31日本新锐建筑师/EMERGING JAPANESE ARCHITECTS
该项目为日本美术大学中的名校——武藏野美术大
学的图书馆扩建项目。扩建部分将作为新的图书馆,旧
馆部分则被改造为美术馆,我们的目标是通过美术馆和
图书馆的融合创造一处全新的场所。
在此将对该扩建项目第一期的图书馆部分的设计进
行说明。
面积6 500m2的两层的图书馆如同一个巨大的箱
子,将收藏可供开架借阅和闭架阅览的图书各10万册。
仅由书架构成的图书馆
如果试着构想图书馆最为基本的要素,那大概就是
书、书架、光以及场所了。在这里,我试着想像以一座
螺旋形的书架所划定的场所形态,进而由此构成一座图
书馆的情景。连绵不断、看不到尽头的书架本身就是图
书馆。
书架最高处高达9m,直接与天花板相连。墙壁也
全部由书架构成,书架壁上有几个巨大的开口。连续的
书架沿螺旋形展开,逐渐构成了将整块用地围合起来的
外墙。从外部看来,这座图书馆就像矗立着的巨大书架。
大学校园中突然出现的巨大书架让人们立即意识到
它是一座图书馆,并惊叹于它梦一般的简单、朴素。
武藏野美术大学图书馆,东京,日本
MUSASHINO ART UNIVERSITY LIBRARY, TOKYO, JAPAN, 2010
建筑设计:藤本壮介建筑师事务所
ARCHITECTS: Sou Fujimoto Architects
这是最像图书馆的图书馆。
最为简洁的图书馆。
检索性与漫游性
图书馆所需要的检索性与漫游性原本是一对相互对
立的概念。检索性作为一种系统性的空间组织方式,使
人们能够迅速地找到他们所需的特定书籍。即使是在谷
歌时代,我们也仍然需要依靠图书馆空间中书籍正确的
排布来找到那些我们尚未阅读的书,而这正是图书馆存
在的意义。与这种缜密的检索性相对的概念则是漫游
性。在图书馆中无目的地漫游,发现未知的关联,在陌
生的领域获得灵感,这样的行为本身就是图书馆空间体
验的特征之一。
为了同时实现这两个概念,我们探索了超越单纯的
系统性图书排布的空间和布局逻辑。
在这里,两个看似对立的概念通过螺旋形的书架形
式得以共存。螺旋形正是一种拥有放射性路径和旋转运
动的两面性的形式。旋转的结构实现了检索性,而穿过
放射方向孔洞的无数个层面又展现了漫游性。
虽然人们能够模糊地理解图书馆这一整体,却又总
是觉得还有无法觉察的未知空间存在。□(李 译)
This project is a new library for one of the
distinguished art universities in Japan. It involves
designing a new library building and refurbishing the
existing building into an art gallery, which will
ultimately create a new integration of the Library and
the Art Gallery.
The project described hereinafter is the plan of
the new library which sits within the first phase of the
total development.
Acting as a huge ark, a total of 200 000 units, of
which 100 000 will be out in an open-archive, while
the other half within closed-archive, rests within this
double-storey library of 6 500m2 in floor area.
Library made from bookshelves
When I thought of the elements which compose
an ultimate library, they became books, bookshelves,
light and the place. I imagined a place encircled by a
single bookshelf in the form of a spiral. The domain
encased within the infinite spiral itself is the library.
Infinite forest of books is created from layering of
21
1 总平面/Site plan
2 外景/Exterior view(摄影/Photo: Daici Ano)
博物馆
老建筑
图书馆
新建筑
32 世界建筑 2011/01
3 4 5
33日本新锐建筑师/EMERGING JAPANESE ARCHITECTS
9m high walls punctuated by large apertures. This
spiral sequence of the bookshelf continues to eventually
wrap the periphery of the site as the external wall,
allowing the external appearance of the building to
share the same elemental composition of the bookshelf-
as-the-library.
One’s encounter with the colossally long
bookshelf within the university landscape registers
instantaneously as a library, yet astonishing in its
dreamlike simplicity.
The library most library-like.
The simplest library.
Investigation and Exploration
Investigation and exploration are two apparent
contradictions inherent in the design of libraries.
Investigation is, by definition, a systematic spatial
arrangement for the purpose of finding specific books.
Even in the age of Google, the experience of searching
for books within the library is marked by the order and
arrangement of the physical volume of books. The6
7
3-6 图解/Diagrams
7 外景/Exterior view(摄影/Photo: Daici Ano)
检索性 漫游性
34 世界建筑 2011/01
8 9
10 11
35日本新锐建筑师/EMERGING JAPANESE ARCHITECTS
opposing concept to Investigation is the notion of
Exploration. The significance of library experience is
also in discoveries the space engender to the users.
One encounters the space as constantly renewed and
transforming, discovers undefined relationships, and
gains inspiration from unfamiliar fields.
To achieve the coexistence of the two concepts,
spatial and configuration logics beyond mere
systematics is employed.
Here, the two apparent contradictions inherent
in libraries are allowed to coexist by the form of
spiral possessing two antinomic movements of radial
path and rotational movement. The rotational; polar
configuration achieves investigation, and the
numerous layers through the radial apertures
engender the notion of Exploration through an infinite
depth of books.
One can faintly recognize the entirety of library
and at the same time imagine that there are
unknown spaces which are rendered constantly
imperceptible.□
主持建筑师/Principal in Charge: Sou Fujimoto,
项目团队/Project Team: Koji Aoki, Naganobu
Matsumura, Shintaro Homma, Tomoko Kosami,
Takahiro Hata, Yoshihiro Nakazono, Masaki Iwata
业主/Client: Musashino Art University
功能/Program: 大学图书馆/University Library
顾问/Adviser: Eishi Katsura
结构设计/Structural: Jun Sato Structural Engineers
(Jun Sato, Masayuki Takada)
设备系统/MEP: Kankyo Engineering(Takafumi Wada,
Kazunari Ohishima, Hiroshi Takayama)
家具与标识/Furniture & Sign: Taku Satoh Design Office
(Taku Satoh, Shingo Noma, Kuniaki Demura), Inoue
Industries(Takafumi Inoue, Azusa Jin, Yosuke Goto,
Hideki Yamazaki)
照明/Lighting: Sirius Lighting Office(Hirohito
Totsune, Koichi Tanaka)
立面/Facade: CAMSA(Katsuyuki Haruki)
天窗/Skylight: STANDARD(Keisou Inami)
总承建商/General Contractor: Taisei Corporation
(Tsukasa Sakata)
结构系统/Structural System: 钢框架,局部强化混凝
土/Steel frame, partly reinforced concrete
主要材料/Major Materials: 室外:木质书架,玻璃;室
内:木质书架,方块毯,聚碳酸酯块天花/Wood shelf,
glass, exterior; wood shelf, tile carpet, polycarbonate
plate ceiling, interior
基地面积/Site Area: 111 691.93m2
占地面积/Built Area: 2 883.18m2
建筑面积/Total Floor Area: 6 419.17m2
设计周期/Design: 2007-2009
施工周期/Construction: 2009-2010
12
8 一层平面/First floor plan
9 二层平面/Second floor plan
10 外景/Exterior view(摄影/Photo: Daici Ano)
11 剖面细部/Section detail
12 内景/Interior view(摄影/Photo: Daici Ano)
36 世界建筑 2011/01
13
14
13 内景/Interior view(摄影/Photo: Daici Ano)
14 剖面/Section
15、16 内景/Interior view(摄影/Photo: Daici Ano)
37日本新锐建筑师/EMERGING JAPANESE ARCHITECTS
15
16
本文档为【武藏野美术大学图书馆_东京_日本】,请使用软件OFFICE或WPS软件打开。作品中的文字与图均可以修改和编辑,
图片更改请在作品中右键图片并更换,文字修改请直接点击文字进行修改,也可以新增和删除文档中的内容。
该文档来自用户分享,如有侵权行为请发邮件ishare@vip.sina.com联系网站客服,我们会及时删除。
[版权声明] 本站所有资料为用户分享产生,若发现您的权利被侵害,请联系客服邮件isharekefu@iask.cn,我们尽快处理。
本作品所展示的图片、画像、字体、音乐的版权可能需版权方额外授权,请谨慎使用。
网站提供的党政主题相关内容(国旗、国徽、党徽..)目的在于配合国家政策宣传,仅限个人学习分享使用,禁止用于任何广告和商用目的。