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首页 [美]吉尔·柏克:变换中的赞助人:文艺复兴时期佛罗伦萨的社会身份与视觉艺术(宾州大学 2004)

[美]吉尔·柏克:变换中的赞助人:文艺复兴时期佛罗伦萨的社会身份与视觉艺术(宾州大学 2004)

[美]吉尔·柏克:变换中的赞助人:文艺复兴时期佛罗伦萨的社会身…

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简介:本文档为《[美]吉尔·柏克:变换中的赞助人:文艺复兴时期佛罗伦萨的社会身份与视觉艺术(宾州大学 2004)pdf》,可适用于人文社科领域

�Changingpatrons�BurkeixviFINALqu:AMPageiBurkeixviFINALqu:AMPageiiBurkeixviFINALqu:AMPageiiithepennsylvaniastateuniversitypress•universitypark,pennsylvania�Changingpatrons�SocialIdentityandtheVisualArtsinRenaissanceFlorencejillburke��LibraryofCongressCataloginginPublicationDataBurke,Jill,–Changingpatrons:socialidentityandthevisualartsinRenaissanceFlorenceJillBurkepcmISBN(alkpaper)ArtpatronageItalyFlorenceArtistsandpatronsItalyFlorenceArt,ItalianItalyFlorenceArt,RenaissanceItalyFlorenceITitleNB''dcCopyright©thepennsylvaniastateuniversityAllrightsreservedPrintedintheUnitedStatesofAmericaPublishedbyThePennsylvaniaStateUniversityPressUniversityPark,PAThePennsylvaniaStateUniversityPressisamemberoftheAssociationofAmericanUniversityPressesItisthepolicyofThePennsylvaniaStateUniversityPresstouseacidfreepaperPublicationsonuncoatedstocksatisfytheminimumrequirementsofAmericanNationalStandardforInformationSciencesPermanenceofPaperforPrintedLibraryMaterial,ANSIZ–BurkeixviFINALqu:AMPageivDisclaimer:SomeimagesintheoriginalversionofthisbookarenotavailableforinclusionintheeBookcontentslistofillustrationsviiacknowledgmentsxiianoteontranscriptionsandtranslationsxivabbreviationsxvintroduction�parti:Families,Neighbors,andFriends�chapterFamilySelfFashioningchapterPrivateWealthandPublicBenefit:TheNasiandDelPugliesePalaceschapterFamily,Church,Community:TheAppearanceofPowerinSantoSpiritochapterPatronageandtheArtofFriendship:PierodelPugliese’sPatronageofFilippinoLippi�partii:TheIndividual,theFamily,andtheChurch�chapterPatronageRightsandWrongs:BuildingIdentityatSantaMariaaLeccetochapterFramingPatronage:BeautyandOrderintheChurchoftheInnocentichapterDifferingVisions:ImageandAudienceintheFlorentineChurch�partiii:IdentityandChange�chapterPaintedPrayers:SavonarolaandtheAudienceofImagesconclusionsandquestionsBurkeixviFINALqu:AMPagevappendixNasiFamilyTreeDelPuglieseFamilyTreeUnpublishedDocumentsPoemsWrittenAboutthePortraitofPierodelPugliesebyFilippinoLippinotesbibliographyindexvicontentsBurkeixviFINALqu:AMPagevilistofillustrationsFigureAnonymousFlorentine,PortraitMedalofBernardoNasi,Florence,BargelloMuseum,inv,rectoandverso(photo:Soprintendenzaperibeniartisticiestorici,Florence)FigureAnonymousFlorentine,PortraitMedalofBernardoNasi,formerlyHenryOppenheimerCollection,recto(photo:author)FigureAnonymousFlorentine,PortraitMedalofBernardoNasi,formerlyHenryOppenheimerCollection,verso(photo:author)FigureAntonioRossellino,attributed,PortraitBustofPierodelPugliese,formerlyBerlin,KaiserFredrichsMuseum(photo:ConwayLibrary,CourtauldInstituteofArt,London)FigureFormerpalaceofPierodiLutozzoNasi,ViaSanNiccolò,Florence(photo:author)FigureUpperstoriesoffacadeofformerpalaceofPierodiLutozzoNasi,ViaSanNiccolò,Florence(photo:author)FigureDetailofsgraffitodecorationonthefacadeofformerpalaceofPierodiLutozzoNasi,ViaSanNiccolò,Florence(photo:author)FigureDetailofsgraffitodecorationinthecourtyardoftheMediciRiccardiPalace,Florence(photo:author)FigureDetailofsgraffitodecorationonthefacadeofthepalaceoftheArtedellaSeta,Florence(photo:author)FigureFormerpalaceofFrancescodiLutozzoNasi,nowcalledPalazzoMozzi,Piazzade’Mozzi,Florence(photo:KunsthistorischesInstitut,Florence)FigureSiteofformerpalaceofBernardo,Bartolommeo,andFilippodiLutozzoNasi,nowPalazzoTorrigiani,Piazzade’Mozzi,Florence(photo:author)FigureViewofPiazzade’MozzifromthenorthbankoftheArno(photo:author)FigureFormerpalaceofPieroandFrancescodelPugliese,Viade’Serragli,Florence(photo:KunsthistorischesInstitut,Florence)FigureDetailofDelPugliesearmsonfacadeofformerpalace(photo:author)BurkeixviFINALqu:AMPageviiFigureWorkshopofDomenicoGhirlandaio,TakingofanInventory,OratoryofSanMartinodeiBuonuomini,Florence(photo:Soprintendenzaperibeniartisticiestorici,Florence)FigureDomenicoGhirlandaio,BirthofSaintJohntheBaptist,TornabuoniChapel,SantaMariaNovella,Florence(photo:Soprintendenzaperibeniartisticiestorici,Florence)FigurePlanofchurchofSantoSpirito,Florence(adaptedfromCapretti,TheBuildingComplexofSantoSpirito)FigureExteriorofeastwallofSantoSpirito,Florence,showingwindowsandcoatsofarms(photo:author)FigureChapelsinthelefttranseptofSantoSpirito,Florence(photo:KunsthistorischesInstitut,Florence)FigureRaffaellinodelGarbo,ThePietàwithSaintsJohntheBaptist,JohntheEvangelist,MaryMagdalen,andJames,Munich,AltePinakothek(photo:BayerischeStaatsgemäldesammlungen,AltePinakothek,Munich)FigurePierodiCosimo,TheVisitationwithSaintsNicholasandAnthonyAbbot,Washington,DC,NationalGalleryofArt,SamuelHKressCollection(photograph©BoardofTrustees,NationalGalleryofArt,Washington,DC)FigureRaphael,MadonnadelBaldacchino,Florence,PalazzoPitti(photo:Soprintendenzaperibeniartisticiestorici,Florence)FigureFilippinoLippi,DoublePortraitofPierodelPuglieseandFilippinoLippi,DenverArtMuseum,TheSimonGuggenheimMemorialCollection(photo:DenverArtMuseum)FigureDomenicoGhirlandaio,PortraitofGiovannadegliAlbizzi,Madrid,ThyssenBornemiszaCollection(photo:AlinariArtResource,NY)FigureDomenicoGhirlandaio,OldManandBoy,Paris,MuséeduLouvre(photo:HLewandowski©RéuniondesMuséesNationauxArtResource,NY)FigureDomenicoGhirlandaio,FrancescoSassettiandHisSonTeodoro,NewYork,TheMetropolitanMuseumofArt,TheJulesBacheCollection(allrightsreserved,TheMetropolitanMuseumofArt)FigureChurchofSSFilippoeGiacomo(formerlySantaMaria)aLecceto,LastraaSigna(photo:KunsthistorischesInstitut,Florence)FigureCappellamaggioreofchurchofSSFilippoeGiacomo(formerlySantaMaria)aLecceto,LastraaSigna(photo:KunsthistorischesInstitut,Florence)viiilistofillustrationsBurkeixviFINALqu:AMPageviiiFigureWorkshopofDomenicoGhirlandaio,AnnunciationtotheShepherds,Rotterdam,MuseumBoijmansVanBeuningen(photo:MuseumBoijmansVanBeuningen,Rotterdam)FigurePierodiCosimo,VirginandChildwithSaintsNicholas,JohntheBaptist,Peter,andDominic,SaintLouisArtMuseum(photo:TheSaintLouisArtMuseum)FigureFilippinoLippi,TheApparitionoftheVirgintoSaintBernard(fig),Florence,Badia,detailofdonor(photo:Soprintendenzaperibeniartisticiestorici,Florence)FigureInteriorofchurchofOspedaledegliInnocenti,Florence(photo:KunsthistorischesInstitut,Florence)FigureDomenicoGhirlandaio,AdorationoftheMagi,Florence,MuseodelOspedaledegliInnocenti(photo:Soprintendenzaperibeniartisticiestorici,Florence)FigureNeridiBicci,CoronationoftheVirgin,Florence,MuseodelOspedaledegliInnocenti(photo:Soprintendenzaperibeniartisticiestorici,Florence)FigurePierodiCosimo,VirginandChildwithSaintsPeter,ElizabethofHungary,CatherineofAlexandria,andJohntheEvangelist,Florence,MuseodelOspedaledegliInnocenti(photo:Soprintendenzaperibeniartisticiestorici,Florence)FigureAndreadellaRobbia,Annunciation,Florence,OspedaledegliInnocenti(photo:Soprintendenzaperibeniartisticiestorici,Florence)FigureBartolommeodiGiovanni,predellaforInnocentiAdorationoftheMagi,Florence,MuseodelOspedaledegliInnocenti(photo:Soprintendenzaperibeniartisticiestorici,Florence)FigureBartolommeodiGiovanni,SaintAntoninusConsecratingtheInnocentiChurch,Florence,MuseodelOspedaledegliInnocenti(photo:Soprintendenzaperibeniartisticiestorici,Florence)FigureFilippinoLippi,TheApparitionoftheVirgintoSaintBernard,Florence,Badia(photo:Soprintendenzaperibeniartisticiestorici,Florence)FigurePieroPerugino,TheApparitionoftheVirgintoSaintBernard,Munich,AltePinakothek(photo:BayerischeStaatsgemäldesammlungen,AltePinakothek,Munich)FigureMasteroftheRinucciniChapel,TheApparitionoftheVirgintoSaintBernard,Florence,Accademia(photo:Soprintendenzaperibeniartisticiestorici,Florence)FigureFilippinoLippi,TheApparitionoftheVirgintoSaintBernard,Florence,Badia,detailofbooks(photo:BibliotecaNazionaleCentrale,Florence)ixlistofillustrationsBurkeixviFINALqu:AMPageixFigureUnknownFlorentine,VitaSanctiBernardi,BNF,ConventiSoppressiB,folr(photo:Soprintendenzaperibeniartisticiestorici,Florence)FigurePietroPerugino,Annunciation,Fano,SantaMariaNuova(photo:AlinariArtResource,NY)FigureFilippinoLippi,CrucifixionwithVirginMaryandSaintFrancis,formerlyBerlin,KaiserFriedrichsMuseum(photo:WittLibrary,CourtauldInstitute,London)FigureFilippinoLippi,JohntheBaptistandMaryMagdalen,Florence,Accademia(photo:Soprintendenzaperibeniartisticiestorici,Florence)FigureChapelofSant’AndreaSanMichele,Sommaia(photo:Soprintendenzaperibeniartisticiestorici,Florence)FigureAnonymous,SaintMichaelwithSaintsJohntheBaptist,Paul,Christopher,andSebastian,formerlySommaia,chapelofSant’AndreaSanMichele(photo:Soprintendenzaperibeniartisticiestorici,Florence)FigurePaoloSchiavo,attributed,VirginandChildwithSaintsIgnatius,Boniface,Francis,andRaphael,formerlySommaia,chapelofSant’AndreaSanMichele(photo:Soprintendenzaperibeniartisticiestorici,Florence)FigureFraAngelico,LastJudgmentTriptych,Rome,CorsiniGallery(photo:ArchivioFotograficoSoprintendenzaSpecialeperilPoloMusealeRomano)FigureSandroBotticelli,SaintJerome,StPetersburg,TheStateHermitageMuseum(photo:TheStateHermitageMuseum,StPetersburg)FigureSandroBotticelli,SaintVincentFerrer,StPetersburg,TheStateHermitageMuseum(photo:TheStateHermitageMuseum,StPetersburg)FigurePesellino,MadonnaandChildwithSixSaints,NewYork,TheMetropolitanMuseumofArt,BequestofMaryStillmanHarkness(photo:MetropolitanMuseumofArt,NewYork)FigureFilippinoLippi,AdorationoftheMagi,London,NationalGallery(photo:TheNationalGallery,London)FigureDonatello,TheVirginandChild,London,VictoriaandAlbertMuseum(photo:VictoriaandAlbertMuseum,London)xlistofillustrationsBurkeixviFINALqu:AMPagexFigureFraBartolommeo,ThePresentationattheTemple,andTheAdorationoftheChild,Florence,Uffizi(photo:Soprintendenzaperibeniartisticiestorici,Florence)FigureMasteroftheLegendofSaintUrsulaandFilippinoLippi,SommaiaTriptych,Venice,PinacotecaManfrediana(photo:CuriaPatriarcale,Venice)FigureFilippinoLippi,ChristandtheSamaritanWomanattheWellandNolimeTangere,Venice,PinacotecaManfrediana,detailoffig(photo:AlinariArtResource,NY)FigureSandroBotticelli,TheLastCommunionofSaintJerome,NewYork,TheMetropolitanMuseumofArt,BequestofBenjaminAltman(photograph©MetropolitanMuseumofArt,NewYork)FigureDeathShowingaManHeavenandHell,illustrationtoSavonarola,Predicadell’artedelbenmorire,Florence:Bartolomeode’Libri,(photo:BibliotecaNazionaleCentrale,Florence)FigureManLyingonHisDeathbed,illustrationtoSavonarola,Predicadell’artedelbenmorire,Florence:Bartolomeode’Libri,(photo:BibliotecaNazionaleCentrale,Florence)FigureManonthePointofDeath,illustrationtoSavonarola,Predicadell’artedelbenmorire,Florence:Bartolomeode’Libri,(photo:BibliotecaNazionaleCentrale,Florence)FigureRaphael,MadonnadelCardellino,Florence,Uffizi(photo:Soprintendenzaperibeniartisticiestorici,Florence)xilistofillustrationsBurkeixviFINALqu:AMPagexiacknowledgmentsifirstbecameacquaintedwiththeNasiandDelPugliesefamiliesin,whenIstartedresearchforadoctoraldegreeattheCourtauldInstituteofArtinLondonSincethattime,Ihavebenefitedimmenselyfromthegenerosityofmanypeople,andIamveryhappytobegiventheopportunitytoexpressmygratitudehereMythanks,first,toPatriciaRubin,whowasawonderfuldissertationsupervisorAswellaswieldingherreadypenwithsternbutalwaysconstructivecriticism,herintellectualgenerosity,support,andsenseofhumorhelpedmethroughthedoctoralprocessandbeyondLondonprovidedacongenialandstimulatingenvironmentforresearch,andIhadgreatconversationsandhelpfrommanypeople,includingAlixeBovey,AlisonBrown,CarolineCampbell,DonalCooper,JenniferFletcher,KateLowe,RobertManiura,KevinMurphy,SusieNash,FabrizioNevola,andRupertShepherdSallyKormanandAlastairDunningwerealwaysonhandtocheermeupandshareideasTheresearchcommunityinFlorencewasequallywelcomingandgenerousIcannotthankBillKentenoughforbeingsokindtomeasanewcomertothearchives,andforhisconsistentandcommittedsupportandfriendshipeversinceOtherpeoplemademytimeinthearchivesapleasureespeciallyCrispindeCourceyBailey,MarybethBenbenek,SallyCornelison,NickEckstein,CarolineFisher,CeceliaHewlett,AmandaLillie,andJonathanNelsonThanksalsotoSergioTognetti,RoniWeinstein,DoritLerer,GauvinBailey,PetaGillyat,PeterHoward,andRobertManiura(again)whothroughtheirsupportandfriendshiphelpedmefinishthismanuscriptduringmyyearasafellowatITattiVariouspeoplehavereadthenumerousdraftsofthismanuscriptandmadeusefulcriticismsThanksespeciallytomythesisexaminers,AlisonWrightandCarolineElam,andthereadersforPennsylvaniaStateUniversityPresswhosuggestedmanyimprovementstotheoriginalversionTheresearchandwritingofthisbookwouldnothavebeenpossiblewithoutfinancialassistancefromtheBritishAcademy(foramajorstatestudentshipandtravelscholarshipformydoctorate),andpostdoctoralfellowshipsfromtheDutchInstituteinFlorenceandtheHarvardUniversityCenterforItalianRenaissanceStudies,VillaITattiIwouldalsoliketothankthestaffofthearchivesandlibrariesIhavespentmanyhoursinduringthecourseofmyresearch,especiallythelibrariesBurkeixviFINALqu:AMPagexiioftheWarburgInstituteandCourtauldInstituteinLondon,andinFlorencetheKunsthistorischesInstitut,themanuscriptroomoftheBibliotecaNazionaleCentrale,theArchiviodiStato,theArchivioArcivescovado,thearchiveoftheInnocentihospital,andtheBerensonLibraryatITattiMyparents,MarkandBarbaraBurke,havebeensupportiveinhundredsofwayssinceIembarkedonthisprojectandhelpedmeinmakingthedecisiontodoresearchinthefirstplaceThanksalsotomysister,Lucy,andherfamily,Alan,Hannah,andDannyIfirstmetmyhusband,DavidRosenthal,intheFlorentineStateArchivesonesunnywinterSaturdayWithouthisbrilliance,obstinacy,andencouragement,thisbookwouldnotexistWithoutdoubt,thebestthingtohaveevercomeoutofachancemeetingattheArchiviodiStatoisourson,JoeacknowledgmentsxiiiBurkeixviFINALqu:AMPagexiiianoteontranscriptionsandtranslationsallquotationsappearinEnglishinthetextandintheiroriginallanguageinthenotesIhaveattemptedtotranslateascloselytotheoriginalmeaningandidiomaspossibleIhaveexpandedallcommonabbreviationsintranscriptionsforfluencyofreadingandseparatedelidedwordsIhaveretainedoriginalspellingthroughoutandusedsquarebracketstoindicatemodernspellingswherethesenseofcertainwordscouldbeinquestionIhavealsoaddedmodernpunctuationandcapitalizationBurkeixviFINALqu:AMPagexivabbreviationsAAFArchivioArcivescovile,FlorenceAIFArchiviodelospedaledegliInnocenti,FlorenceASFArchiviodiStato,FlorenceBNFBibliotecaNazionaleCentrale,FlorenceCRSCorporazioniReligioseSoppressedalGovernoFranceseCStrozziCarteStrozzianeDecRepDecimadellaRepublicaJWCIJournaloftheWarburgandCourtauldInstitutesMKIFMitteilungendesKunsthistorischesInstitutesinFlorenzLeccetoCarteStrozziane,SerV,,folderentitled“VarieNotizieeRicordiSpettantiallaChiesadiSMariadiLecceto”NANotarileAntecosimianoSetaArtedellaSetaSigLegSignori,DiecidiBalìa,OttodiPratica:LegazionieCommissarie,MissiveeResponsiveVasariBettariniBarocchiVasari,GiorgioLevitede’PiùEccellentiPittori,ScultoriedArchitettorinelleredazionidele,editedbyRBettariniandPBarocchiFlorence:Sansoni,VPVisitePastoraliBurkeixviFINALqu:AMPagexvBurkeixviFINALqu:AMPagexviintroductionthisprojectbeganasastudyofartpatronsIchosetwoFlorentinefamiliestoconcentrateon,theNasiandDelPugliese,andaftersomeinitialresearchinLondon,wenttotheFlorentinearchivestofindoutwhatIcouldtohelpinterpretthepaintings,sculpture,andbuildingsthattheypaidforduringthefifteenthandearlysixteenthcenturiesThisarchivalworkmademerethinkmywholeprojectIf,ashistorians,weideallyreaddocumentsuntiltheystarttalking,IfoundthatthedocumentswerenottalkingaboutthekindofartIwastheninterestedinChurchdocumentstalkedaboutpatronagerights,coatsofarms,andliturgicaldutiesNotarialdocumentstalkedaboutlandtransactionsandbusinessdealswillscontainedmanyinstructionsaboutbequeststofamilymembersandchurchesandveryfewreferencestopaintingsinventorieslistedusedhandkerchiefsandoldsheetsinlovingdetailbutwerereticentintheirdescriptionsofcassonianddomesticreligiouspaintingandsculptureIstartedtofeelasifIwerelookingforaneedleinahaystackItwasthenthatIstartedtolookatthehaystacktofindthatitwasjustasrewardingasubjectforstudySowhatisthisbookaboutItstilllooksattheNasiandDelPugliesefamiliesandusesarchivalresearchtoilluminatetheirpurchaseandcommissionofavarietyofdisplayobjectsoverthelatterpartofthefifteenthcenturyYetitisnomore“just”abouttwoFlorentinefamiliesthanCarloGinzburg’sTheCheeseandtheWormsis“just”aboutaneccentricmillerfromavillageinFriuliApplyingmethodologytakenfromthestudyofmentalities,anthropology,andsocialhistorytobothvisualandverbalsources,thisstudyconsiderstherangeofsocialperso

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[美]吉尔·柏克:变换中的赞助人:文艺复兴时期佛罗伦萨的社会身份与视觉艺术(宾州大学 2004)

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