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首页 [美]芭芭拉·科瓦尔吉格:为神而歌:希腊古风与古典时代的神话与祭仪表

[美]芭芭拉·科瓦尔吉格:为神而歌:希腊古风与古典时代的神话与祭仪表

[美]芭芭拉·科瓦尔吉格:为神而歌:希腊古风与古典时代的神话与…

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2008-07-22 0人阅读 举报 0 0 暂无简介

简介:本文档为《[美]芭芭拉·科瓦尔吉格:为神而歌:希腊古风与古典时代的神话与祭仪表pdf》,可适用于人文社科领域

OXFORDCLASSICALMONOGRAPHSPublishedunderthesupervisionofaCommitteeoftheFacultyofClassicsintheUniversityofOxfordTheaimoftheOxfordClassicalMonographseries(whichreplacestheOxfordClassicalandPhilosophicalMonographs)istopublishbooksbasedonthebestthesesonGreekandLatinliterature,ancienthistory,andancientphilosophyexaminedbytheFacultyBoardofClassicsSingingfortheGodsPerformancesofMythandRitualinArchaicandClassicalGreeceBARBARAKOWALZIGGreatClarendonStreet,OxfordoxdpOxfordUniversityPressisadepartmentoftheUniversityofOxfordItfurtherstheUniversity’sobjectiveofexcellenceinresearch,scholarship,andeducationbypublishingworldwideinOxfordNewYorkAucklandCapeTownDaresSalaamHongKongKarachiKualaLumpurMadridMelbourneMexicoCityNairobiNewDelhiShanghaiTaipeiTorontoWithofficesinArgentinaAustriaBrazilChileCzechRepublicFranceGreeceGuatemalaHungaryItalyJapanPolandPortugalSingaporeSouthKoreaSwitzerlandThailandTurkeyUkraineVietnamOxfordisaregisteredtrademarkofOxfordUniversityPressintheUKandincertainothercountriesPublishedintheUnitedStatesbyOxfordUniversityPressInc,NewYork©BarbaraKowalzigThemoralrightsoftheauthorhavebeenassertedDatabaserightOxfordUniversityPress(maker)FirstpublishedAllrightsreservedNopartofthispublicationmaybereproduced,storedinaretrievalsystem,ortransmitted,inanyformorbyanymeans,withoutthepriorpermissioninwritingofOxfordUniversityPress,orasexpresslypermittedbylaw,orundertermsagreedwiththeappropriatereprographicsrightsorganizationEnquiriesconcerningreproductionoutsidethescopeoftheaboveshouldbesenttotheRightsDepartment,OxfordUniversityPress,attheaddressaboveYoumustnotcirculatethisbookinanyotherbindingorcoverandyoumustimposethissameconditiononanyacquirerBritishLibraryCataloguinginPublicationDataDataavailableLibraryofCongressCataloginginPublicationDataDataavailableTypesetbyRefineCatchLimited,Bungay,SuffolkPrintedinGreatBritainonacidfreepaperbyBiddlesLtd,King’sLynnISBN––––TomyfamilyThispageintentionallyleftblankαupsilonlenisτ�καγα˜πα˜σαχορεupsilonacuteσειThispageintentionallyleftblankAcknowledgementsTosettheGreekworldsinginganddancingis,likethekhorositself,acommunalactivityAndliketheGreekchorus,itforgesbondsgoingbeyondtheactualpracticeIhavehadmanyfellowdancersintheproductionofthisbookThesensitivity,wisdom,andrigourofRobertParkerhaveaccompanieditateverystage,andIowemoretohim,andhishumanity,thantoanyoneelseSimonHornbloweroversawtheprocessofturningthethesisintothemuchlargerbook,andhasgenerouslyandcommittedlybroughthisexactitude,breadthofknowledge,andintellectualopenmindednesstomyideasChrisPellingheroicallyreadthenearcompletedmanuscriptandhasthroughoutbeenawonderfulandstimulatingcolleagueOliverTaplin’sgoodintuitionsandoptimismhaveencouragedthisbookfromtheverybeginning,andheimperceptiblydrewmeintoperformanceandtheatrestudiesMyclosestsynkhoreutformanyyearsnowhasbeenPeterWilson,whoseexpertise,imagination,andboldnesshaveunswervinglysupportedthisprojectanotherathloninchoralmattersgoestoIanRutherford,whoserangeofknowledgeandfriendshiphasbeenagreatsourceofinspirationIhavebeenmuchstimulatedbylivelydiscussionwithLeslieKurkeandGiambattistaD’AlessiotheybothallowedmetoseetheirbrilliantarticleslongbeforetheirpublicationEmilyMackilsharesmyenthusiasmfortrampingaroundtheGreeklandscapeinsearchofitssocialtopography,ancientandmodern,andhasbeenacarefulandacutereaderofmyworkEwenBowieandPatEasterlinghaveexaminedthethesisandhaveshowncontinuedinterestinthisprojectNicholasPurcellwasenthusiasticformyadventuresintheMediterraneanKatherineClarkehasbeenaninvaluablefriendpersonallyandacademicallyIfurtherthankLuciaAthanassaki,LisaBendall,BrunoCurrie,JohnDavis,GunnelEkroth,DavidFearn,CatherineHolmes,NikolaosPapazarkadas,TimRood,andScottScullionIhavelearnedalotabouttheEnglishlanguagefrommyclosefriendsespeciallyErikaMilburnandPhilomenProbertwhowithadmirablepatienceandreliabilitykeptsmoothingmysentencesAnneliesCazemierandTheodoraJimkindlyassistedmewiththeproofreading,andNigelJames’stechnicalexpertisehasbeenessentialinthemapproductionIammuchindebtedtothemembersoftheCentreLouisGernetinParis,wherethebooktookitsfinalshapeinahighlyinspiringatmosphereandinperfectworkingconditionsFrançoisLissarraguemadethisstaypossibleinthefirstplace,andhasbeenindefatigablygenerousandinspirationalClaudeCalame,PaulineSchmitt,andFrançoisdePolignacofferedmethechancetopresentmyworkintheirseminars:thissetoffahostofnewideasatthatlatestageIwouldliketothankparticularlyJeanClaudeSchmittforinstructingmeontheanthropologyofmusicandritual,aswellasRosineAdda,VincentAzoulay,RenéePiettre,GabriellaPirontiandAgnèsTapinIfinallyowethankstoHeatherWatsonandKathleenFearnwhodidanexcellentjobatcopyeditingandoverseeingtheproductionofthisbookTheargumentsofvariouschaptershavebeeninflictedonaudiencesatnumerousseminarsandconferencesthroughouttheUKandinOxfordinparticular,aswellasinWashington,Berkeley,Paris,andAthensalltheseoccasionscontributedtoshapingmyideasAresponsivestudentpopulationplayedanimportantpartintheexperimentationwith,andeventualcrystallizationof,manyideaspresentedinthisbookIowefurtherthankstoanumberofarchaeologistsinGreeceforsharinganddiscussingwithmematerialfromtheirmoreandlessrecentexcavations,particularlyDrBWells(SwedishArchaeologicalInstituteatAthens),DrHRGötte(DeutschesArchäologischesInstitut),ProfADeVita(thenScuolaArcheologicaItalianadiAtene),DrIPapachristodoulouandMrsAGiannikouri(EphorateoftheDodekanese),DrVMitsopoulosLeonandDrCSchauer(ÖsterreichischesArchäologischesInstitut,Athens)ManythanksalsotothestaffoftheBritishSchoolatAthens,whowereveryhospitableandhelpfulduringmynumerousstaysinGreeceThelibrariansoftheAshmoleanandnowSacklerlibrarieshaveofferedinestimablehelpformanyalmostimpossiblequests,forwhichIamverygratefulIcompletedtheresearchforthisbookduringthesummerofandhavethereforenotsystematicallytakenaccountofliteraturepublishedafterthatdateTheoriginalDPhilresearchwasgenerouslysupportedbytheStudienstiftungdesdeutschenVolkes,theDeutscherAkademischerAustauschdienst,andtheBritishAcademyIamverygratefulindeedtotheCravenCommitteeatOxfordfortheirgrantoftheCravenFellowship–,lucrativesupportofmyextensivetravelsinGreeceandItaly,aswellastoStJohn’sCollege,whereIhadaveryhappytimeasagraduateIwasfortunatetobeelectedtotheMosesandMaryFinleyResearchFellowshipbyDarwinCollegeCambridge,inMycolleaguesatUniversityandTheQueen’sCollegesprovidedmuchhelpandlivelycompanywhileIwasaTutorialFellowtherebetweenandIamextremelyappreciativeoftheFondationMaisondesSciencesdel’HommeParisandtheDeutscherAkademischerAustauschdienstforofferingmeafellowshipduring–todoresearchattheÉcoledesHautesÉtudesenSciencesSocialesandtheCentreGernetMuchstimulationhasovermanyyearscomefromtwoveryclosefriends,ElenaPallantzaandStefaniaDeVidoLastbutnotleast,myfamilyhasalwaysbeentheretoprovidehealthydistractions,andIlookforwardtotheirreactionwhentheyrealizethatthisbookisactuallydedicatedtothemDespitethedithyrambicarrayofpeoplewithgreaterorlesserinvolvementintheaffairsofthisbook,allerrorsaremyownBKOxfordSeptemberAcknowledgementsxContentsListofIllustrationsxiiiListofMapsxivConventionsandAbbreviationsxvPreludetothekhorosIntroductionMythandRitualAetiologyRitualThePowerofPerformanceDancingonDelos:Δαλ�ωνθupsilonacuteγατρε�betweenMyth,Ritual,andtheoriaMythandRitual,TimeandSpace:ForgingTiesinChoralSongIslandsandIoniansbetweenComplianceandDefianceintheDelianLeagueTheImperialkhorosinthesbcDigginguptheTheoricPastNewTunesinMusicalArgos:MappingouttheArgolidinCulticSongApolloPythaieusatAsineandEthnicIntegrationintheEasternArgolidSixSynoikizingSongsandtheSocialTransformationoftheArgivePlainLocalityandPanhellenism:AiginetanMythandDelphicRitualHellenicityandtheDelphicTheoxeniaZeusHellaniosofAigina:Greeknessand‘GoodCrop’JoininginthePanGreekkhorosReturningtotheBeginning:TowardsInsularIdentityonFifthCenturyRhodesAthena’sα�πυρα�ερα´TwoStoriesofOrigin:TlepolemosandHeliosANewPatronfortheIslandTurningintoakhorosofHeliadaiAetiologyOverseas:fromEpictoEthnicIdentityinMegaleHellasDancinginArtemis’SacredHerdArtemistwicebetweenAgroteraandHemeraTowardsEpicIdentityinSouthernItalyTurningAkhaianinSongWhoweretheBoiotiansMythsofMigrationinRitualΔρupsilontilde�,Doves,andDreifußatDodonaBecomingBoiotianinthekoinonEpilogueBibliographyIndicesIndexLocorumSubjectIndexContentsxiiListofIllustrationsPhotographsaretheauthor’sunlessindicatedotherwiseViewfromMountKynthosoverthesanctuaryandharbouronDelosTheakropolisofArkesineonAmorgos(photo:AnneliesCazemier)ViewovertheharbourandtheBarbounahillfromtheakropolisofAsineTheArgeiafromtheHeraionatProsymnaMountOros,ontopofwhichstandthefoundationsofthearchaictempleforZeusHellaniosThelowersanctuaryofZeusHellaniosonAiginaTheakropolisofLindosThefourthcenturybcfoundationsofthetempleofArtemisofLousoiBronzevotivestatuettetype‘ArtemisofLousoi’AthensNationalMuseum(photo:AthensNationalMuseum)(a)AseventhcenturyivoryrelieffromTarasNewYork,MMA(photo:MMANewYork)(b)LucanianNestoris,–bcNaples,MusNaz(H)(photo:Schwanke,NegDDAIRom)RemainsofArtemis’shrineatSBiagionearMetapontionSamplefromseveralhundredterracottavotivefigurines‘PotniaTheron’fromSBiagiodellaVenella,–bcMetaponto,MuseoArcheologicoNazionaleInvNos(photo:ArchiviodellaSoprintendenzaperiBeniArcheologicidellaBasilicataCourtesyoftheMuseoArcheologicoNazionalediMetaponto)ViewfromthetheatreatDodonaacrossthevalleyonahighplateauViewovertheKopaïsbasinListofMapsAllmapsarecreatedbytheauthorfromdigitalmapdata©CollinsBarthlomew()TheDelianpantheonintheAegeanCultsofApolloPythaieusontheArgolicGulfandalongtheArgiveAkteDestinationsofcultsongintheArgivePlainAiginaandZeusHellaniosintheSaronicGulfRhodesinitsculticeconomicnetworkThenorthernPeloponnese,thedistributionofcultsofArtemisandthejourneysoftheProitidsDestinationsofNostoiheroesinsouthernItaly(selection)Citiesof‘Akhaia’insouthernItalyandtheir‘epic’pantheonCentralandnorthernGreeceandthespreadofZeusDodonaiosinthenorthwestBoiotiaandLakeKopaïswithcultsoftheThessaloBoiotiantraditionandoraclesConventionsandAbbreviationsAllquotationsfromPindarandBacchylidesfollowthestandardeditionsbySnellandMaehler(SM)unlessindicatedotherwise:BSnellandHMaehler,eds,PindariCarminacumFragmentis,iEpinicia(Leipzig,)HMaehler,ed,PindariCarminacumFragmentis,iiFragmenta,Indices(Leipzig,)BacchylidisCarminacumFragmentis(Leipzig,())ThetextofPindar’spoemsisthatofRutherford(asRuthbelow)SimonidesisquotedaccordingtoPMGtheScholiaveteratoPindaraccordingtoDrachmann(asDrbelow)GreekauthorsarereferredtoasinLSJ,occasionallyelongated,hence‘Bacch’not‘B’whilePindarremainsPiLatinauthorsappearasinOLDorunabbreviatedJournalsbeartheacronymsusedbyAnnéePhilologique,occasionallyadaptedThespellingofGreeknamesisHellenizedorLatinizedaccordingtoarandomcriterionoffamiliarity,thatis‘Herodotus’,but‘Philokhoros’Commentariesarereferredtointhenotesbyauthoronly,forexample,‘MaehleronBacch’TranslationsaremyownunlessotherwiseindicatedATLBDMeritt,HTWadeGery,MFMacGregor,TheAthenianTributeLists,vols(Princeton,–)AttTarAttidelConvegnodistudisullaMagnaGreciaIstitutoperlaStoriael’ArcheologiadellaMagnaGrecia,TarantoBergkThBergk,PoetaeLyriciGraeci(thedn,Leipzig,)BernabéABernabé,ed,PoetarumEpicorumGraecorumTestimoniaetFragmenta(Leipzig,)Correctededn(Stuttgart,)BMIELHicks,GHirschfeld,FHMarshall,CTNewton,eds,TheCollectionofAncientGreekInscriptionsintheBritishMuseum,vols(Oxford,–)CAJUPowell,ed,CollectaneaAlexandrina:reliquiaeminorespoetarumgraecorumaetatisptolemaicae,–AC(Oxford,repr)CampbellDACampbell,ed,GreekLyric,vols(Cambridge,Mass,–)CEGPAHansen,ed,CarminaEpigraphicaGraeca,vols(Berlin,–)ChiosDFMcCabeandJVBrownson,ChiosInscriptionsTextsandList(Princeton,)ChronicleCBlinkenberg,ed,DielindischeTempelchronik(Bonn,)CIDCorpusdesinscriptionsdeDelphes(Paris,–)CIGCorpusInscriptionumGraecarum,vols(Berlin,–)ClaraRhodosClaraRhodosStudiematerialipubblicatiacuradell’IstitutostoricoarcheologicodiRodi,vols(Rhodes,–)DGEESchwyzer,DialectorumGraecarumExemplaEpigraphicaPotiora(Leipzig,)DKHDielsandWKranz,DieFragmentederVorsokratiker,vols(Berlin,–)DNPHCancikandHSchneider,eds,DerNeuePauly:EnzyklopädiederAntike(Stuttgart,–)DrABDrachmann,ed,ScholiaVeterainPindariCarmina,vols(Leipzig,–)EDExplorationarchéologiquedeDélosÉcolefrançaised’Athènes(Paris,–)FDFouillesdeDelphesÉcolefrançaised’Athènes(Paris,–)FGrHFJacoby,ed,DieFragmentedergriechischenHistoriker,vols(Berlin–Leiden,–)PartedGSchepens(Leiden,)FHGCMüller,ed,FragmentaHistoricorumGraecorum,vols(Paris,–)FornaraCWFornara,ArchaicTimestotheEndofthePeloponnesianWarTranslatedDocumentsofGreeceandRome(Cambridge,)GGMCMüller,ed,GeographiGraeciMinores,vols(Paris,–)HGRHerzog,HeiligeGesetzevonKos(Berlin,)HNBVHead,HistoriaNumorumAManualofGreekNumismaticsNewandenlargededition(Oxford,)ICMGuarducci,ed,InscriptionesCreticae,vols(Rome,–)IDInscriptionsdeDélos,vols(Paris,–)IGInscriptionesGraecae(Berlin,–)IGASMGRArena,ed,IscrizionigrechearcaichediSiciliaeMagnaGrecia,vols(Milan,–)IKInschriftengriechischerStädteausKleinasien(Bonn,–)InventoryMHHansenandTHNielsen,eds,AnInventoryofArchaicandClassicalPoleis:AnInvestigationConductedbytheCopenhagenPolisCentrefortheDanishNationalResearchFoundation(Oxford,)IscrCosMSegre,IscrizionidiCos,volsMonografiedellaScuolaarcheologicadeAteneedellemissioniitalianeinOriente(Rome,)KockTKock,ed,ComicorumAtticorumFragmenta,vols(Leipzig,–)KPKZiegler,WSontheimer,HGärtner,eds,DerKleinePauly:LexikonderAntike,vols(Munich,–)LazzariniMLLazzarini,LeformuledellededichevotivenellaGreciaarcaica(Rome,)LGPNEMatthews,PMFraser,etal,eds,ALexiconofGreekPersonalNames(Oxford,–)LIMCHCAckermann,JRGisler,LKahil,eds,LexiconIconographicumMythologiaeClassicae,vols(Zurich,–)LindosICBlinkenberg,LindosFouillesetrecherches,–,ILesPetitsObjets,vols(Berlin,)LindosIICBlinkenberg,LindosFouillesetrecherches,–,IIInscriptions,vols(Berlin–Copenhagen,)LindosIIIEDyggve,LindosFouillesetrecherches,–et,IIILeSanctuaired’AthanaLindiaetl’architecturelindienne,vols(Berlin,)ConventionsandAbbreviationsxviLSAGLHJeffery,TheLocalScriptsofArchaicGreece:AStudyoftheOriginoftheGreekAlphabetanditsDevelopmentfromtheEighthtotheFifthCenturiesBCRevisededitionwithasupplementbyAWJohnston(Oxford,)LSCGFSokolowski,Loissacréesdescitésgrecques(Paris,)LSCGSFSokolowski,LoissacréesdescitésgrecquesSupplément(Paris,)LSJHGLiddell,RScott,RMackenzie,eds,AGreek–EnglishLexicon,revisedandaugmentedthroughoutbyHSJonesWithaSupplement()(Oxford,repr)Maiuri,NuovaAMaiuri,NuovasillogeepigraficadiRodieCos(Florence,)SillogeMLDLewisandRMeiggs,eds,ASelectionofGreekHistoricalInscriptionstotheEndoftheFifthCenturyBCRevisededition(Oxford,repr)NANauck,TragicorumGraecorumFragmenta(Leipzig,)NomimaHvanEffenterreandFRuzé,Nomima:recueild’inscriptionspolitiquesetjuridiquesdel’archaïsmegrec(Rome,–)OCDSHornblowerandASpawforth,eds,TheOxfordClassicalDictionary(Oxford,)OGIWDittenberger,OrientisGraeciInscriptionesSelectae:SupplementumSyllogesGraecarum,vols(Leipzig,–)OLDOxfordLatinDictionary(Oxford,–)OlympiaVWDittenbergerandKPurgold,eds,DieInschriftenvonOlympiaOlympiaV(Berlin,)Osborne–RhodesROsborneandPJRhodes,eds,GreekHistoricalInscriptions,–BC(Oxford,)ParoemGrELvonLeutschandFGSchneidewin,CorpusParoemiographorumGraecorum(Göttingen,–)Supplementum(Hildesheim,)PCGCAustinandRKassel,eds,PoetaeComiciGraeci(Berlin,–)PHWRPatonandELHicks,TheInscriptionsofCos(Oxford,)PLFELobelandDPage,eds,PoetarumLesbiorumFragmenta(Oxford,)Correctededn(Oxford,)PMGDLPage,ed,PoetaeMeliciGraeci(Oxford,)POxyBPGrenfell,ed,TheOxyrhynchusPapyrii–(London,–)(romannumbersrefertovolumesarabicnumberstoindividualpapyri)RERealEncyclopädiederklassischenAltertumswissenschaft,edAFrvonPauly,revGWissowaetal(Stuttgart,–)RuthICRutherford,Pindar’sPaeansAReadingoftheFragmentswithaSurveyoftheGenre(Oxford,)SEGSupplementumEpigraphicumGraecum(LeidenandAmsterdam,–)SFPCCollard,MJCropp,KHLee,eds,SelectedFragme

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[美]芭芭拉·科瓦尔吉格:为神而歌:希腊古风与古典时代的神话与祭仪表

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