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首页 *应求重贴*【鲍德里亚】美国

*应求重贴*【鲍德里亚】美国.pdf

*应求重贴*【鲍德里亚】美国

九月虺
2009-09-29 0人阅读 举报 0 0 0 暂无简介

简介:本文档为《*应求重贴*【鲍德里亚】美国pdf》,可适用于人文社科领域

***OriginalpagenumberingretainedSpellingerrorsinoriginalmarkedwithaic!***VANISHINGPOINTCaution:Objectsinthismirrormaybecloserthantheyappear!NostalgiabornoftheimmensityoftheTexanhillsandthesierrasofNewMexico:glidingdownthefreeway,smashhitsontheChryslerstereo,heatwaveSnapshotsaren’tenoughWe’dneedthewholefilmofthetripinrealtime,includingtheunbearableheatandthemusicWe’dhavetoreplayitallfromendtoendathomeinadarkenedroom,rediscoverthemagicofthefreewaysandthedistanceandtheicecoldalcoholinthedesertandthespeedandliveitallagainonthevideoathomeinrealtime,notsimplyforthepleasureofrememberingbutbecausethefascinationofsenselessrepetitionisalreadypresentintheabstractionofthejourneyTheunfoldingofthedesertisinfinitelyclosetothetimelessnessoffilmSANANTONIOTheMexicans,becomeChicanos,actasguidesonthevisittoElAlamotolaudtheheroesoftheAmericannationsovaliantlymassacredbytheirownancestorsButhardasthoseancestorsfought,thedivisionoflabourwonoutintheendTodayitistheirgrandchildrenandgreatgrandchildrenwhoarethere,onthesamebattlefield,tohymntheAmericanswhostoletheirlandsHistoryisfullofruseandcunningButsoaretheMexicanswhohavecrossedtheborderclandestinelytocomeandworkhereSALTLAKECITYPompousMormonsymmetryEverywheremarble:flawless,funereal(theCapitol,theorganintheVisitorCenter)YetaLosAngelicmodernity,tooalltherequisitegadgetryforaminimalist,extraterrestrialcomfortTheChristtoppeddome(alltheChristsherearecopiedfromThorwaldsen’sandlooklikeBjornBorg)straightoutofCloseEncounters:religionasspecialeffectsInfactthewholecityhasthetransparencyandsupernatural,otherworldlycleannessofathingfromouterspaceAsymmetrical,luminous,overpoweringabstractionAteveryintersectionintheTabernacleareaallmarbleandroses,andevangelicalmarketinganelectroniccuckooclocksingsout:suchPuritanobsessivenessisastonishinginthisheat,intheheartofthedesert,alongsidethisleadenlake,itswatersalsohyperrealfromsheerdensityofsaltAnd,beyondthelake,theGreatSaltLakeDesert,wheretheyhadtoinventthespeedofprototypecarstocopewiththeabsolutehorizontalityButthecityitselfislikeajewel,withitspurityofairanditsplungingurbanvistasmorebreathtakingeventhanthoseofLosAngelesWhatstunningbrilliance,whatmodernveracitytheseMormonsshow,theserichbankers,musicians,internationalgenealogists,polygamists(theEmpireStateinNewYorkhassomethingofthissamefunerealPuritanismraisedtothenthpower)Itisthecapitalist,transsexualprideofapeopleofmutantsthatgivesthecityitsmagic,equalandoppositetothatofLasVegas,thatgreatwhoreontheothersideofthedesertMONUMENTVALLEYDEADHORSEPOINTGRANDCANYONGeologicalandhencemetaphysicalmonumentality,bycontrastwiththephysicalaltitudeofordinarylandscapesUpturnedreliefpatterns,sculptedoutbywind,water,andice,draggingyoudownintothewhirlpooloftime,intotheremorselesseternityofaslowmotioncatastropheTheveryideaofthemillionsandhundredsofmillionsofyearsthatwereneededpeacefullytoravagethesurfaceoftheearthhereisaperverseone,sinceitbringswithitanawarenessofsignsoriginating,longbeforemanappeared,inasortofpactofwearanderosionstruckbetweentheelementsAmongthisgiganticheapofsignspurelygeologicalinessencemanwillhavehadnosignificanceTheIndiansaloneperhapsinterpretedthemafewofthemAndyettheyaresignsForthedesertonlyappearsuncultivatedThisentireNavajocountry,thelongplateauwhichleadstotheGrandCanyon,thecliffsoverlookingMonumentValley,theabyssesofGreenRiverareallalivewithamagicalpresence,whichhasnothingtodowithnature(thesecretofthiswholestretchofcountryisperhapsthatitwasonceanunderwaterreliefandhasretainedthesurrealistqualitiesofanoceanbedintheopenair)YoucanunderstandwhyittookgreatmagicontheIndians’part,andaterriblycruelreligion,toexorcizesuchatheoreticalgrandeurasthedesert’sgeologicalandcelestialoccurrence,toliveuptosuchabackdropWhatismanifthesignsthatpredatehimhavesuchpowerAhumanracehastoinventsacrificesequaltothenaturalcataclysmicorderthatsurroundsitItisperhapsthesereliefs,becausetheyarenolongernatural,whichgivethebestideaofwhatacultureisMonumentValley:blocksoflanguagesuddenlyrisinghigh,thensubjectedtoapitilesserosion,ancientsedimentationsthatowetheirdepthtowear(meaningisbornoutoftheerosionofwords,significationsarebornoutoftheerosionofsigns),andthataretodaydestinedtobecome,likeallthatiscultivatedlikeallculturenaturalparksSALTLAKECITY:theworldgenealogicalarchives,presidedoverinthedepthsofthedesertcavesbythoserichliving,puritanicalconquistadors,theMormons,and,alongside,theBonnevilletrackontheimmaculatesurfaceoftheGreatSaltLakeDesert,whereprototypecarsachievethehighestspeedsintheworldPatronymicgenesisasthedepthoftime,andthespeedofsoundaspuresuperficialityALAMOGORDO:thefirstatomicbombtestagainstthebackdropofWhiteSands,thepalebluebackclothofthemountainsandhundredsofmilesofwhitesandtheblindingartificiallightofthebombagainsttheblindinglightofthegroundTORREYCANYON:theSalkInstitute,sanctuaryofDNAandalltheNobelprizewinnersforbiologyThereallthefuturebiologicalcommandmentsarebeingdevised,withinthatarchitecturecopiedfromthepalaceofMinos,itswhitemarblestaringoutovertheimmensityofthePacificExtraordinarysites,capitalsoffictionbecomerealitySublime,transpoliticalsitesofextraterritoriality,combiningastheydotheearth’sundamagedgeologicalgrandeurwithasophisticated,nuclear,orbital,computertechnologyIwentinsearchofastralAmerica*,notsocialandculturalAmerica,buttheAmericaoftheempty,absolutefreedomofthefreeways,notthedeepAmericaofmoresandmentalities,buttheAmericaofdesertspeed,ofmotelsandmineralsurfacesIlookedforitinthespeedofthescreenplay,intheindifferentreflexoftelevision,inthefilmofdaysandnightsprojectedacrossanemptyspace,inthemarvellouslyaffectlesssuccessionofsigns,images,faces,andritualactsontheroadlookedforwhatwasnearesttothenuclearandenucleateduniverse,auniversewhichisvirtuallyourown,rightdowntoitsEuropeancottagesIsoughtthefinishedformofthefuturecatastropheofthesocialingeology,inthatupturningofdepththatcanbeseeninthestriatedspaces,thereliefsofsaltandstone,thecanyonswherethefossilriverflowsdown,theimmemorialabyssofslownessthatshowsitselfinerosionandgeologyIevenlookedforitintheverticalityofthegreatcitiesIknewallaboutthisnuclearform,thisfuturecatastrophewhenIwasstillinParis,ofcourseButtounderstandit,youhavetotaketotheroad,tothattravellingwhichachieveswhatViriliocallstheaestheticsofdisappearanceForthementaldesertformexpandsbeforeyourveryeyes,andthisisthepurifiedformofsocialdesertificationDisaffectionfindsitspureforminthebarrennessofspeedAllthatiscoldanddeadindesertificationorsocialenucleationrediscoversitscontemplativeformhereintheheatofthedesertHereinthetransversalityofthedesertandtheironyofgeology,thetranspoliticalfindsitsgeneric,mentalspaceTheinhumanityofourulterior,asocial,superficialworldimmediatelyfindsitsaestheticformhere,itsecstaticformForthedesertissimplythat:anecstaticcritiqueofculture,anecstaticformofdisappearance*‘L’Ameriquesiderale’:thistermanditsvariantformshavebeenrenderedthroughoutby‘astral’orthelessfamiliar‘sidereal’,accordingtocontextTrThegrandeurofdesertsderivesfromtheirbeing,intheiraridity,thenegativeoftheearth’ssurfaceandofourcivilizedhumoursTheyareplaceswherehumoursandfluidsbecomerarefied,wheretheairissopurethattheinfluenceofthestarsdescendsdirectfromtheconstellationsAnd,withtheexterminationofthedesertIndians,anevenearlierstagethanthatofanthropologybecamevisible:amineralogy,ageology,asidereality,aninhumanfacticity,anariditythatdrivesouttheartificialscruplesofculture,asilencethatexistsnowhereelseThesilenceofthedesertisavisualthing,tooAproductofthegazethatstaresoutandfindsnothingtoreflectitTherecanbenosilenceupinthemountains,sincetheirverycontoursroarAndfortheretobesilence,timeitselfhastoattainasortofhorizontalitytherehastobenoechooftimeinthefuture,butsimplyaslidingofgeologicalstrataoneupontheothergivingoutnothingmorethanafossilmurmurDesert:luminous,fossilizednetworkofaninhumanintelligence,ofaradicalindifferencetheindifferencenotmerelyofthesky,butofthegeologicalundulations,wherethemetaphysicalpassionsofspaceandtimealonecrystallizeHerethetermsofdesireareturnedupsidedowneachday,andnightannihilatesthemButwaitforthedawntorise,withtheawakeningofthefossilsounds,theanimalsilenceSpeedcreatespureobjectsItisitselfapureobject,sinceitcancelsoutthegroundandterritorialreferencepoints,sinceitrunsaheadoftimetoannultimeitself,sinceitmovesmorequicklythanitsowncauseandobliteratesthatcausebyoutstrippingitSpeedisthetriumphofeffectovercause,thetriumphofinstantaneityovertimeasdepth,thetriumphofthesurfacearidpureobjectalityovertheprofundityofdesireSpeedcreatesaspaceofinitiation,whichmaybelethalitsonlyruleistoleavenotracebehindTriumphofforgettingovermemory,anuncultivated,amnesicintoxicationThesuperficialityandreversibilityofapureobjectinthepuregeometryofthedesertDrivinglikethisproducesakindofinvisibility,transparency,ortransversalityinthings,simplybyemptyingthemoutItisasortofslowmotionsuicide,deathbyanextenuationofformsthedelectableformoftheirdisappearanceSpeedisnotavegetalthingItisnearertothemineral,torefractionthroughacrystal,anditisalreadythesiteofacatastrophe,ofasquanderingoftimePerhaps,though,itsfascinationissimplythatofthevoidThereisnoseductionhere,forseductionrequiresasecretSpeedissimplytheritethatinitiatesusintoemptiness:anostalgicdesireforformstoreverttoimmobility,concealedbeneaththeveryintensificationoftheirmobilityAkintothenostalgiaforlivingformsthathauntsgeometryStill,thereisaviolentcontrasthere,inthiscountry,betweenthegrowingabstractnessofanuclearuniverseandaprimary,visceral,unbounded*vitality,springingnotfromrootedness,butfromthelackofroots,ametabolicvitality,insexandbodies,aswellasinworkandinbuyingandsellingDeepdown,theUS,withitsspace,itstechnologicalrefinement,itsbluffgoodconscience,eveninthosespaceswhichitopensupforsimulation,istheonlyremainingprimitivesocietyThefascinatingthingistotravelthroughitasthoughitweretheprimitivesocietyofthefuture,asocietyofcomplexity,hybridity,andthegreatestintermingling,ofaritualismthatisferociousbutwhosesuperficialdiversitylendsitbeauty,asocietyinhabitedbyatotalmetasocialfactwithunforeseeableconsequences,whoseimmanenceisbreathtaking,yetlackingapastthroughwhichtoreflectonthis,andthereforefundamentallyprimitiveItsprimitivismhaspassedintothehyperbolic,inhumancharacterofauniversethatisbeyondus,thatfaroutstripsitsownmoral,social,orecologicalrationaleOnlyPuritanscouldhaveinventedanddevelopedthisecologicalandbiologicalmoralitybasedonpreservationandthereforeondiscriminationwhichisprofoundlyracialinnatureEverythingbecomesanoverprotectednaturereserve,soprotectedindeedthatthereistalktodayofdenaturalizingYosemitetogiveitbacktoNature,ashashappenedwiththeTasadayinthePhilippinesAPuritanobsessionwithoriginsintheveryplacewherethegrounditselfhasalreadygoneAnobsessionwithfindinganiche,acontact,preciselyatthepointwhereeverythingunfoldsinanastralindifferenceThereisasortofmiracleintheinsipidityofartificialparadises,solongastheyachievethegreatnessofanentire(un)cultureInAmerica,spacelendsasenseofgrandeureventotheinsipidityofthesuburbsand‘funkytowns’Thedesertiseverywhere,preservinginsignificanceAdesertwherethemiracleofthecar,oficeandwhiskyisdailyreenacted:amarvelofeasylivingmixedwiththefatalityofthedesertAmiracleofobscenitythatisgenuinelyAmerican:amiracleoftotalavailability,ofthetransparencyofallfunctionsinspace,thoughthislatternonethelessremainsunfathomableinitsvastnessandcanonlybeexorcisedbyspeedTheItalianmiracle:thatofstageandsceneTheAmericanmiracle:thatoftheobsceneTheprofusionofsense,asagainstthedesertsofmeaninglessnessItismetamorphicformsthataremagicalNotthesylvan,vegetalforest,butthepetrified,mineralizedforestThesaltdesert,whiterthansnow,flatterthantheseaTheeffectofmonumentality,geometry,andarchitecturewherenothinghasbeendesignedorplannedCanyonsland,SplitMountainOrtheopposite:theamorphousrelieflessreliefofMudHills,thevoluptuous,fossilized,monotonouslyundulatinglunarreliefofancientlakebedsThewhiteswellofWhiteSandsIttakesthissurrealityoftheelementstoeliminatenature’spicturesquequalities,justasittakesthemetaphysicsofspeedtoeliminatethenaturalpicturesquenessoftravelInfacttheconceptionofatripwithoutanyobjectiveandwhichis,asaresult,endless,onlydevelopsgraduallyformeIrejectthepicturesquetouristround,thesights,eventhelandscapes(onlytheirabstractionremains,intheprismofthescorchingheat)NothingisfurtherfrompuretravellingthantourismorholidaytravelThatiswhyitisbestdoneintheextensivebanalityofdeserts,orintheequallydesertlikebanalityofametropolisnotatanystageregardedasplacesofpleasureorculture,butseentelevisuallyasscenery,asscenariosThatiswhyitisbestdoneinextremeheat,theorgasmicformofbodilydeterritorializationTheaccelerationofmoleculesintheheatcontributestoabarelyperceptibleevaporationofmeaningItisnotthediscoveryoflocalcustomsthatcounts,butdiscoveringtheimmoralityofthespaceyouhavetotravelthrough,andthisisonaquitedifferentplaneItisthis,togetherwiththesheerdistance,andthedeliverancefromthesocial,thatcountHereinthemostmoralsocietythereis,spaceistrulyimmoralHereinthemostconformistsociety,thedimensionsareimmoralItisthisimmoralitythatmakesdistancelightandthejourneyinfinite,thatcleansesthemusclesoftheirtirednessDrivingisaspectacularformofamnesiaEverythingistobediscovered,everythingtobeobliteratedAdmittedly,thereistheprimalshockofthedesertsandthedazzleofCalifornia,butwhenthisisgone,thesecondarybrillianceofthejourneybegins,thatoftheexcessive,pitilessdistance,theinfinityofanonymousfacesanddistances,orofcertainmiraculousgeologicalformations,whichultimatelytestifytonohumanwill,whilekeepingintactanimageofupheavalThisformoftraveladmitsofnoexceptions:whenitrunsupagainstaknownface,afamiliarlandscape,orsomedecipherablemessage,thespellisbroken:theamnesic,ascetic,asymptoticcharmofdisappearancesuccumbstoaffectandworldlysemiologyThissortoftravelcreatesitsownpeculiartypeofeventandinnervation,soitalsohasitsownspecialformoffatigueLikeafibrillationofmuscles,striatedbytheexcessofheatandspeed,bytheexcessofthingsseenorread,ofplacespassedthroughandforgottenThedefibrillationofthebodyoverloadedwithemptysigns,functionalgestures,theblindingbrillianceofthesky,andsomnabulisticsic!distances,isaveryslowprocessThingssuddenlybecomelighter,asculture,ourculture,becomesmorerarefiedAndthisspectralformofcivilizationwhichtheAmericanshaveinvented,anephemeralformsoclosetovanishingpoint,suddenlyseemsthebestadaptedtotheprobabilitytheprobabilityonlyofthelifethatliesinstoreforusTheformthatdominatestheAmericanWest,anddoubtlessallofAmericanculture,isaseismicform:afractal,interstitialculture,bornofariftwiththeOldWorld,atactile,fragile,mobile,superficialcultureyouhavetofollowitsownrulestograsphowitworks:seismicshifting,softtechnologiesTheonlyquestioninthisjourneyis:howfarcanwegointheexterminationofmeaning,howfarcanwegointhenonreferentialdesertformwithoutcrackingupand,ofcourse,stillkeepalivetheesotericcharmofdisappearanceAtheoreticalquestionherematerializedintheobjectiveconditionsofajourneywhichisnolongerajourneyandthereforecarrieswithitafundamentalrule:aimforthepointofnoreturnThisisthekeyAndthecrucialmomentisthatbrutalinstantwhichrevealsthatthejourneyhasnoend,thatthereisnolongeranyreasonforittocometoanendBeyondacertainpoint,itismovementitselfthatchangesMovementwhichmovesthroughspaceofitsownvolitionchangesintoanabsorptionbyspaceitselfendofresistance,endofthesceneofthejourneyassuch(exactlyasthejetengineisnolongeranenergyofspacepenetration,butpropelsitselfbycreatingavacuuminfrontofitthatsucksitforward,insteadofsupportingitself,asinthetraditionalmodel,upontheair’sresistance)Inthisway,thecentrifugal,eccentricpointisreachedwheremovementproducesthevacuumthatsucksyouinThismomentofvertigoisalsothemomentofpotentialcollapseNotsomuchfromthetirednessgeneratedbythedistanceandtheheat,asfromtheirreversibleadvanceintothedesertoftimeTomorrowisthefirstdayoftherestofyourlifeNEWYORKAeronauticmissionaryofthesilentmajorities,IjumpwithcatliketreadfromoneairporttotheotherNowit’stheblazingwoodsofNewHampshire,castingafleetingreflectioninthemirrorofNewEnglandYesterday,itwasthesteeplinggentlenessofskyscrapersTomorrowitwillbeMinneapoliswithitssweetsoundingname,itsgossamerstringofvowels,halfGreek,halfCheyenne,evokingaradiatinggeometricpattern,attheedgeoftheicesheets,atthehorizonoftheinhabitedworldSpeakingofthesilenceofthemassesandtheendofhistory,andcastinganeyeovertheimmensityandradianceofthelakeAbitingwindblowsoverit,awaytotheeastwherenightisfallingPlanespassoverhead,silentasthewind,behindthewindowpanesofthehotel,andthefirstneonsignsbegintorollslowly,a

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