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首页 泰坦尼克号 剧本

泰坦尼克号 剧本

泰坦尼克号 剧本

teasex
2009-02-28 0人阅读 举报 0 0 暂无简介

简介:本文档为《泰坦尼克号 剧本doc》,可适用于外语资料领域

更多学习资料http:xuexiblogspotcomTitanic    TITANICAscreenplaybyJamesCameronCast:KATEWINSLETRoseDeWittBukaterLEONARDODiCAPRIOJackDawsonKATHYBATESTheUnsinkableMollyBrownBILLYZANECaledonHockleyBILLPAXTONBrockLovett WrittenandDirectedby:JAMESCAMERONBLACKNESSThentwofaint(微弱)lightsappear,closetogethergrowingbrighterTheyresolveinto(使分解为)twoDEEPSUBMERSIBLES(能沉入水中的,能潜水的),freefallingtowarduslikeexpresselevatorsOneisaheadoftheother,andpassescloseenoughtoFILLFRAME,lookinglikeaspacecraftblazingwithlights,bristlingwithinsectile(似昆虫的)manipulators(操作者)Tiltingdowntofollowitasitdescends(下来)awayintothelimitlessblacknessbelowSoontheyarefireflies,thenstarsThengoneCUTTO:EXTINTMIRONENORTHATLANTICDEEPPushinginononeofthefallingsubmersibles,calledMIRONE,rightuptoitscircularviewporttoseetheoccupants(占有者,居住者)Inside,itisacramped(狭促的,难辨的,难懂的)sevenfootsphere,crammed(密经,密纬)withequipmentANATOLYMIKAILAVICH,thesub's(潜水艇,低能者)pilot,sitshunched(隆起)overhiscontrolssingingsoftlyinRussianNexttohimononesideisBROCKLOVETTHe'sinhislateforties,deeplytanned(棕褐色),andlikestowearhisNomexsuitunzippedtoshowthegoldfromfamousshipwrecks(船只失事)coveringhisgraychest(胸腔,胸膛,箱,柜)hairHeisawiley,fasttalkingtreasurehunter,asalvage(海上救助)superstarwhoisparthistorian,partadventurerandpartvacuum(真空)cleanersalesmanRightnow,heispropped(支持)againsttheCOscrubber(洗刷者),fastasleepandsnoringOntheotherside,crammedinto(勉强塞入)theremainingspaceisabeardedwidebodynamedLEWISBODINE,whoisalsoasleepLewisisanROV(RemotelyOperateVehicle)pilotandistheresidentTitanicexpertAnatolyglancesatthebottomsonarandmakesaballastadjustmentCUTTO:EXTTHEBOTTOMOFTHESEAApale,deadflatlunarlandscapeItgetsbrighter,litfromabove,asMIRONEentersFRAME(取景)anddropstotheseafloorinadownblast(毁灭爆炸)fromitsthrusters(向上钻营的人,推进器)IthitsbottomafteritstwohourfreefallwithaloudBONKCUTTO:INTMIRONELovettandBodinejerkawakeatthelandingANATOLY(heavyRussianaccent)WearehereEXTINTMIRONEANDTWOMINUTESLATER:THETWOSUBSskimover(掠过,滑过,浏览)theseafloortothesoundofsidescansonarandthethrum(乱弹)ofbigthrustersThefeaturelessgrayclayofthebottomunrolls(解开,打开)inthelightsofthesubsBodineiswatchingthesidescansonardisplay,wheretheoutlineofahugepointedobjectisvisible(看得见的,明显的,显著的)Anatolyliesprone(倾向于),drivingthesub,hisfacepressedtothecenterportBODINEComeleftalittleShe'srightinfrontofus,eighteenmetersFifteenThirteenyoushouldseeitANATOLYDoyouseeitIdon'tseeitthere!Outofthedarkness,likeaghostlyapparition(离奇的古怪的),thebowoftheshipappearsItsknifeedgeprowiscomingstraightatus,seemingtoplowthebottomsediment(沉淀物,沉积)likeoceanwavesIttowersabovetheseafloor,standingjustasitlandedyearsagoTheTitanicOrwhatisleftofherMironegoesupandoverthebowrailing,intactexceptforanovergrowthof"rusticles"drapingitlikemutatedSpanishmossTIGHTONTHEEYEPIECEMONITORofavideocamcorderBrockLovett'sfacefillstheBLACKANDWHITEFRAMELOVETTItstillgetsmeeverytimeTheimagepanstothefrontviewport,lookingoverAnatoly'sshoulder,tothebowrailingvisibleinthelightsbeyondAnatolyturnsANATOLYIsjustyourguiltbecauseofstealingfromthedeadCUTWIDER,toshowthatBrockisoperatingthecamerahimself,turningitinhishandsoitpointsathisownfaceLOVETTThanks,TolyaWorkwithme,hereBrockresumeshisserious,pensivegazeoutthefrontport,withthecameraaimedathimselfatarm'slengthLOVETTItstillgetsmeeverytimetoseethesadruinofthegreatshipsittinghere,whereshelandedat:inthemorning,April,,afterherlongfallfromtheworldaboveAnatolyrollshiseyesandmuttersinRussianBodinechucklesandwatchesthesonarBODINEYouaresofullofshit,bossMirTwodrivesaftdownthestarboardside,pastthehugeanchorwhileMirOnepassesovertheseeminglyendlessforecastledeck,withitsmassiveanchorchainsstilllaidoutintwoneatrows,itsbronzewindlasscapsgleamingThefootlongsubsarelikewhitebugsnexttotheenormouswreckLOVETT(VO)DivenineHereweareagainonthedeckofTitanictwoandahalfmilesdownThepressureisthreetonspersquareinch,enoughtocrushuslikeafreighttraingoingoveranantifourhullfailsThesewindowsarenineinchesthickandiftheygo,it'ssayonaraintwomicrosecondsMirTwolandsontheboatdeck,nexttotheruinsoftheOfficer'sQuartersMirOnelandsontheroofofthedeckhousenearbyLOVETTRightLet'sgotoworkBodineslipsonapairofDelectronicgoggles,andgrabsthejoystickcontrolsoftheROVOUTSIDETHESUB,theROV,asmallorangeandblackrobotcalledSNOOPDOG,liftsfromitscradleandfliesforwardBODINE(VO)Walkin'thedogSNOOPDOGdrivesitselfawayfromthesub,payingoutitsumbilicalbehinditlikearobotyoyoItstwinstereovideocamerasswivellikeinsecteyesTheROVdescendsthroughanopenshaftthatoncewasthebeautifulFirstClassGrandStaircaseSnoopDoggoesdownseveraldecks,thenmoveslaterallyintotheFirstClassReceptionRoomSNOOP'SVIDEOPOV,movingthroughthecavernousinteriorTheremainsoftheornatehandcarvedwoodworkwhichgavetheshipitselegancemovethroughthefloodlights,thelinesblurredbyslowdissolutionanddescendingrusticleformationsStalactitesofrusthangdownsothatattimesitlookslikeanaturalgrotto,thenthesceneshiftsandthelinesofaghostlyunderseamansioncanbeseenagainMONTAGESTYLE,asSnooppassestheghostlyimagesofTitanic'sopulence:Agrandpianoinamazinglygoodshape,crashedonitssideagainstawallThekeysgleamblackandwhiteinthelightsAchandelier,stillhangingfromtheceilingbyitswireglintingasSnoopmovesarounditItslightsplayacrossthefloor,revealingachampagnebottle,thensomeWHITESTARLINEchinaawoman'shightop"grannyshoe"Thensomethingeerie:whatlookslikeachild'sskullresolvesintotheporcelainheadofadollSnoopentersacorridorwhichismuchbetterpreservedHereandthereadoorstillhangsonitsrustedhingesAnornatepieceofmoulding,awallsconcehintatthegrandeurofthepastTHEROVturnsandgoesthroughablackdoorway,enteringroomB,thesittingroomofa"promenadesuite",oneofthemostluxuriousstateroomsonTitanicBODINEI'minthesittingroomHeadingforbedroomBLOVETTStayoffthefloorDon'tstirituplikeyoudidyesterdayBODINEI'mtryin'bossGlintinginthelightsarethebrassfixturesofthenearperfectlypreservedfireplaceAnalbinoGalatheacrabcrawlsoveritNearbyaretheremainsofadivanandawritingdeskTheDogcrossestheruinsoftheonceelegantroomtowardanotherDOORItsqueezesthroughthedoorframe,scrapingrustandwoodchunkslooseonbothsidesItmovesoutofacloudofrustandkeepsongoingBODINEI'mcrossingthebedroomTheremainsofapillaredcanopybedBrokenchairs,adresserThroughthecollapsedwallofthebathroom,theporcelaincommodeandbathtubtookalmostnew,gleaminginthedarkLOVETTOkay,Iwanttoseewhat'sunderthatwardrobedoorSEVERALANGLESastheROVdeploysitsMANIPULATORARMSandstartsmovingdebrisasideAlampislifted,itsceramiccolorsasbrightastheywereinLOVETTEasy,LewisTakeitslowLewisgripsawardrobedoor,lyingatanangleinacorner,andpullsitwithSnoop'sgripperItmovesreluctantlyinacloudofsiltUnderitisadarkobjectThesiltclearsandSnoop'scamerasshowthemwhatwasunderthedoorBODINEOoohhdaddyoh,areyouseein'whatI'mseein'CLOSEONLOVETT,watchinghismonitorsByhisexpressionitislikeheisseeingtheHolyGrailLOVETTOhbabybabybaby(grabsthemike)It'spayday,boysONTHESCREEN,intheglareofthelights,istheobjectoftheirquest:asmallSTEELCOMBINATIONSAFECUTTO:EXTSTERNOFDECKOFKEDYSHDAYTHESAFE,drippingwetintheafternoonsun,isloweredontothedeckofashipbyawinchcableWeareontheRussianresearchvesselAKADEMIKMISTISLAVKELDYSHAcrowdhasgathered,includingmostofthecrewofKELDYSH,thesubcrews,andahandwringingmoneyguynamedBOBBYBUELLwhorepresentsthelimitedpartnersThereisalsoadocumentaryvideocrew,hiredbyLovetttocoverhismomentofgloryEveryonecrowdsaroundthesafeInthebackgroundMirTwoisbeingloweredintoitscradleondeckbyamassivehydraulicarmMirOneisalreadyrecoveredwithLewisBodinefollowingBrockLovettasheboundsovertothesafelikeakidonChristmasmorningBODINEWho'sthebestSayitLOVETTYouare,Lewis(tothevideocrew)YourollingCAMERAMANRollingBrocknodstohistechnicians,andtheysetaboutdrillingthesafe'shingesDuringthisoperation,Brockampsthesuspense,workingthelenstofillthetimeLOVETTWell,hereitis,themomentoftruthHere'swherewefindoutifthetime,thesweat,themoneyspenttocharterthisshipandthesesubs,tocomeoutheretothemiddleoftheNorthAtlanticwereworthitIfwhatwethinkisinthatsameisinthatsafeitwillbeLovettgrinswolfishlyinanticipationofhisgreatestfindyetThedoorispriedlooseItclangsontothedeckLovettmovescloser,peeringintothesafe'swetinteriorAlongmomentthenhisfacesaysitallLOVETTShitBODINEYouknow,boss,thishappenedtoGeraldoandhiscareerneverrecoveredLOVETT(tothevideocameraman)GetthatouttamyfaceCUTTO:INTLABDECK,PRESERVATIONROOMDAYTechniciansarecarefullyremovingsomepapersfromthesafeandplacingtheminatrayofwatertoseparatethemsafelyNearby,otherartifactsfromthestateroomarebeingwashedandpreservedBuellisonthesatellitephonewiththeINVESTORSLovettisyellingatthevideocrewLOVETTYousendoutwhatItellyouwhenItellyouI'msigningyourpaychecks,notminutesNowgetsetupfortheuplinkBuellcoversthephoneandturnstoLovettBUELLThepartnerswanttoknowhowit'sgoingLOVETTHowit'sgoingIt'sgoinglikeafirstdateinprison,whattayathink!LovettgrabsthephonefromBuellandgoesinstantlysmoothLOVETTHi,DaveBarryLook,itwasn'tinthesafeno,look,don'tworryaboutit,there'restillplentyofplacesitcouldbeinthefloordebrisinthesuite,inthemother'sroom,inthepurser'ssafeonCdeck(seeingsomething)HangonasecondAtechcoaxessomelettersinthewatertraytoonesidewithatongrevealingapencil(contecrayon)drawingofawomanBrocklookscloselyatthedrawing,whichisinexcellentshape,thoughitsedgeshavepartiallydisintegratedThewomanisbeautiful,andbeautifullyrenderedInherlateteensorearlytwenties,sheisnude,thoughposedwithakindofcasualmodestySheisonanEmpiredivan,inapooloflightthatseemstoradiateoutwardfromhereyesScrawledinthelowerrightcorneristhedate:AprilAndtheinitialsJDThegirlisnotentirelynudeAtherthroatisadiamondnecklacewithonelargestonehanginginthecenterLovettgrabsareferencephotofromtheclutteronthelabtableItisaperiodblackandwhitephotoofadiamondnecklaceonablackvelvetjeller'sdisplaystandHeholdsitnexttothedrawingItisclearlythesamepieceacomplexsettingwithamassivecentralstonewhichisalmostheartshapedLOVETTI'llbeGoddamnedCUTTO:INSERTACNNNEWSSTORY:alivesatellitefeedfromthedeckoftheKeldysh,intercutwiththeCNNstudioANNOUNCERTreasurehunterBrockLovettisbestknownforfindingSpanishgoldinsunkengalleonsintheCaribbeanNowheisusingdeepsubmergencetechnologytoworktwoandahalfmilesdownatanotherfamouswrecktheTitanicHeiswithusliveviasatellitefromaRussianresearchshipinthemiddleoftheAtlantichelloBrockLOVETTYes,hi,TracyYouknow,TitanicisnotjustAshipwreck,TitanicisTHEshipwreckIt'stheMountEverestofshipwrecksCUTTO:INTHOUSECERAMICSSTUDIOPULLBACKfromthescreen,showingtheCNNreportplayingonaTVsetinthelivingroomofasmallrustichouseItisfullofceramics,figurines,folkart,thewallscrammedwithdrawingsandpaintingsthingscollectedoveralifetimePANNINGtoshowaglassedinstudioattachedtothehouseOutsideitisaquietmorninginOjai,CaliforniaInthestudio,amidincredibleclutter,anANCIENTWOMANisthrowingapotonapotter'swheelTheliquidredclaycoversherhandshandsthataregnarledandagespotted,butstillsurprisinglystrongandsuppleAwomaninherearlyfortiesassistsherLOVETT(VO)I'veplannedthisexpeditionforthreeyears,andwe'reouthererecoveringsomeamazingthingsthingsthatwillhaveenormoushistoricalandeducationalvalueCNNREPORTER(VO)Butit'snosecretthateducationisnotyourmainpurposeYou'reatreasurehunterSowhatisthetreasureyou'rehuntingLOVETT(VO)I'drathershowyouthantellyou,andwethinkwe'reveryclosetodoingjustthatTheoldwoman'snameisROSECALVERTHerfaceisawrinkledmass,herbodyshapelessandshrunkenunderaonepieceAfricanprintdressButhereyesarejustasbrightandaliveasthoseofayounggirlRosegetsupandwalksintothelivingroom,wipingpotteryclayfromherhandswitharagAPomeraniandoggetsupandcomesinwithherTheyoungerwoman,LIZZYCALVERT,rushestohelpherROSETurnthatupplease,dearREPORTER(VO)YourexpeditionisatthecenterofastormofcontroversyoversalvagerightsandevenethicsManyarecallingyouagraverobberTIGHTONTHESCREENLOVETTNobodycalledtherecoveryoftheartifactsfromKingTut'stombgraverobbingIhavemuseumtrainedexpertshere,makingsurethisstuffispreservedandcataloguedproperlyLookatthisdrawing,whichwasfoundtodayThevideocamerapansoffBrocktothedrawing,inatrayofwaterTheimageofthewomanwiththenecklaceFILLSFRAMELOVETTapieceofpaperthat'sbeenunderwaterforyearsandmyteamareabletopreserveitintactShouldthishaveremainedunseenatthebottomoftheoceanforeternity,whenwecanseeitandenjoyitnowROSEisgalvanizedbythisimageHermouthhangsopeninamazementROSEI'llbeGoddamnedCUTTO:EXTKELDYSHDECKNIGHTCUTTOKELDYSHTheMirsubsarebeinglaunchedMirTwoisalreadyinthewater,andLovettisgettingreadytoclimbintoMirOnewhenBobbyBuellrunsuptohimBUELLThere'sasatellitecallforyouLOVETTBobby,we'relaunchingSeethesesubmersibleshere,goinginthewaterTakeamessageBUELLNo,trustme,youwanttotakethiscallCUTTO:INTLABDECKKELDYSHNIGHTBuellhandsLovettthephone,pushingdowntheblinkinglineThecallisfromRoseandweseebothendsoftheconversationSheisinherkitchenwithamystifiedLizzyLOVETTThisisBrockLovettWhatcanIdoforyou,MrsBUELLRoseCalvertLOVETTMrsCalvertROSEIwasjustwonderingifyouhadfoundthe"HeartoftheOcean"yet,MrLovettBrockalmostdropsthephoneBobbyseeshisshockedexpressionBUELLItoldyouyouwantedtotakethiscallLOVETT(toRose)AlrightYouhavemyattention,RoseCanyoutellmewhothewomaninthepictureisROSEOhyesThewomaninthepictureismeCUTTO:EXTOCEANDAYSMASHCUTTOANENORMOUSSEASTALLIONHELICOPTERthunderingacrosstheoceanPANdegreesasitroarspastThereisnolandateitherhorizonTheKeldyshisvisibleinthedistanceCLOSEONAWINDOWofthemonsterhelicopterRose'sfaceisvisible,lookingoutcalmlyCUTTO:EXTKELDYSHDAYBrockandBodinearewatchingMirbeingswungoverthesidetostartadiveBODINEShe'sagoddamnedliar!AnutcaseLikethatwhat'shernameThatAnastasiababeBUELLThey'reinboundBrocknodsandthethreeofthemheadforwardtomeettheapproachinghelmBODINEShesaysshe'sRoseDeWittBukater,rightRoseDeWittBukaterdiedontheTitanicAttheageofIfshe'dhavelived,she'dbeoverahundrednowLOVETTAhundredandonenextmonthBODINEOkay,soshe'saveryoldgoddamnedliarItracedherasfarbackasthe'sshewasworkingasanactressinLAAnactressHernamewasRoseDawsonThenshemarriedaguynamedCalvert,movedtoCedarRapids,hadtwokidsNowCalvert'sdead,andfromwhatI'veheardCedarRapidsisdeadTheSeaStallionapproachestheship,BG,forcingBrocktoyellovertherotorsLOVETTAndeverybodywhoknowsaboutthediamondissupposedtobedeadoronthisshipButsheknowsaboutitAndIwanttohearwhatshehastosayGotitCUTTO:EXTKELDYSHHELIPADINATHUNDERINGDOWNBLASTthehelicopter'swheelsbouncedownonthehelipadLovett,BuellandBodinewatchastheHELICOPTERCREWCHIEFhandsoutabouttensuitcases,andthenRoseisloweredtothedeckinawheelchairbyKeldyshcrewmenLizzy,duckingunnecessarilyundertherotor,followsherout,carryingFREDDYthePomeranianThecrewchiefhandsapuzzledKeldyshcrewmemberagoldfishbowlwithseveralfishinitRosedoesnottravellightHOLDONtheincongruousimageofthislittleoldlady,lookingimpossiblyfragileamongstallthehightechgear,grungydeckcrewandgiganticequipmentBODINES'cuseme,IhavetogocheckoursupplyofDependsCUTTO:INTROSE'SSTATEROOMKELDYSHDAYLizzyisunpackingRose'sthingsinthesmallutilitarianroomRoseisplacinganumberofFRAMEDPHOTOSonthebureau,arrangingthemcarefullynexttothefishbowlBrockandBodineareinthedoorwayLOVETTIsyourstateroomalrightROSEYesVeryniceHaveyoumetmygranddaughter,LizzyShetakescareofmeLIZZYYesWemetjustafewminutesago,grandmaRemember,upondeckROSEOh,yesBrockglancesatBodineohohBodinerollshiseyesRosefinishesarrangingherphotographsWegetageneralglimpseofthem:theusualsnapshotschildrenandgrandchildren,herlatehusbandROSEThere,that'sniceIhavetohavemypictureswhenItravelAndFreddyofcourse(tothePomeranian)Isn'tthatright,sweetieLOVETTWouldyoulikeanythingROSEIshouldliketoseemydrawingCUTTO:INTLABDECK,PRESERVATIONAREARoselooksatthedrawinginitstrayofwater,confrontingherselfacrossaspanofyearsUntiltheycanfigureoutthebestwaytopreserveit,theyhavetokeepitimmersedItswaysandripples,almostasifaliveTIGHTONRose'sancienteyes,gazingatthedrawingFLASHCUTofaman'shand,holdingacontecrayondeftlycreatingashoulderandtheshapeofherhairwithtwoefficientlinesTHEWOMAN'SFACEINTHEDRAWING,dancingunderthewaterAFLASHCUTofaman'seyes,justvisibleoverthetopofasketchingpadTheylookupsuddenlyrightintotheLENSSofteyes,butfearlesslydirectRosesmiles,rememberingBrockhasthereferencephotoofthenecklaceinhishandLOVETTLouistheSixteenthworeafabulousstone,calledtheBlueDiamondoftheCrown,whichdisappearedin,aboutthetimeLouisloste

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