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淡妆浓抹总相宜_论_子夜_的结构艺术(The structure of the art _ _ midnight on woman´s light and heavy make-up as the _)

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淡妆浓抹总相宜_论_子夜_的结构艺术(The structure of the art _ _ midnight on woman´s light and heavy make-up as the _)淡妆浓抹总相宜_论_子夜_的结构艺术(The structure of the art _ _ midnight on woman´s light and heavy make-up as the _) 淡妆浓抹总相宜_论_子夜_的结构艺术(The structure of the art _ _ midnight on woman's light and heavy make-up as the _) v61 . 23no.3 菏泽师专学报 journalofhezeteaehers6llege 2...

淡妆浓抹总相宜_论_子夜_的结构艺术(The structure of the art _ _ midnight on woman´s light and heavy make-up as the _)
淡妆浓抹总相宜_论_子夜_的结构艺术(The structure of the art _ _ midnight on woman´s light and heavy make-up as the _) 淡妆浓抹总相宜_论_子夜_的结构艺术(The structure of the art _ _ midnight on woman's light and heavy make-up as the _) v61 . 23no.3 菏泽师专学报 journalofhezeteaehers6llege 2001年8月 aug.2001 淡妆浓抹总相宜 - 论《子夜》的结构艺术 宋宁 (聊城师范学院, 山东聊城252000) 摘要: 本文从三个方面 分析 定性数据统计分析pdf销售业绩分析模板建筑结构震害分析销售进度分析表京东商城竞争战略分析 了 (子夜》的结构 照应; ?情节安排疏密相间, 虚实结合, 有张有弛. 关键词: 茅盾 (子夜) 结构 中图分类号: 1207.425文献标识码: : ?各条线索同时提出, 交相发展; ?结构严密完整, 前后 文章编号: 1003一6318 (2001) 03一0022一03 茅盾的长篇小说《子夜》在1932年2月初版后 仅仅三个月内, 就连续再版四次, 每次五千部, 不仅 爱好新文学的青年学生对《子夜) 爱不释手, 就连那 些从来不看新文学作品的资本家的小姐少奶奶们也 争相阅读 (子夜 ? (子夜》之所以产生如此巨大的). 影响, 不仅因为它具有巨大的思想深度和广阔的历 史内容, 而且以其卓越的艺术技巧, 特别是精湛的结 构方式, 深深地吸引着读者.本文拟就《子夜》的结 构艺术作一粗浅的探讨, 以就教于专家和研究者. "结构 '一词, 简单的说来, 便是书中的动作. 换言之, 便是书中离合悲欢的情节.从技术上说, 结构 便是一部小说的机能的作用. '' ',' ',' 不 结构 ? The whole plot of the story is organized and finished naturally As a matter of fact, "structure" should also show the process of character development of the protagonist This is the development, not the development. If the 'structure' As a technical arrangement of persons and activities, it shrinks Its significance and function will, therefore, hinder the illumination of the theme Sure." Therefore, the writers have always paid much attention to the structure of their works At the beginning of the rhyme, the structure of the book is carefully considered If the teacher is building the house, "the original flat base, the matrix has not stood, first raised where built Hall, where to open an account, the building needs wood, the beam with what material, will become a bureau, The iron axe can be waved at first. If one is created and then raised, it is convenient for the former Who is not convenient, is bound to change and then, not first destroyed, still built house road By the side, and the number of house carpenter, lack of funds for the use of a hall." Mao Dun Before writing (midnight), write down the detailed outline and list the characters, A man or woman; a capitalist worker...... Personality, upbringing, and Development, etc., are well prepared. The second step is to follow the story Write down the outline before you start writing." Take a look at the structure of (midnight) There are three characteristics: Each clue is presented simultaneously, and the intersection of the network structure is developed (midnight) the first feature of the structure. There are three good ways to write it Department: first, the hero can be placed in the center of various contradictions, so that people The material character is more full, more three-dimensional; two, you can see each spear The interrelation and restriction of the shield; The three is closer to the truth of life In fact, in real life, all kinds of contradictions occur simultaneously Not solve one, appear another. Mao Dun is commenting on Troels In the Thai novel "war and peace", the book says that the book is "open book first." Zhang borrowed a tea party and pointed out the main characters and events of the book The head is slowly unfolding, and the characters are more and more numerous 6, (the same is true of midnight ". The novel is too old to Wu fled Shanghai, dying and Wu Fu at the funeral. The first chapter of the novel, through Wu Tai master, escaped from the peasant uprising Shanghai wrote the contradictions between peasants and landlords in the countryside, Wu Sunfu and his son The contradiction between capitalists and landlords, opening and blocking Contradiction. The second chapter by Wu Sunfu lavish funeral, all the main characters Department of the debut, a variety of contradictions at the same time, is a "bird's eye view of the whole audience." Graph". Through the thunderous appearance, the thunder and Wu Wu confessed Yao's romance points out Wu Sunfu's family contradiction, which is led by thunder Social flower Xu Manli, and then led by Xu Manli comprador capitalists Zhao Botao, It points out the contradiction between Wu Sunfu and Zhao Botao. Via Zhou Zhongwei, A group of national capitalists, such as Zhu Yinqiu and Tang Yunshan, were sent in the living room of Wu Fu Complaining, explaining the internal contradictions of the national capitalists, national capitalists and The contradiction between the workers; further highlighted by a telegram with a moustache Date: 2000 accepted a 04 a 20 Brief introduction to the author: Song Ning (1982, 1), female, Shandong Caoxian, Liaocheng Teachers College, Chinese Department students. Song Ning: in 2001 third the total affordable woman's light and heavy make-up The contradiction between farmers and landowners in rural areas; the Mo plexus report point There is a contradiction between Wu Sunfu and the workers...... And Wu Sunfu is there At the center of all contradictions. In subsequent chapters, through factory one, The three main clues of the rural and public debt markets involve the contradictions mentioned above Around Wu Sunfu's activities, staggered development. The contention between Wu and Zhao Is the main contradiction throughout the book. Wu Tongzhao's servant spell by 5 "Cooperation", June July battle of wits, fierce struggle throughout the battle The. May "cooperation" is Zhao Botao and Shang Zhongli plotted the feudal remnants, Wu Sunfu, Tu Chu Chai bait, and to "first" for the sweetness as bait. The cooperation, Wu, Zhao Jiecheng big "long" to beat Feng Yunqing, Li Fei Fei, He Shenan and so on all kinds of "short" for the final. June A battle of wits, great variation. At this time, the formation of Wu and Zhao from the joint to the right Barrier, rebellion, fight the situation. Wu Sunfu, along with Du, Wang Hefu and so on The formation of Yi Zhong trust company, as the anti Zhao base camp, formed in order to Zhao Bo Tao is "long" and "short" of the company for the contests between. several times The amount of the loss was 80 thousand yuan and 3 small somersaults were stopped. The decisive battle in July was a life and death struggle. At this time, Yi changed to do "bull", Zhao Bo Tao was transformed into a "bear"". The struggle of the two sides are used. Wu Sunfu and even his own factory, as a mortgage bets Mansion Go to fight to win or die. This is at a crucial moment of the occasion, already from "Yi Get out "in Tu Chu Chai FireWire and defection, Turn to Zhao Botao, That led to Wu Sunfu's complete failure. Which embodies the character of Wu Sunfu Resolute good breaking is behind the suspicion of apprehension, behind the confident is sad. The concept of despair, it is always behind this complex in a flurry of alarm. It contains a very profound social content and represents the Chinese people The dual nature of the clan bourgeoisie. And Wu Sunfu's tragic fate is precisely said Under the imperialist rule, Ming r:, China's national industry will never be obtained The developing, semi feudal and semi colonial China will never be able to go Capitalist road. It is not only connected with politics, but also led by it A war of warlords. "Spent money can win battle, spend J money" Can also ask people to defeat "details, then uncover the truth of history The mystery of the warlord bond market around the warlords. Wu Zhaozhi argues, actually On the R "Midnight" society of all walks of life, people of all walks of life, To reveal the deep social base of base state: economist Li Yu. The pavilion for money campaigning, financiers Tu Chu Chai tucaizhu treachery. Feng Yunqing was shocked by the life of all his mines. "1 stay young." The widow Liu Yuying pulled two strings, which seemed to be the highlights of the letter, The main body that condenses the mind, seems to be transient traveler, none Not to sound sound live around the epic construction. The structure is tight, complete, front and back, attention to detail description Second features of the structure of the night. Mao Dun in the postscript of midnight Wrote: this book is conceived in a mind. It does not look like "Eclipse" like that, Evans turbulent, lack of overall plan, but first list people The table lists the relation between the characters and releases the outline of the story After the sub chapter, so that the articles link each other. With the story The development, the book of more than 100 characters or the front or side to come alive On the broad historical stage. From the wealthy living room of the capitalists to the Chinese fools The secret hotel rooms, from the charge exchange to fight the same plan The company against company; whether it is "that the sea" is a sigh Is the landlord cigarettes between Yin mildew smell; both young men and women In a talk with eloquence or workers and everything is in series; According to the standards of beauty, we create a series of rules in disharmony. For example: at the beginning of the novel, the description of Wu mansion, the three storey ocean Real, large living room, living room, music radio, electric fan, piano, footman The waiter, servant, doctor...... Grand in style. Wu Sunfu lost After the defeat, wrote the Wu Mansion: "the sky covered with dark clouds, shielding r stars and months." Liang, Wu Mansion Garden eerily, the wind blows the leaves, sounds very sad Cool." The voices of Wu Sunfu and others were rolling in the house, outside the hall When they face is full of panic. The whole Wu mansion is full of spooky fears Terror. This momentum and the situation at that time, Wu Sunfu's personal feelings are Is very consistent, but on the other side of the show Wu Sunfu character A hot side. Even minor details are found throughout the replacement of the plot, Take care of the front and back to form overlapping and repeated prints. For example: the old Mr. Wu (the book of rewards and punishments. ", this is his amulet, twenty-five years In addition, "book of rewards and punishments." he did not read any books. At the beginning of Shanghai, old Mr. Wu had just disembarked, sitting in the car, "sharp cry : < book of rewards and punishments. "" it's magic! You lost in the clouds It's in the shuttle dinner. Huang continued to cover the books to fetch, "Wu granny." I took it and laid it reverently on his knees, he closed his eyes." Car gallop Over the city, in the sexy appeal of the modern metropolis, "all evil." Headed by "this sentence as a drum usually played rough old Mr. Wu shiver." In the Wu Fu population under the support of old Mr. Wu went into the large brilliantly illuminated A living room。 "Old Mr. Wu's heart was trembling, tight (Book of rewards and punishments.) Hug me in my arms." Finally, in the repeated intense stimulation, Wu granny God looks like a piece of paper white, the lips covered with foam, "Huang continued. "The book of rewards and punishments." splattered on the ground". Old Mr. Wu's death After, "too" [induction chapter] and become a "R four miss Wu Huifang" magic weapon, In the morning, afternoon, evening, read three times a day. Miss four left home After the "window on the desk" the precious book of rewards and punishments. "Drenched in the rain Water, paper clip on the Zhu Zhu column also began in Dehua. The incense burner is full A water filled, water overflow, drop a table, dip the turbid A bunch of expensive incense, incense and melted into thin, sweet paste wax wax, Slowly drip into the "next" book of rewards and punishments." Another example is Lin's hand Journal of Heze Teachers College, 232001, third The tattered old boy's sorrows and the withered white rose So is the description. As the symbol of disillusion love, it is that The passage of the wind, the passage dream witness. Ray's staff turned it in again Back to the forest Peiyao said very clearly. Later, when Lin Peishan for love When she was suffering, she saw the broken book and the flower in her sister's room Wilted roses." Finally, when Wu Sunfu lost his career, he went to dry Hill Summer, these things from Mrs. Wu's "fell on the ground". The details, like small screws, are firmly fixed The whole frame of the novel. Mao Dun admired the structure and style of the Water Margin Way is characterized by "first", the development of the story, before and after the hook, step tight One step, but the same density, swaying, colorful. Second, good at using change The art of crossing and avoiding Hiraki Nao." (Zi Ye) in structure It also has something in common with each other, forming its third structural features: the plot Arrange density phase, combined with the actual situation, more or less, sometimes close Gong close Drums, sometimes understatement. Novel 1, 4 chapters, a variety of contradictions first Clue, write very nervous, middle inserted Wu Wu grandmother, Lin Peiyao and thunder A romantic romance is a buffer; the fourth chapter deals with farmers in the countryside The riot, though contradictory, was only a understatement, and a business deal The struggle, is a strong hand painting. The fifth chapter, through Wu Sunfu and Lin Peiyao, Tang Yunshan, Tu Weiyue and others dialogue, focusing on writing Wu Sunfu Psychological activities in the intersection of various contradictions. The sixth chapter takes Wu Sunfu as The main contradictions center suddenly interrupted, wrote a song "new scholars", Focuses on a group of young intellectuals to deal with life and love state Degree, forming a little interlude. The seventh chapter is the first book High tide, all kinds of contradictions at the same time, Wu Sunfu scored a preliminary victory Li, the funds made money, strikes was also suppressed; the eighth chapter is high The aftermath of the tide, writes Feng Yunqing's greed, shamelessly, uses her daughter to be a beauty Taking the gauge bond information, false writing Zhao Botao dissolute decay; the ninth chapter situation Sudden change is perilous: the tenth, eleventh chapter is the second climax of the book, The twelfth to the sixteen chapter write the labor movement, the seventeen chapter to relax and stop The meal, the eighteenth, nineteenth chapter is the third high Wu Sunfu fight to win or die. The tide. The whole plot of movement, there are ups and downs, relaxation, joy and sorrow, Both the tension and as a symbol of war in ancient China, moon flute like relaxed, tight Buckle the reader's heartstrings. As from every chapter of the novel, it is a film editing structure The combination method is divided into several pictures. In the longitudinal direction, the venation goes through; On the horizontal, contrast, interspersed, rich and delicate. Relaxation between lift and fall A trend of diversity and unity. Everything is in the hustle and bustle of the modern city Everything moves in the mechanism of social law. In a word, (midnight) presents itself to us in a magnificent framework The style of the times at the beginning of 30s, and the author of the originality of it In this framework, but the character clues interweave properly and logically arranged. Many, but vivid, Description both full house bird's eye view, and detailed description, excited The more rapid the situation is its main theme, but the sudden silence, surface Static shape is also described as "general strike a deep chord, woman's light and heavy make-up. Appropriate". Even the new literature has always been against the Xueheng School representatives Wu Bi had to admit ("Midnight" is the best structure of the "book of the. Note: Mao Dun: 1 8 (< > and midnight writing ", (see history of new literature," 1981 issue fourth. Mao Dun: (novel research department of Al ", Shanghai World Publishing House in 1928 3 Moonrise Version. Mao Dun: (about art skills), (Literary Studies), 1956, 4. The Qing Dynasty: Li Yu (xianqingouji ", Shanghai ancient books publishing house in May 2001 Publish. Mao Dun: how is midnight written? (Xinjiang daily, June 1939) 1 day supplement (oasis). The Mao Dun: "love reading books", see Mao Dun ("a collection of Tenth volumes. Mao Dun: (about the character and structure of the "Water Margin"), ("literary newspaper in 1950 4 1 april. OntheStruetureofArtsofMidni Sha t ()) NGNing (ChineseDepartmentofLiaochengTeaeherS6llege, 252000Liaoeheng, Shandong) Abstraet:Thisp knocks ermainlydiseussesthestruetureofMidnightinthefollowingthreea, seals eets:a.allthe Eluesareadvaneedsimultaneouslyanddevel knocks edalternately:b.thestrueture15conlplete, compaetandwellorga-nized; e.theplotsarespaeedandarrangedartistieally, Tensionaltematingwithrelaxation. Keywo川s: maol五in; midnight; strueture
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