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首页 泰坦尼克号中英文对照剧本

泰坦尼克号中英文对照剧本.txt

泰坦尼克号中英文对照剧本

少女千江月
2009-06-15 0人阅读 举报 0 0 暂无简介

简介:本文档为《泰坦尼克号中英文对照剧本txt》,可适用于高等教育领域

TITANICAscreenplaybyJamesCameronCast:KATEWINSLETRoseDeWittBukaterLEONARDODiCAPRIOJackDawsonKATHYBATESTheUnsinkableMollyBrownBILLYZANECaledonHockleyBILLPAXTONBrockLovettWrittenandDirectedby:JAMESCAMERONBLACKNESSThentwofaintlightsappear,closetogethergrowingbrighterTheyresolveintotwoDEEPSUBMERSIBLES,freefallingtowarduslikeexpresselevatorsOneisaheadoftheother,andpassescloseenoughtoFILLFRAME,lookinglikeaspacecraftblazingwithlights,bristlingwithinsectilemanipulatorsTILTINGDOWNtofollowitasitdescendsawayintothelimitlessblacknessbelowSoontheyarefireflies,thenstarsThengoneCUTTO:EXTINTMIRONENORTHATLANTICDEEPPUSHINGINononeofthefallingsubmersibles,calledMIRONE,rightuptoitscircularviewporttoseetheoccupantsINSIDE,itisacrampedsevenfootsphere,crammedwithequipmentANATOLYMIKAILAVICH,thesub'spilot,sitshunchedoverhiscontrolssingingsoftlyinRussianNexttohimononesideisBROCKLOVETTHe'sinhislateforties,deeplytanned,andlikestowearhisNomexsuitunzippedtoshowthegoldfromfamousshipwreckscoveringhisgraychesthairHeisawiley,fasttalkingtreasurehunter,asalvagesuperstarwhoisparthistorian,partadventurerandpartvacuumcleanersalesmanRightnow,heisproppedagainsttheCOscrubber,fastasleepandsnoringOntheotherside,crammedintotheremainingspaceisabeardedwidebodynamedLEWISBODINE,whoisalsoasleepLewisisanROV(REMOTELYOPERATEDVEHICLE)pilotandistheresidentTitanicexpertAnatolyglancesatthebottomsonarandmakesaballastadjustmentCUTTO:EXTTHEBOTTOMOFTHESEAApale,deadflatlunarlandscapeItgetsbrighter,litfromabove,asMIRONEentersFRAMEanddropstotheseafloorinadownblastfromitsthrustersIthitsbottomafteritstwohourfreefallwithaloudBONKCUTTO:INTMIRONELovettandBodinejerkawakeatthelandingANATOLY(heavyRussianaccent)WearehereEXTINTMIRONEANDTWOMINUTESLATER:THETWOSUBSskimovertheseafloortothesoundofsidescansonarandtheTHRUMofbigthrustersThefeaturelessgrayclayofthebottomunrollsinthelightsofthesubsBodineiswatchingthesidescansonardisplay,wheretheoutlineofahugepointedobjectisvisibleAnatolyliesprone,drivingthesub,hisfacepressedtothecenterportBODINEComeleftalittleShe'srightinfrontofus,eighteenmetersFifteenThirteenyoushouldseeitANATOLYDoyouseeitIdon'tseeitthere!Outofthedarkness,likeaghostlyapparition,thebowoftheshipappearsItsknifeedgeprowiscomingstraightatus,seemingtoplowthebottomsedimentlikeoceanwavesIttowersabovetheseafloor,standingjustasitlandedyearsagoTHETITANICOrwhatisleftofherMirOnegoesupandoverthebowrailing,intactexceptforanovergrowthof"rusticles"drapingitlikemutatedSpanishmossTIGHTONTHEEYEPIECEMONITORofavideocamcorderBrockLovett'sfacefillstheBLACKANDWHITEFRAMELOVETTItstillgetsmeeverytimeTheimagepanstothefrontviewport,lookingoverAnatoly'sshoulder,tothebowrailingvisibleinthelightsbeyondAnatolyturnsANATOLYIsjustyourguiltbecauseofstealingfromthedeadCUTWIDER,toshowthatBrockisoperatingthecamerahimself,turningitinhishandsoitpointsathisownfaceLOVETTThanks,TolyaWorkwithme,hereBrockresumeshisserious,pensivegazeoutthefrontport,withthecameraaimedathimselfatarm'slengthLOVETTItstillgetsmeeverytimetoseethesadruinofthegreatshipsittinghere,whereshelandedat:inthemorning,April,,afterherlongfallfromtheworldaboveAnatolyrollshiseyesandmuttersinRussianBodinechucklesandwatchesthesonarBODINEYouaresofullofshit,bossMirTwodrivesaftdownthestarboardside,pastthehugeanchorwhileMirOnepassesovertheseeminglyendlessforecastledeck,withitsmassiveanchorchainsstilllaidoutintwoneatrows,itsbronzewindlasscapsgleamingThefootlongsubsarelikewhitebugsnexttotheenormouswreckLOVETT(VO)DivenineHereweareagainonthedeckofTitanictwoandahalfmilesdownThepressureisthreetonspersquareinch,enoughtocrushuslikeafreighttraingoingoveranantifourhullfailsThesewindowsarenineinchesthickandiftheygo,it'ssayonaraintwomicrosecondsMirTwolandsontheboatdeck,nexttotheruinsoftheOfficer'sQuartersMirOnelandsontheroofofthedeckhousenearbyLOVETTRightLet'sgotoworkBodineslipsonapairofDelectronicgoggles,andgrabsthejoystickcontrolsoftheROVOUTSIDETHESUB,theROV,asmallorangeandblackrobotcalledSNOOPDOG,liftsfromitscradleandfliesforwardBODINE(VO)Walkin'thedogSNOOPDOGdrivesitselfawayfromthesub,payingoutitsumbilicalbehinditlikearobotyoyoItstwinstereovideocamerasswivellikeinsecteyesTheROVdescendsthroughanopenshaftthatoncewasthebeautifulFirstClassGrandStaircaseSnoopDoggoesdownseveraldecks,thenmoveslaterallyintotheFirstClassReceptionRoomSNOOP'SVIDEOPOV,movingthroughthecavernousinteriorTheremainsoftheornatehandcarvedwoodworkwhichgavetheshipitselegancemovethroughthefloodlights,thelinesblurredbyslowdissolutionanddescendingrusticleformationsStalactitesofrusthangdownsothatattimesitlookslikeanaturalgrotto,thenthesceneshiftsandthelinesofaghostlyunderseamansioncanbeseenagainMONTAGESTYLE,asSnooppassestheghostlyimagesofTitanic'sopulence:Agrandpianoinamazinglygoodshape,crashedonitssideagainstawallThekeysgleamblackandwhiteinthelightsAchandelier,stillhangingfromtheceilingbyitswireglintingasSnoopmovesarounditItslightsplayacrossthefloor,revealingachampagnebottle,thensomeWHITESTARLINEchinaawoman'shightop"grannyshoe"Thensomethingeerie:whatlookslikeachild'sskullresolvesintotheporcelainheadofadollSnoopentersacorridorwhichismuchbetterpreservedHereandthereadoorstillhangsonitsrustedhingesAnornatepieceofmoulding,awallsconcehintatthegrandeurofthepastTHEROVturnsandgoesthroughablackdoorway,enteringroomB,thesittingroomofa"promenadesuite",oneofthemostluxuriousstateroomsonTitanicBODINEI'minthesittingroomHeadingforbedroomBLOVETTStayoffthefloorDon'tstirituplikeyoudidyesterdayBODINEI'mtryin'bossGlintinginthelightsarethebrassfixturesofthenearperfectlypreservedfireplaceAnalbinoGalatheacrabcrawlsoveritNearbyaretheremainsofadivanandawritingdeskTheDogcrossestheruinsoftheonceelegantroomtowardanotherDOORItsqueezesthroughthedoorframe,scrapingrustandwoodchunkslooseonbothsidesItmovesoutofacloudofrustandkeepsongoingBODINEI'mcrossingthebedroomTheremainsofapillaredcanopybedBrokenchairs,adresserThroughthecollapsedwallofthebathroom,theporcelaincommodeandbathtubtookalmostnew,gleaminginthedarkLOVETTOkay,Iwanttoseewhat'sunderthatwardrobedoorSEVERALANGLESastheROVdeploysitsMANIPULATORARMSandstartsmovingdebrisasideAlampislifted,itsceramiccolorsasbrightastheywereinLOVETTEasy,LewisTakeitslowLewisgripsawardrobedoor,lyingatanangleinacorner,andpullsitwithSnoop'sgripperItmovesreluctantlyinacloudofsiltUnderitisadarkobjectThesiltclearsandSnoop'scamerasshowthemwhatwasunderthedoorBODINEOoohhdaddyoh,areyouseein'whatI'mseein'CLOSEONLOVETT,watchinghismonitorsByhisexpressionitislikeheisseeingtheHolyGrailLOVETTOhbabybabybaby(grabsthemike)It'spayday,boysONTHESCREEN,intheglareofthelights,istheobjectoftheirquest:asmallSTEELCOMBINATIONSAFECUTTO:EXTSTERNOFDECKOFKEDYSHDAYTHESAFE,drippingwetintheafternoonsun,isloweredontothedeckofashipbyawinchcableWeareontheRussianresearchvesselAKADEMIKMISTISLAVKELDYSHAcrowdhasgathered,includingmostofthecrewofKELDYSH,thesubcrews,andahandwringingmoneyguynamedBOBBYBUELLwhorepresentsthelimitedpartnersThereisalsoadocumentaryvideocrew,hiredbyLovetttocoverhismomentofgloryEveryonecrowdsaroundthesafeInthebackgroundMirTwoisbeingloweredintoitscradleondeckbyamassivehydraulicarmMirOneisalreadyrecoveredwithLewisBodinefollowingBrockLovettasheboundsovertothesafelikeakidonChristmasmorningBODINEWho'sthebestSayitLOVETTYouare,Lewis(tothevideocrew)YourollingCAMERAMANRollingBrocknodstohistechnicians,andtheysetaboutdrillingthesafe'shingesDuringthisoperation,Brockampsthesuspense,workingthelenstofillthetimeLOVETTWell,hereitis,themomentoftruthHere'swherewefindoutifthetime,thesweat,themoneyspenttocharterthisshipandthesesubs,tocomeoutheretothemiddleoftheNorthAtlanticwereworthitIfwhatwethinkisinthatsameisinthatsafeitwillbeLovettgrinswolfishlyinanticipationofhisgreatestfindyetThedoorispriedlooseItclangsontothedeckLovettmovescloser,peeringintothesafe'swetinteriorAlongmomentthenhisfacesaysitallLOVETTShitBODINEYouknow,boss,thishappenedtoGeraldoandhiscareerneverrecoveredLOVETT(tothevideocameraman)GetthatouttamyfaceCUTTO:INTLABDECK,PRESERVATIONROOMDAYTechniciansarecarefullyremovingsomepapersfromthesafeandplacingtheminatrayofwatertoseparatethemsafelyNearby,otherartifactsfromthestateroomarebeingwashedandpreservedBuellisonthesatellitephonewiththeINVESTORSLovettisyellingatthevideocrewLOVETTYousendoutwhatItellyouwhenItellyouI'msigningyourpaychecks,notminutesNowgetsetupfortheuplinkBuellcoversthephoneandturnstoLovettBUELLThepartnerswanttoknowhowit'sgoingLOVETTHowit'sgoingIt'sgoinglikeafirstdateinprison,whattayathink!LovettgrabsthephonefromBuellandgoesinstantlysmoothLOVETTHi,DaveBarryLook,itwasn'tinthesafeno,look,don'tworryaboutit,there'restillplentyofplacesitcouldbeinthefloordebrisinthesuite,inthemother'sroom,inthepurser'ssafeonCdeck(seeingsomething)HangonasecondAtechcoaxessomelettersinthewatertraytoonesidewithatongrevealingapencil(contecrayon)drawingofawomanBrocklookscloselyatthedrawing,whichisinexcellentshape,thoughitsedgeshavepartiallydisintegratedThewomanisbeautiful,andbeautifullyrenderedInherlateteensorearlytwenties,sheisnude,thoughposedwithakindofcasualmodestySheisonanEmpiredivan,inapooloflightthatseemstoradiateoutwardfromhereyesScrawledinthelowerrightcorneristhedate:AprilAndtheinitialsJDThegirlisnotentirelynudeAtherthroatisadiamondnecklacewithonelargestonehanginginthecenterLovettgrabsareferencephotofromtheclutteronthelabtableItisaperiodblackandwhitephotoofadiamondnecklaceonablackvelvetjeller'sdisplaystandHeholdsitnexttothedrawingItisclearlythesamepieceacomplexsettingwithamassivecentralstonewhichisalmostheartshapedLOVETTI'llbeGoddamnedCUTTO:INSERTACNNNEWSSTORY:alivesatellitefeedfromthedeckoftheKeldysh,intercutwiththeCNNstudioANNOUNCERTreasurehunterBrockLovettisbestknownforfindingSpanishgoldinsunkengalleonsintheCaribbeanNowheisusingdeepsubmergencetechnologytoworktwoandahalfmilesdownatanotherfamouswrecktheTitanicHeiswithusliveviasatellitefromaRussianresearchshipinthemiddleoftheAtlantichelloBrockLOVETTYes,hi,TracyYouknow,TitanicisnotjustAshipwreck,TitanicisTHEshipwreckIt'stheMountEverestofshipwrecksCUTTO:INTHOUSECERAMICSSTUDIOPULLBACKfromthescreen,showingtheCNNreportplayingonaTVsetinthelivingroomofasmallrustichouseItisfullofceramics,figurines,folkart,thewallscrammedwithdrawingsandpaintingsthingscollectedoveralifetimePANNINGtoshowaglassedinstudioattachedtothehouseOutsideitisaquietmorninginOjai,CaliforniaInthestudio,amidincredibleclutter,anANCIENTWOMANisthrowingapotonapotter'swheelTheliquidredclaycoversherhandshandsthataregnarledandagespotted,butstillsurprisinglystrongandsuppleAwomaninherearlyfortiesassistsherLOVETT(VO)I'veplannedthisexpeditionforthreeyears,andwe'reouthererecoveringsomeamazingthingsthingsthatwillhaveenormoushistoricalandeducationalvalueCNNREPORTER(VO)Butit'snosecretthateducationisnotyourmainpurposeYou'reatreasurehunterSowhatisthetreasureyou'rehuntingLOVETT(VO)I'drathershowyouthantellyou,andwethinkwe'reveryclosetodoingjustthatTheoldwoman'snameisROSECALVERTHerfaceisawrinkledmass,herbodyshapelessandshrunkenunderaonepieceAfricanprintdressButhereyesarejustasbrightandaliveasthoseofayounggirlRosegetsupandwalksintothelivingroom,wipingpotteryclayfromherhandswitharagAPomeraniandoggetsupandcomesinwithherTheyoungerwoman,LIZZYCALVERT,rushestohelpherROSETurnthatupplease,dearREPORTER(VO)YourexpeditionisatthecenterofastormofcontroversyoversalvagerightsandevenethicsManyarecallingyouagraverobberTIGHTONTHESCREENLOVETTNobodycalledtherecoveryoftheartifactsfromKingTut'stombgraverobbingIhavemuseumtrainedexpertshere,makingsurethisstuffispreservedandcataloguedproperlyLookatthisdrawing,whichwasfoundtodayThevideocamerapansoffBrocktothedrawing,inatrayofwaterTheimageofthewomanwiththenecklaceFILLSFRAMELOVETTapieceofpaperthat'sbeenunderwaterforyearsandmyteamareabletopreserveitintactShouldthishaveremainedunseenatthebottomoftheoceanforeternity,whenwecanseeitandenjoyitnowROSEisgalvanizedbythisimageHermouthhangsopeninamazementROSEI'llbeGoddamnedCUTTO:EXTKELDYSHDECKNIGHTCUTTOKELDYSHTheMirsubsarebeinglaunchedMirTwoisalreadyinthewater,andLovettisgettingreadytoclimbintoMirOnewhenBobbyBuellrunsuptohimBUELLThere'sasatellitecallforyouLOVETTBobby,we'relaunchingSeethesesubmersibleshere,goinginthewaterTakeamessageBUELLNo,trustme,youwanttotakethiscallCUTTO:INTLABDECKKELDYSHNIGHTBuellhandsLovettthephone,pushingdowntheblinkinglineThecallisfromRoseandweseebothendsoftheconversationSheisinherkitchenwithamystifiedLizzyLOVETTThisisBrockLovettWhatcanIdoforyou,MrsBUELLRoseCalvertLOVETTMrsCalvertROSEIwasjustwonderingifyouhadfoundthe"HeartoftheOcean"yet,MrLovettBrockalmostdropsthephoneBobbyseeshisshockedexpressionBUELLItoldyouyouwantedtotakethiscallLOVETT(toRose)AlrightYouhavemyattention,RoseCanyoutellmewhothewomaninthepictureisROSEOhyesThewomaninthepictureismeCUTTO:EXTOCEANDAYSMASHCUTTOANENORMOUSSEASTALLIONHELICOPTERthunderingacrosstheoceanPANdegreesasitroarspastThereisnolandateitherhorizonTheKeldyshisvisibleinthedistanceCLOSEONAWINDOWofthemonsterhelicopterRose'sfaceisvisible,lookingoutcalmlyCUTTO:EXTKELDYSHDAYBrockandBodinearewatchingMirbeingswungoverthesidetostartadiveBODINEShe'sagoddamnedliar!AnutcaseLik

TITANIC

A screenplay by James Cameron

Cast:


KATE WINSLET... Rose DeWitt Bukater


LEONARDO DiCAPRIO... Jack Dawson


KATHY BATES... The Unsinkable Molly Brown


BILLY ZANE... Caledon Hockley


BILL PAXTON... Brock Lovett

Written and Directed by:


JAMES CAMERON

1 BLACKNESS


Then two faint lights appear, close together... growing brighter. They


resolve into two DEEP SUBMERSIBLES, free-falling toward us like express


elevators.


One is ahead of the other, and passes close enough to FILL FRAME, looking


like a spacecraft blazing with lights, bristling with insectile


manipulators.


TILTING DOWN to follow it as it descends away into the limitless blackness


below. Soon they are fireflies, then stars. Then gone.


                                                                    CUT TO:


2 EXT./ INT. MIR ONE / NORTH ATLANTIC DEEP


PUSHING IN on one of the falling submersibles, called MIR ONE, right up to


its circular viewport to see the occupants.


INSIDE, it is a cramped seven foot sphere, crammed with equipment. ANATOLY



MIKAILAVICH, the sub's pilot, sits hunched over his controls... singing


softly in Russian.


Next to him on one side is BROCK LOVETT. He's in his late forties, deeply


tanned, and likes to wear his Nomex suit unzipped to show the gold from


famous shipwrecks covering his gray chest hair. He is a wiley, fast-talking


treasure hunter, a salvage superstar who is part historian, part adventurer


and part vacuum cleaner salesman. Right now, he is propped against the CO2


scrubber, fast asleep and snoring.


On the other side, crammed into the remaining space is a bearded wide-body


named LEWIS BODINE, who is also asleep. Lewis is an R.O.V. (REMOTELY


OPERATED VEHICLE) pilot and is the resident Titanic expert.


Anatoly glances at the bottom sonar and makes a ballast adjustment.


                                                                    CUT TO:


3 EXT. THE BOTTOM OF THE SEA


A pale, dead-flat lunar landscape. It gets brighter, lit from above, as MIR


ONE enters FRAME and drops to the seafloor in a downblast from its


thrusters. It hits bottom after its two hour free-fall with a loud BONK.


                                                                    CUT TO:


4 INT. MIR ONE


Lovett and Bodine jerk awake at the landing.


                                  ANATOLY


                           (heavy Russian accent)



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