcanbeglimpsedbetweenitssharpteeththerearetwosmallerholes,throughwhichthefigureofamancanbemadeout,appearinganddisappearingItisALFREDO,theprojectionistHeisaroundforty,skinnyandbonywithatoughpeasantfaceHehasfinishedloadingtheprojectorandischeckingthecarbonsinthearclampThenheremovestheglassfromoneoftheholesandlooksdownintothetheatre,atthePRIESTwhowaveshishandPRIESTOK,Alfredo,youcanstart!!HesitsdownanbyhimselfinthemiddleoftheemptytheatreUpinthebooth,ALFREDOlightsthearclampandsetstheprojectorgoingDowninthetheatre,thelightgoesoffandoutofthelion'smouthstreamstheglowingrayaimedalthescreenStringmusic,sweetandominous,spreadsthroughthetheatreOnthescreenappearthecredittitlesofanAmericanfilmofthesThePRIESTscrewsuphisfaceandholdsthebellinhisrighthandrestingonthearmofhisseatAtthebackofthetheatre,behindthelastrow,acurtainmoves,opensacrackandSALVATORE'SgauntlittlefaceappearsHehasmanagedtosneakinsomehowandstandstherewithoutaword,spellbound,watchingthe'movie'ontheglowingscreenThecredittitleshavelongcomeandgoneThestoryisataturningpointUpabove,intheholeoftheboothnexttothelion,ALFREDOwatchesthefilm,buthiseyeskeeplookingdownatthePRIEST,whoisnowdrummingthebellwithhisfingersOnthescreen,themaleandfemalelead,twoHollywoodstars,areincloseupthedialogueispassionate,romanticSALVATORE,carriedawaybythosefaces,bythewaytheytalk,bythebeautyofthewoman,slowlyslipsdownthelengthofthecurtainuntilheissittingonthefloor,hiseyesgluedtothescreenThelovescenereachesaclimax,themusiccrescendos,andthelovestruckcouplefinallyfallintoeachother'sarmsandkissInstinctively,thePRIESTraisesthebellintotheair,asinsomeageoldceremony,andgivesitaloudringUpintheboothALFREDOhearsthebellit'sthesignalhe'sbeenwaitingforHetakesaslipofpaperfromapadpreparedforthatpurposeandsticksitintotheloopsofthefilmcontainingthatspecificsceneasitwindsontothereelTheprojectioncontinuesAndalsothekissofthetwoactorsThePRIEST'SnervouslooklingersonthoseblackandwhitelipsmeetingandnowpullingapartforonelastdeclarationoflovebeforeseparatingSALVATOREiswideeyed,he'sprobablyneverseenamanandwomankissbefore,it'savisionthatforhimhasalltheattractionofforbiddenfruit,thehorrorofsinThescreenisnowfilledwiththefigureofawomangettingundressed,showingforoneinstantthewhite,voluptuousfleshofherbroad,nakedshouldersSALVATOREstaresinopenmouthedwonderThePRIEST,inafury,grabsthebellandshakesitforallheisworthFromthesoundofthebelltoanothersoundGIANCALDOMAINSQUAREEXTDAYThetollingofthebelltowerringsoutoverthesquareItisnoonThevastsquare,paleanddusty,isalivewithpeopleAnoisylineofmen,womenandcowswaitsinfrontofthefountaintogetwaterPeddlershawktheirwaresinmournfulcriesPeoplecomeandgoinfrontofthetownhallTheworkingmen'sclubisdesertedTheentranceoftheCinemaParadisoisshutHangingoutsideistheposterofthefilmthathasjustbeenseenonscreenUpabove,thewindowsoftheprojectionboothareopenThehumoftheprojectorcanbeheardandtheloud,loftymusictypicalof'THEEND'ThendeadsilenceTheshowingisoverCINEMAPARADISOPROJECTIONBOOTHINTDAYDespitethespeed,numerouswhitestreaksspinaroundonthereel,createdbytheslipsofpaperALFREDOhasinsertedintotheloopsHeisrewindingthefilmbyhandonthefilmwinderWhenhe'snottalking,ALFREDOusuallysingstohimselfSALVATOREstandsbesidehim,takingineverythinghedoeswiththosequick,thievingeyesofhisALFREDO(Harshly,shouting)Youmustnotcomehere!HowmanytimesdoIhavetotellyou(AndheslowsdownthereelswithhishandTheslipsofpaperareabouttoarriveHere'sthefirst)Ifthefilmcatchesfire,runtthatyouare,you'dgoupinaburstofflamewhoosh!AndturnintoapieceofSALVATORE(Overlappinghim)andturnintoapieceofcharcoal!!He'susedtohisterrorisms,paysnomoreattentionNotevenhisgrimlookscareshimAnyway,ALFREDOcatchesthejoke,startstogivehimaslap,butinsteadreachesoverandpicksupapairofscissorsALFREDO(Angrily)Christ,that'sasassylittletongueyou'vegot!Watchout,orsomedayI'llsnipitoffAndhesnipsapieceoffilm,pastestheendstogetherandgoesonturningthehandleSALVATOREpicksupthestripoffilmandgivesitacloserlookHeseesaseriesofframesallalikewithamankissingawomanSALVATORECanIhaveitALFREDOsnatchesitoutofhishand,furiously,attheendofhisstringHeshoutsALFREDONo!!!AreyoudeaforsomethingI'vegottoputthisbackinwhenwewindupthefilmagain!You'rearealpainintheneck!SALVATOREreachesintoabasketfullofstripsoffilmHetakesoutahandful:allkissesthathavebeencutSALVATOREThenwhydidn'tyouputthesebackwhenyouwoundupthefilmsagainALFREDOiscaughtoutHestopsthefilmwhereanotherslipofpaperisstuckinandcutsthescene:ALFREDO'Causesometimesyoucan'tfindtherightplaceanymoreandsowell,actuallytheystayhere(Findinganexcuse)Besides,therearemorekissesthanyoucancountSALVATORE(Excited)SoIcanhavethese(ALFREDOexplodes,fliesoffthehandleHegrabsSALVATOREbytheshouldersandshakeshim)ALFREDOLook,Toto!BeforeIkickyourassallthewaytoChinaandback,let'smakeadealThesestripshereareyours,IgivethemtoyouHowever!Oneyou'renottostickyournoseinhereanymoreTwoI'llkeepthemforyou,becauseyoucan'ttakethemhomeforGodforbidandsaveoursouls,iftheycatchfire,allhellwillbreakloose!OKOh!!!Andnowscram!HetakeshimandturnshimtowardsthestairsForhimthematterisclosedHereturnstothefilmwinderSALVATOREsneaksbackandwhileALFREDO'sattentioniselsewhere,snatchesupahandfulofmovieframesscatteredonthecounter,stuffsthemintohispocketandSALVATOREWhatsortofdealisthisThestripsaremine!Sowhycan'tIcomeseethemAndhestaresatALFREDOwithasly,saucylookALFREDOclutcheshishand,dartsforthlikeanarrowandisabouttogivehimakickintheassHeshrieks:ALFREDOGetout!!Anddon'tshowyourfacehereagain!Andbeforethekickreachesitsdestination,SALVATOREhasalreadydashedoffdownthespiralstaircaseGIANCALDOSALVATORE'SHOUSEINTEVENINGThatwasnotthefirsttheftoffilmstripsSALVATORE'shandreachesintoaflowerymetalboxjammedfullofpiecesoffilmHetakesoutafewframesandholdsthemupagainstthekerosenelampGazesatthefiguresthatremindhimofthefilmsseenatCinemaParadiso,andinawhispermanglesfragmentsofdialogue,theshootingofguns,themusicalclimaxesSALVATOREBang!Bang!Bang!Shootfirst,thinklater!Thisisnojobforweaklings!Treacherousdog!Thehousehasnolights,isgloomyandcoldSALVATORE'smother,MARIA,isleaningonthetableinfrontofhimSheisyoung,aroundthirty,andherprettyfaceishaggard,marredbyallthesacrificesSheissewingsomeclothes,isaseamstressLIA,hisfouryearoldsister,issleepingonacotinonecornerThekerosenelampprojectsthetremblingshadowofthefilmstripsonthewall,figuresofprairies,gunslingers,thugsSALVATORE'svoicechanges,turnseventougherSALVATOREHeythere,youlousybastard,takeyourhandsoffthatgold,Youblackheartedpig,stayawayfromme,orI'llsmashyourfacein!'Ntantatah!!!(IntheheapofmovieframestherearealsoseveralphotographsSALVATOREpicksthemupFamilykeepsakesAmaninanarmyuniformThenthesamemanwithagirlbesidehimwhosesmilingfacecanberecognizedasMARIASALVATOREtakesacloserlookattheman'sface,thenwhisperstohismother:)Ma,ifthewar'sover,howcomeDaddy'snevercomebackMARIAlooksupathimwithasweetsmileMARIAHe'llbeback,he'llbebackYou'llseeOneofthesedaysButthereisnotmuchconvictionwrittenonherfaceShelooksbackdownathersewingSALVATOREgoesonlookingatthephotosSALVATOREIdon'trememberhimanymoreMa,where'sRussiaMARIAIttakesyearstogetthereAndyearstocomebackNowgotobed,Toto,it'slateSALVATOREputsthephotosbackintotheboxandtuckstheboxunderLIA'scotnearthecharcoalburnerGRADESCHOOLCOURTYARDEXTDAYAnoisycrowdoflittlechildreninblacksmocks,whitecollarsandbluebowsmovesaboutthelargecourtyardwheretherearetwotallpalmtreesTheboysheadforonedoor,thegirlstowardstheoppositeoneTheJanitorslinethemuptwobytwo,readytoenterHereandthere,parentsandrelativesaccompanytheyoungeronesBeneathoneofthepalms,SALVATOREpullsoffthealtarboytunic,stuffsitintothekhakicoloredcardboardschoolbag,takesoutthesmockandputsiton,asoneofhisschoolmatespassesbyItisMASINO,andhe'scryingdesperatelybecausehedoesn'twanttogotoschoolHisFATHERdragshimalong,yelling:MASINO'SFATHERYoucanfoolyourmotherbutnotme!GetyourselfadamndiplomaandbecomeapolicemanYougoodfornothing!MASINOIdon'twanttogotoschool'(ThesoundofthebellTheblacklinesmoveupthestepstowardstheschool)OFOURTHGRADEINTDAYSALVATOREissittingatthefrontrowdesknexttoPEPPINO,alittlefrecklefacedboyHisattention,likethatofthewholeclass,isconcentratedonwhatistakingplaceattheblackboardTheTEACHERisstandingthere,watchingaplumplittleboy,shyandnotquiteallthere,doatwofiguremultiplicationitisNICOLASCORSONE,knownas'COLA'Heisredintheface,hasonepurpleearandonewhiteoneHestaresinterroratthat'x'writtenontheblackboardTheTEACHERyells,wavingabirchrodinherhandTEACHERWellthen!FivetimesfiveequalsCOLAstopstothinkamoment,thenCOLAThirty!TheTEACHERgrabshimbythepurpleearandbasheshisheadagainstthenumbersontheblackboardAlargethudechoesthroughtheroom,followedbyaroaroflaughterTheTEACHERslamsherrodonthedeskTEACHERSilence!!(ThentoCOLA)ThefivetimestableDunce!Onetimesfive,five!!(TheclassrepeatswiththeTEACHER,inasingsongchorus:)TEACHERandCLASSTwotimesfive,ten!Threetimesfive,fifteen!Fourtimesfive,twenty!(Withawaveoftherod,theTEACHERsilencestheclass,andfinishesthesingsongwiththefatefulquestion)TEACHERFivetimesfiveCOLA(Timidly)FortyAnotherblowoftheheadontheblackboardHubbubSlappingoftherodonthedeskSALVATOREsecretlyshowsCOLAthepictureofaChristmastreeononepageofthebook,andmouthstheword'twentyfive'COLAsmiles,hehasfinallycaughtonTEACHERI'maskingyouforthelasttime,blockhead!Fivetimesfiveequals(COLAturnstoherwithsmilingeyesandanswersblissfully:)COLAChristmas!!SALVATOREclutcheshisheadinanger,watchestheTEACHERfloggingCOLAonthebackwiththerodCOLAscreamsateveryblow,andateveryblowt

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《天堂电影院》未删减版英文电影剧本CINEMA PARADISO

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