P R O D U C E D B Y P E T E R J E N N E R - narod.ru

P R O D U C E D B Y P E T E R J E N N E R - narod.ru Girlfriends : Libby Gausden (61-64) Juliet Mitchell (65) Thursday, September 26, 7.00pm-1.30am Abbey Road Studio 2(control room only) Jenny Spires (65) What’s The New Mary Jane Take 4 – (6:35) Remix 1& 2 from Take 4 Linsey Korner (66-67)-Soho Jenny Fabian (67)-Skens Iggy (69) (Beatles without Barrtett) Gilly (69) P R O D U C E D B Y G E O R G E M A R T I N Lesley (69) (engineers – Ken Scott & John Smith) Gayla Pinion (Late69-Eng.1.10.70-Early71) Monday, October 14 , 7.00pm-7.30am Abbey Road Studio 2 What’s The New Mary Jane Take 4 – (6:35) Remix 1& 2 from Take 4 (Anthology 3) 1968 M A D C A P… S E S S I O N S 1969 th P R O D U C E D B Y P E T E R J E N N E R Birthday Monday, January 6 Syd?s 23 (engineer - Peter Bown) March ?? Syd contact to EMI Monday, May 6 Abbey Road Studio ? (Syd had phoned EMI studio booking office to ask if he could … start recording again. Studio (Swan Lee instrumental is “the land in Silas stands” … did Syd ever like saxs?Opelzine#8) 1&2 was general disorder by Syd in 1968. M.Jones?s immediate boss – Roy Featherstone. Main (Piano note on Silas Lang taped on vari-speed. ED. L.Ferrari) boss – Ron White. Both agreed to the recording session for Syd. Ron authorized the sessions. . "Swan Lee: Take 1"(recorded) on "Flaming And Screaming" 0MOTML) (This is RM1, from 4-track. Take 1?) "Late Night, Version One: Take 1" Thursday, March 27, 100 Club Syd go to Soft Machine gig and ask for help (recorded and probably erased when re-recorded May 21) U N R E L E A S E D (Syd in his very, very oblique way said „Would you like to come along and record?? RWHist;LW223) Thuesday, May 14 Abbey Road Studio ? (whole(?) session was to be done 'live' with some weird friends of Syd?s) Spring – Summer 1969 Work on Ummagumma (MOTML) "Rhamadam: Demo"(conga drums recorded) on "Steel Breeze" "Lanky (Part 1): Take 1 “(the only version of this song in existence) Spring – Summer 1969 (recorded) on "Opel" (Track 11) & (Box 3,11) (S.Barrett and M. Jones lived at Earls Court home. D.Gilmour lived at Old Brumpton Road "Lanky (Part 2): Take 2" (recorded) U N R E L E A S E D backing with Earls Court appartment. MOTML) "Golden Hair, Version One : Take 1"(recorded) on "Opel" (Track 14) & (Box 3,14) ?????? - vibes P R O D U C E D B Y M A L C O L M J O N E S ?????? - bass (without Peter Mew) ?????? - drums Syd Barrett - guitar Start of April 1969, Earls Court Square, 3-room appartment (Full backing track. LW306) (Syd played pre-takes tape (demo possibly) for Malcolm Jones MOTML) Thuesday, May 21 Abbey Road Studio ? Thursday, April 10, 7p.m. - 12.30am, Abbey Road Studio 3 "Late Night, Version Two: Take 2"(overdubbed?) (Clowns and Jugglers has extra verse “Up,up,touching hips to a madcap galloppping chase” (partly used for LP) U N R E L E A S E D Opelzine#8) "Swan Lee: Take 2"(overdubbed?) U N R E L E A S E D "Swan Lee: Take 5"( (acoustic?) guitar & (double track?) vocal overdubbed) (Overdubs. LW306) (Overdubs. LW306) "Clowns and Jugglers, Version One: Take 1 " (overdubbed:”experimented with ideas”) P R O D U C E D B Y P E T E R J E N N E R on "Steel Breeze"(only announcement & Part 1 of C&J) (engineers - Peter Bown & John Kurlander (JK)) Syd Barrett - acoustic guitar (Overdubs. LW306) Thuesday, May 28 Abbey Road Studio ? (After session Syd and Jones return to Earls Court together. MOTML) "Golden Hair, Version One: Take 2"(overdubbed?) U N R E L E A S E D (Overdubs. LW306) P R O D U C E D B Y M A L C O L M J O N E S "Swan Lee: Take 3"( drums’backwards overdubbed?) U N R E L E A S E D (engineer - Peter Mew) "Rhamadan"(conga drums) (overdubbed?) U N R E L E A S E D (Overdubs. LW306) Friday, April 11, Abbey Road Studio ? ( approximately 5 hours) (Only 2 Opel takes was complete LostWoods226) P R O D U C E D B Y P E T E R J E N N E R (Opel goes on for 7 mins or so…Except Syd doesn?t sing the line “I?m drowning”Opelzine#8) (engineer - Peter Bown) "Opel: Take 1-8"(acoustic guitar & vocal recorded) U N R E L E A S E D Saturday, June 8 Abbey Road Studio ? "Opel: Take 9" (acoustic guitar & vocal recorded) on "Opel" (Track 1) & (Box 3,1) "Swan Lee: Take 4"( electric guitar overdubbed) on "Flaming And Screaming" announcement”Take 9”on Steel Breeze ----------------------------------- Thursday, June 20 Abbey Road Studio ? "Love You, Version One(Fast): Take 1"(acoustic guitar & vocal recorded) on (Box 1,16) "Swan Lee: Take 5"(acoustic guitar & vocal overdubbed) on "Opel" (Track 8) & (Box 3,8) "Love You,Version Two(Slow): Take 2" on "Steel Breeze"( Aka "Love You II") "Late Night, Version Two: Take 2" (overdubbed?) on (Box 3,19) "Love You,Version Two(Slow): Take 3"(False Start) U N R E L E A S E D "Love You,Version Two(Slow): Take 3"(acoustic guitar & vocal recorded) on (Box 1,17) (Full backing track recorded. LW306) "Love You: Take 4"(acoustic guitar & vocal recorded) U N R E L E A S E D "Golden Hair, Version One: Take 3-4" ------------------------------------(all takes took less than twenty minutes to do) (recorded & 4 track copy on Take 2(?))U N R E L E A S E D "Golden Hair, Version One: Take 5" (recorded & 4 track copy on Take 2) on (Box 1,19) (Just guitar and voice.Studio logs „Best to be decided later?MOTML) "No Good Trying: Take 1" U N R E L E A S E D (Beatles without Barrtett) "No Good Trying: Take 2"(False Start) U N R E L E A S E D P R O D U C E D B Y G E O R G E M A R T I N (JOHN LENNON really) "No Good Trying: Take 3" (5 minutes 14 seconds) (used but edited) (engineers – Geoff Emerick & Richard Lush) "No Good Trying: Take 4" (Take3 edited ) on "Madcap" (Track 2) & (Box 1,2) "No Good Trying: Take 5" on (Box 1,15) Thursday, June 20, 7.00pm-3.30am Abbey Road Studio 1,2,3 (!) 7.30pm - 9.30pm - Completing several successful takes of three songs. Revolution 9 (sound effects takes 1 & 2, compilation of master version, with overdubbs) 9.30pm - ??.?? - Tea Break(Discussing going back to some of the songs started 1968) (Terrapin was name of street in Cambridge LostWoods226) People all over EMI Studios spolling loops onto tape machine with pencils. But instead Geoff saitting at the console fading them in and out in a live mix, it was John and Yoko. "Terrapin: Take 1" (acoustic guitar & vocal recorded) Geoff put the red light on, heavily echoed and played repeatedly. A choir, supplemented by on "Madcap" (Track 1) & (Box 1,1) backwards violins. A symphonic piece, chopped up and played backwards. A brief extract of the "Late Night: Take 2" (overdubbed) U N R E L E A S E D 10 February 1967 “A Day In The Life” orchestral overdub, repeated over and over. Bbackwards Syd Barrett - slide guitar(using his cigarette lighter as a slide) mellotron (played by John), miscellaneous symphonies and operas. “Number Nine” voice came "Late Night: Take 2" (overdubbed) on "Madcap Laughs" (Track 13) & (Box 1,13) Syd Barrett - vocal off an examination tape for Royal Academy of Music from Abbey Road library. George H. Joined (Late Night :Double tracked his vocal part, later overdubbed solo) him on that night and they both had vocal mikes and were saying strange things like “the (Late Night : overdubbed slide and vocal LW306) Watusi”, “the Twist”…Among John?s random pieces were “personality complex”, “onion soap”, "Golden Hair, Version One : Take 2" (transferring from the original 4 track to an 8 track master) “economically viable”, “industrial output?, “financial imbalance”, “the watusi”, “the twist” "Golden Hair, Version One : Take 2" (overdubbed) U N R E L E A S E D and “take this brother, may it serve you will”. Among George?s were “eldorado”, “there ain?t no rule for the company freaks!”. At the end of their long overdub, stil whispering, John said to Syd Barrett - vocal & acoustic guitar George “We?d better listen to it then, hadn?t we?” (Golden Hair, Version One featuring more prominent guitar. LW306) "Golden Hair, Version Two : Take 2" (overdubbed) U N R E L E A S E D Syd Barrett - adding harmony vocal line (Golden Hair, Version Two with harmony vocal LW306) P R O D U C E D B Y S Y D B A R R E T T (After session Syd and Jones return to Earls Court together in cab discussed next session. (engineers – Ken Scott & John Smith) MOTML) Saturday, July 20 Abbey Road Studio 3 (working on ideas for C&J) Thursday, April 17, afternoon, 3 hours totally, Abbey Road Studio 2 instead Sudio 3 "Clowns and Jugglers, Version One: Take 1" (electric guitar & (vocal?) recorded) U N R E L E A S E D (Syd invited 2 friends. MOTML) "Clowns and Jugglers, Version One: Take 1" (overdubbed) on (Box 3,18) (whole session lasted for just three hours and was to be done 'live'.Not overdubbs at all. Blue Syd Barrett - (vocal?) & electric guitar Fender Stratocaster unamplified, as rhythm. Amp was Dave?s. By April Dave had completed most (1-guitar, 2-heavy guitar, 3-vocal, 4-acoustic guitar) of his solo contributions to „Ummagumma?, and had more time to spare. MOTML) "Clowns and Jugglers: Take 2" (overdubbed solo on Take 1) U N R E L E A S E D "No Man's Land: Take 1-4"(rehearsals(?))U N R E L E A S E D Syd Barrett - electric guitar "No Man's Land: Take 5"(Recorded "live" + overdubbs) U N R E L E A S E D (1-guitars, 2-vocal/guitars, 3- guitar, 4-tambourin) Syd Barrett - vocals, electric guitars Jerry Shirley - drums (Beatles without Barrtett) John 'Willie' Wilson - bass P R O D U C E D B Y G E O R G E M A R T I N "No Man's Land: Take 5"(bass, vocals re-maded) U N R E L E A S E D (engineers – Ken Scott & John Smith) Syd Barrett - vocals, electric guitars John 'Willie' Wilson - bass Wednesday, August 14 , 7.00pm-4.30am Abbey Road Studio 2 (Here I Go was recorded live with no-overdubs at al LostWoods228) Lennon, Harrison, Yoko, Mal Evans recorded What’s The New Mary Jane "Here I Go: Take 1-4" U N R E L E A S E D Take 1 – break down "Here I Go: Take 5" (Recorded "live") on "Madcap" (Track 6) & (Box 1,6) Take 2 – (2:35) Syd Barrett - vocal, electric guitar Take 3 – (3:45) Jerry Shirley - drums Take 4 – (6:35) Remix 1 from Take 4 (Anthology 3) John 'Willie' Wilson - bass („Here I Go? complete final. LW306) (Beatles without Barrtett) (After session Syd no booked Studio 2 for forcoming live sessions. MOTML) P R O D U C E D B Y C H R I S T H O M A S (engineers – Ken Scott & Mike Sheady) 1 Wednesday, April 23, morning Abbey Road Studio ? or mixroom ? Ayers vocals/guitars/bass/piano, Bedford piano/arrangements, Tait drums, (Malcolm Jones and Peter Mew spend 1 hour trying connect Syd?s small recorder”Uher” to the Ratledg organ/piano/flute, Hopper bass, Wyattdrums/tambourineWM) four-track Master machine in studio 3 LostWoods228) (Rhamadan – 3hours (10:30am to 1:00pm) they tried put overdubs of a motorcycle onto it June 1969 M.Jones after succeful lunch ready to plan more released. (MOTML) Motorbike effects:There are rumors that the Floyd used it in AHM Opelzine#8) "Motorbike effects"(transferred from portable cassette player”Uher” to the Studer 4 track and P R O D U C E D B Y S Y D B A R R E T T (?) mixed into conga drums) IN E.M.I ARCHIVES, U N R E L E A S E D (engineer - Peter Mew?) (PBS TV Pink Floyd Soundtrack has motorbike effects taken from EMI archives by Sound Engineer) Thursday, June 12 Evening Abbey Road Studio ? (5 Song Session ) "Rhamadan"(conga drums) (18 min) (overdubbed) U N R E L E A S E D (with RogerWaters LostWoods) (Live voc/guitar recording: On some of them, we just put a little bit of effects on the track with (Beatles without Barrtett) echo and double-tracking on one or 2 others, we dubed a bit of drums and little bass and P R O D U C E D B Y N / A organ.Lost Woods) (engineers – Peter Mew & Chris Blair) (Roger and Dave sitting in the home and say “Syd played that and that” LostWoods231) The recording sheet lists Syd and Dave Gilmour as producers, with no reference to Friday, April 25 11.30am – 12.30pm Abbey Road , Room 4 Roger Waters. On Our Way Home (Two Of Us) Remix Mono 1 for acetate cutting purposes "Octopus, Version One: Take 2.1"(overdubbed) (Syd produced the original backing track) Abbey Road (Studio 3 was now available to cope with 8-track although it still had the old 4 "Octopus, Version One: Take 2.2"(overdubbed) track mixing console. MOTML) (Syd produced the original backing track) (Octopus: Barrett overdubbed guitar, Gilmour – bass, Shirley – drums.LW) P R O D U C E D B Y S Y D B A R R E T T (Roger and Dave sitting in control room. Take11 was satisfying for all with shorter more out- (engineer - Peter Mew?) temped version without one verse from original. This is result of Gilmour hard producing in style Chapter24 LostWoods231) "Golden Hair, Version Two: Take 1" Friday, April 25 Abbey Road Studio ? (acoustic guitar recorded) U N R E L E A S E D "Love You: Take 4" ("minor additions" overdubbed) "Golden Hair, Version Two: Take 2-5" (acoustic guitar recorded) U N R E L E A S E D (Sessions abandoned by Jones illness (colit) MOTML) "Golden Hair, Version Two: Take 6" (1:44) – Comleted (acoustic guitar recorded) ( overdubbed??) on "Opel" (Track 4) & (Box 3,4) Friday, April 25 Abbey Road Studio ? "Golden Hair, Version Two: Take 7" – Comleted If It's In You ???? info from Lost Woods BIG MISTAKE MAYBE (acoustic guitar recorded) U N R E L E A S E D If It's In You ???? info from CD Box sleeve BIG MISTAKE MAYBE "Golden Hair, Version Two: Take 8-10" – False Start (acoustic guitar recorded) U N R E L E A S E D T R A N S F E R R I N G F R O M O R I G I N A L 4 T R A C K M A S T E R S T O 8 "Golden Hair, Version Two: Take 11" (Take 6 overdubbed) on "Madcap" (Track 8) & (Box 1,8) T R A C K T A P E F O R O V E R D U B S A T A L A T E R D A T E Syd Barrett - vocal Dave and Roger - vibes, organ, cymbals Friday, April 25 Abbey Road Studio ? or control room ? or mixroom ? Jerry Shirley??? - added cymbals in the end (LW306) (Raw Album Sheet) (Golden Hair, Version Two – instrumental backing track. LW) "No Good Trying: Take 3"(transfered) (After take 11 master was done. MOTML) "Terrapin: Take 1"(transfered) "Octopus, Version Three: Take 1-2" (acoustic guitar & vocal recorded) on (Box 1,14) "Opel: Take 9"(transfered) "Octopus, Version Three: Take 3-11" "Clowns and Jugglers: Take 2"(transfered) (acoustic guitar & vocal recorded) U N R E L E A S E D "Love You: Take 4" (take transfered) (Dark Globe was recording in 2 takes . Acoustic oda to lost love and chaos of confusion Title "Love You: Take ??" (take transfered) taken from Tolkien LostWoods231) "Golden Hair, Version Two: Take 11"(transfered) "Dark Globe, Version One: Take 1" U N R E L E A S E D "Late Night: Take 2"(transfered) "Dark Globe, Version Two: Take 2"(acoustic guitar & vocal recorded) "Swan Lee: Take 5""(transfered) on "Madcap" (Track 5) & (Box 1,5) Outtakes: No Man?s Land, Rhamadan, Here I Go, Lanky (Long Gone – song about lost love LostWoods231) "Long Gone, Version One: Take 1" (26.07 truly date maybe) (acoustic guitar & vocal recorded) on "Steel Breeze" (Long Gone didn?t work after two takes and was later replacement by another attempt. Saturday, May 3 Abbey Road Studio ? (Soft Machine Session Lost Woods229) New take was 1:57 instead 3:15. Album version - 2:10. MOTML) (Overdubbed various parts onto 8 track copies made previous session) "Love You: Take 4"(overdubbed) on "Madcap" (Track 3) & (Box 1,3) Mike Ratlidge - jangle piano, piano, organ(?) P R O D U C E D B Y D A V E G I L M O U R A N D R O G E R W A T E R S Hugh Hopper - bass (engineer - Peter Mew) Robert Wyatt - drums "No Good Trying: Take 3" (overdubbed) on "Madcap" (Track 2) & (Box 1,2) Friday, June 13 Afternoon – 4pm Abbey Road Studio ? Short Session (1 Song Session) (with Mike Ratlidge - organ RogerWaters ??) Hugh Hopper - bass (Live voc/guitar recording: On some of them, we just put a little bit of effects on the track with Robert Wyatt - drums echo and double-tracking on one or 2 others, we dubed a bit of drums and little bass and "Clowns and Jugglers: Take 2" (overdubbed) on "Opel" (Track 2) & (Box 3,2) organ.Lost Woods) & Steel Breeze (Track 6) (Floyd leave studio at 4 in afternoon to get on a train and go to the show LostWoods23?) Mike Ratlidge - organ (The last day in that month as Floyd finishing Ummagumma and goto Holland Tour(sic, see In Hugh Hopper - bass The Flesh.) Syd decided to take a holiday on Ibiza,Spain where play with friends on guitar and Robert Wyatt - drums, tambourine wrote songs LostWoods23?) (Syd just said „I?d like you to play on these two tracks and do what you can? After session „Right, The recording sheet lists Syd and Dave Gilmour as producers, with no reference to thank you very much. RWHist;LW223) Roger Waters. "Octopus, Version Three: Take 11" (overdubbed) on "Madcap" (Track 7) & (Box 1,7) Sunday, May 4 Abbey Road Studio ? Syd Barrett - second vocal, electric guitar LAST MALCOLM JONES STUDION SESSION Dave Gilmour - bass "No Good Trying: Take 3" (overdubbed) on "Madcap" (Track 2) & (Box 1,2) Jerry Shirley - drums Syd's backwards guitar part overdubbed "Terrapin: Take 1" (overdubbed) on "Madcap" (Track 1) & (Box 1,1) Thuesday, June 17, Abbey Road, Room ? Syd Barrett - lead guitar line Gilmour?s part of Ummagumma was mixing (No Man's Land vocal unhearing which wasn?t really how planned Syd LostWoods230) "No Man's Land: Take 5" (overdubbed) on "Madcap" (Track 4) & (Box 1,4) Monday, June 23, Abbey Road, Room ? Syd Barrett - lead guitar line Waters?s part of Ummagumma was mixing May, Abbey Road Studios (Soundtrack „More? was completed and Dave was back at Abbey Road with Pink Floyd Saturday, July 26 Evening Abbey Road Studio ? (Last Album Session) recording material for Ummagumma. MOTML) (without RogerWaters) (Live voc/guitar recording: On some of them, we just put a little bit of effects on the track with echo and double-tracking on one or 2 others, we dubed a bit of drums and little bass and P R O D U C E D B Y D A V E G I L M O U R A N D R O G E R W A T E R S organ.Lost Woods) (engineer - Peter Mew) (Roger and Dave sitting in the home listen tape and say “Syd played that and that” LostWoods231) (3 different ways of Syd session recording: (Dark Globe sounds as though someone?s adding echo to identify it as their bootleg rather than 1.Syd in studio recording itself, that?s impossible see Gigolo Aunt anybody else?s Opelzine#8) 2.Recording of backing track, before Syd overdubbed it The recording sheet lists Syd and Dave Gilmour as producers, with no reference to 3.Recording of idea of the song (guitar and vocal) and try to make from it in the Roger Waters. futureLostWoods231) "She Took a Long Cold Look(at me), Version One" U N R E L E A S E D "Long Gone: Take 1(only Syd as producer)" (acoustic guitar & vocal recorded) U N R E L E A S E D "Long Gone: Take 1" (overdubbed) on "Madcap" (Track 9) & (Box 1,9) May ?? Syd Barrett - second vocal (EMI don?t want take addition studio time. Jenner and King:”Boys would help.Give us another ????????? - organ chanse” EMI give 2 days, but by Floyd gigging was 3 Sessions for 7!!! Songs (Side 2 of the "Dark Globe (Wouldn't you Miss Me), Version Three: Take 1" album Songs was fantastic but EMI HAVEN?T TIME PRODUCE IT) (acoustic guitar & vocal recorded) on "Opel" (Track 12) & (Box 3,12) Roger and Dave sitting in the home and say “Syd played that and that” LostWoods231) "Dark Globe (Wouldn't you Miss Me), Version Three: Take 1" (overdubbed) on "Melk Weg" May 5-29? Earls Court Mans #2 Syd Barrett - second vocal Syd at his home in prostration don?t want work. "She Took a Long Cold Look (at me), Version Two: Takes 1-4" (acoustic guitar & vocal recorded) on (Box 1,18) "She Took a Long Cold Look (at me), Version Two: Take 5(with breakdown)" (acoustic guitar & vocal recorded) on "Madcap" (Track 10) & (Box 1,10) Friday, May 30, Fairfield Halls, Croydon, Surrey, England "Feel: Take 1" (acoustic guitar & vocal recorded) on "Madcap" (Track 11) & (Box 1,11) (Syd came out from London and go to Pink Floyd gig and ask for help LostWoods231) "If It's In You: Take 5 (with breakdown)" (acoustic guitar & vocal recorded) on "Madcap" (Track 12) & (Box 1,12) The way they coupled Feel Take 1 onto If It?s In You Take 5 is misleading (Opelzine#8) (Ayers without Barrett) P R O D U C E D B Y ? (engineers – ?) M I X I N G S E S S I O N S F R O M M U L T I T R A C K T O S T E R E O B Y D A V E G I L M O U R A N D R O G E R W A T E R S Summer ? Abbey Road Studio ? W I T H O U T S Y D B A R R E T T A N D M A L C O L M J O N E S (Sessions for Kevin Ayers „Joy Of A Toy? lp 2 Thuesday, August 5, morning, Session One Abbey Road Studio ? (control room) "Long Gone: Take 1"-- July 26, 1969 on "Madcap" (Track 9) & (Box 1,9) Friday,November 28, 2.30pm-5.30pm Abbey Road Studio 3 "She Took a Long Cold Look: Take 5"-- July 26,1969 on "Madcap" (Track 10) & Religious Experience (Take 1-9) E 95047 (Box 1,10) Take 1 (3:42) rhythm track acc guitar, bass, drums only "Feel: Take 1" -- July 26, 1969 on "Madcap" (Track 11) & (Box 1,11) Take 2-3 not complete "If It's In You: Take 5" -- July 26, 1969 on "Madcap" (Track 12) & (Box 1,12) Take 4 (4:32) rhythm track acc guitar, bass, drums only "Octopus: Take 11"-- June 13, 1969 on "Madcap" (Track 7) & (Box 1,7) Take 5 not complete Take 6 (3:44) rhythm track acc guitar, bass, drums only Take 7 not complete Thuesday, August 5, afternoon, Session Two Abbey Road Studio ? (control room) (Before Take 8 Kevin asks “Pete” how bass and drums are sounding DP) "Golden Hair: Take 11" -- June 12, 1969 on "Madcap" (Track 8) & (Box 1,8) Take 8 (3:40) rhythm track acc guitar, bass, drums only "Dark Globe: Take 2(Version One)" -- June 12, 1969 on "Madcap" (Track 5) & Take 9 (4:33) “Best” rhythm track acc guitar, bass, drums only (Box 1,5) Kevin Ayers, Richard Sinclair, Richard Coughlan, David Sinclair?, "Terrapin: Take 1" -- May 4, 1969 on "Madcap" (Track 1) & (Box 1,1) Syd Barrett? (R.Sinclair,”I don?t remember Syd Barrett being around at all” DP) (5 Aug. Stereo mixdown for 4 track tapes. LW) Take 9 (overdubbed lead guitar, vocals and “handclaps”) (Vocals : Kevin and R.Sinclair in splendid close harmony DP ) (Beatles without Barrtett) (Verion longer than single DP) P R O D U C E D B Y G E O R G E M A R T I N (engineers – Geoff Emerick/Phil McDonald – John Kurlander) (Religios Experience Session) P R O D U C E D B Y P E T E R J E N N E R Thuesday, August 5, 2.30pm – 6.30pm, Abbey Road Studio 3 (control room only) (engineers – Anthony Clark & Andrew Stevens) You Never Give Me Your Money (sound effects takes 1-5) Transferring onto 4 track tape Effects from Paul home sound studio - bells, birds, bubbles and crickets chirping. Friday,November 28, 7.00pm-9.00pm Abbey Road Studio 3 Take 10 - 8T Take 9 to 8T transfer Take10 E 95048 Thuesday, August 5, 2.30pm – 6.30pm, Abbey Road Studio 3 (control room only) Balance engineer Tony Clark and tape operator Alan Parsons were in control room making stereo (Religios Experience Session) reel-to-reel tape copy from an ordinary cassette of some of John and Yoko’s latest privately P R O D U C E D B Y P E T E R J E N N E R recorded sounds. The tape was taken away by the Lennon’s assistant, Anthony Fawcett. (engineers – Anthony Clark & Andrew Stevens) Thuesday, August 5, 6.30pm – 10.45pm, Abbey Road , Room 43 and Sudio 2 Wednesday,December 3, 2.30pm-5.30pm Abbey Road Studio 3 Because Take 16 (overdubbed Moog by George(recorded twice for the last available tracks)) Take 10 - (overdubbed vocals) E 95047 Ending (The End) Take7 (overdubbed vocal) (Anthology 3) (Kevin interjecting “der-der-drums” and other such backing whimsy at appropriate moments Beatles should have been among the first to make use of a new musical instrument “Moog” throughout the song DP) (Beatles without Barrtett) Wednesday,December 3, 7.00pm-5.00am Abbey Road Studio 3 P R O D U C E D B Y M A L C O L M D A V I E S Take 10 - (overdubbed Girls,Vocals, Maracas, Tambourine etc) E 95048 (engineers – Tony Clark & Chris Blair) (10:30pm “Then one hour machine breakdown” DP) Take 10 - Edit and Remix Stereo 1-8 E 95203Z Thursday, September 11 , 2.30pm-5.30pm Abbey Road Studio 3 (control room only) Take 10 - Edit and Remix Stereo 9-12 E 95204Z (new time 2:47-2:55 DP) What’s The New Mary Jane Take 4 – (6:35) New stereo remix 1- 3 from Take 4 (original) Copy all 3 stereo mixes onto a 71/2 ips spool and were taken back to Apple by Davies for Lennon?s listening pleasure. (Beatles without Syd) (Past mixes abandoned. Lennon?s lead vocal placed at different points in the stereo. At the end P R O D U C E D B Y G E O R G E M A R T I N “Let?s hear it, before we get taken away!”) (engineers – Martin Benge & Richard Lush) M I X I N G S E S S I O N S F R O M M U L T I T R A C K T O S T E R E O Monday,December 8, 10.00am-12.15pm Abbey Road Studio 2 B Y D A V E G I L M O U R Octopus’s Garden (Takes1-10) Tape copying with simultaneous recording (Ringo’s vocal, bass, l. Guit., piano) on new 2-track tape Thuesday, September 16, Session Three Abbey Road Studio ? (control room) Take 10 was used for the TV transmission “With A Little Help From My Help”, produced by (Next morning Gilmour was on a plane to Amsterdam for the live radio performance LostWoods) Yorkshire TV for IBA network transmission between 6.00-7.00pm on Christmas Eve, 24.12.69. "No Good Trying: Take 3" -- May 3/4, 1969 on "Madcap" (Track 2) & (Box 1,2) "Love You: Take 4" -- May 3, 1969 on "Madcap" (Track 3) & (Box 1,3) "No Man's Land: Take 5" -- May 4, 1969 on "Madcap" (Track 4) & (Box 1,4) "Here I Go: Take 5" -- April 17, 1969 on "Madcap" (Track 6) & (Box 1,6) "Late Night: Take 2" -- April 11, 1969 on "Madcap Laughs" (Track 13) & (Box 1,13) (Religios Experience Session) P R O D U C E D B Y P E T E R J E N N E R (Ayers without Barrett) (engineers – Anthony Clark & Tony Mone) P R O D U C E D B Y ? (engineers – ?) Monday,December 8, 3.00pm-6.00pm Abbey Road Studio 2? (control room 2) Take 10 - Remix Stereo 14-18 E 95185Z September ? Abbey Road Studio ? (Sound effects were used of “Church Bells ringing the changes” (omitted from single) DP) (Sessions for Kevin Ayers „Soon Soon Soon? 45 WM) (Religios Experience Session) S P L I C I N G T O G E T H E R O F T H E A L B U M P R O D U C E D B Y P E T E R J E N N E R B Y D A V E G I L M O U R A N D S Y D B A R R E T T (engineers – Anthony Clark & Richard Langham) Monday, October 6 Abbey Road Studio ? (control room) The splicing together of the album, including the sequencing of the running order. Saturday,December 13, 10.00am-2.15pm Abbey Road Studio 3 Terrapin, Take 10 - Remix Stereo 20-24 E 95325Z No Good Trying, (Ignoring RS19 RS24 make “Best” DP) Love You, No Man?s Land, (Religios Experience Session) Dark Globe, P R O D U C E D B Y P E T E R J E N N E R Here I Go, (engineers – Michael Stone & Tony Mone) Octopus, Golden Hair, Wednesday,December 17, 10.00am-1.30 pm Abbey Road Studio 2 ( ! ) Long Gone, Take 10 (RS24) (overdubbed lead guitar and mellotron) E 95048 She Took A Long Cold Look, 1 – Feel, If It?s In You, 2 – Late Night 3 – Guitar playing one hears on the single by Kevin 4 – 5 – October ? , Earls Court Square, 3-room appartment 6 – (Photo session in Syd?s house Jones with final master come to Syd and see wonderful 7 – appartment and decided photoed this flat for sleeveCrazyD92) 8 – Maracas and Tambourine on Tr8 were bumped to Tr4 (joining the acc.guitar? DP) New Tr8 – completely diff sounding Lead Guitar is playing away plus SIMULTANEOUSLY Statistics: 18 months of studio works(instead Piper?s 5 months) psychedelic Mellotron.All Mellotron by Kevin Ayers, so Guitar by Syd Barrett – the playing style and guitar sound is sort of similar to his lead guitar on “Wined and Dined”DP) December? (Religios Experience Session) „Octopus/Golden Hair? Single made M. Jones as executive producer. P R O D U C E D B Y P E T E R J E N N E R (Syd was a bit pissed off with the delay, as Malcolm too MOTML (engineers – Peter Mew & Tony Mone) (Beatles without Barrtett) Thursday,December 18, 2.30pm-5.30 pm Abbey Road Studio 2 ( ! ) P R O D U C E D B Y G E O F F E M E R I C K / J O H N L E N N O N Take 10 Remix Stereo 100 -103 E 95435Z (engineers – Mike Sheady & Nick Webb) RS100 (3:07) RS101 (3:07) Wednesday, November 26 , 7.00pm-3.00am Abbey Road Studio 2 RS102 (3:05) What’s The New Mary Jane Take 4 – (6:35) New stereo remix 4-5 from Take 4 (original) RS103 (2:47) “BEST” (7ips Copy was taken away by P. Jenner DP) Editing of remix stereo 5, called remix stereo 6. (Only mixes that may feature Syd?s contribution to the recording DP) Remix stereo 5 had additional (and suitably bizarre) vocals and sound effects simultaneously (P.Jenner, “Syd simply came in, playing around a bit, then disappeared off again” DP) overdubbed by John and Yoko Tape copying with simultaneous editing of diff durations of stereo remixes 4 into 5 Saturday, December 27, BBC Broadcasting House, London Tape copying of stereo remixes 4 and 5 (Syd?s appearance on Pete Drummond?s end-of-year show on BBC Radio One can be regarded as one of his classic performances. He remained silent throughout the show, even when questioned. ITF231)) 1970 November-December (Religios Experience Session LostWoods238 Chapter24) stSyd vocal on 1 verse??? Syd addition guitar ??? (Religios Experience Session) P R O D U C E D B Y P E T E R J E N N E R (engineers – Peter Mew & Andrew Stevens) 3 Saturday, Junuary 3 Madcap Laughs Release TAKE A BREAK ON PINK FLOYD TOUR Terrapin, No Good Trying, Love You, No Man’s Land, Dark Globe, Here I Go, Octopus, Golden Hair, Long Gone, She Took A Long Cold Look, Feel, If It’s In You, Late Night March?? Barrett interviewed about forcoming album thThuesday, January 6 Syd?s 24 Birthday March?? Barrett go to AHM session to see orchestra simbios (Religios Experience Session) P R O D U C E D B Y P E T E R J E N N E R A N D M A L C O L M J O N E S (Beatles without Syd) (engineers – Peter Mew & NR) P R O D U C E D B Y P H I L S P E CT O R (engineers – Peter Bown & Richard Lush) January 12, 7.00pm-1.30am Abbey Road Studio 3 Take 10 Remix Stereo 104 E 95637Z “EDITED BEST” Wednesday, April 1, 7.00pm-??.??pm Abbey Road Studio 1 and control room Studio 3 (The arrangement that you hear on the single (the solo bass at the start, the vocals coming in The very last recording session for Beatles album and it featured the work of Ringo, who played after the drums, the “Girls” only chorus etc.) is created by judicious use of the faders, with a drums on all three songs to augment the orchestra. Phil worked in “Phil Spector Sound” way: subtle bit of editing thrown in for good measure. Malcolm Jones deliberately MIXED OUT SYD?S instead to leave tracks completely dry, perhaps with just a bit of monitor echo, but without any of PLAYING DP) the effects added later, he wanted to hear a lots of echo and everything, while it was being recorded, (2 –Track Stereo Master has been edited onto reel “Harvest Records Singles” DP) EXACTLY the way it would sound when finished: with all the tape echo, plate echo, chamber echo, on Rhamadan – 8 (2:38) all the effects. It was difficultly in studio which is, technically, quite primitive. On The Long and Winding Road he wanted to overdub orchestra and choir but there weren’t the available tracks on the tape, so he wiped one of Paul’s two vocal tracks in order to put the orchestra on. Richard Hewson arrange and conduct the orchestra scores.Here was the “wall of sound” by Phil Spector: 18 violins, 4 violas, 4 cellos, a harp, 3 trumpets, 3 trombones, 1 set of drums (Ringo), 2 guitarists, 14 BARRETT SESSIONS vocalists: a total of 50 and total bill to EMI of a then massive L1,126 5 s. Across the Universe (tape reduction take 8 into take 9) ------------------------------------------------------------------------------------------- Across the Universe Take 9 (overdubed) ---------------------------------------------------------------------------------------------- 50 musicians on 8 track tapes general strings on track 4, P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) violins on track 5, Recording Engineer - Peter Bown brass,drums and more strings on track 6, Engineer - Alan Parson(?) the choir on track 7, brass, drums and choir on track 8 The Long and Winding Road (tape reduction of 31.01.69 into takes 17-19) Saturday, February 24, Maida Vale 4 Studios, London „Sound of the 70?s B B C? The Long and Winding Road Take 18 (overdubbed) 1. Baby Lemonade (2:30) 50 musicians on 8 track tapes 2. The Efferversing Elephant (0:57) strings on track 6, 3. Gigolo Aunt (3:35) brass, drums on track 7, 4. Terrapin (3:02) choir on track 8 5. Two Of A Kind (2:28) I Me Mine (tape reduction extended edit of Take 16 into Takes 17-18) Syd Barrett – guitar,vocals I Me Mine Take 18 (overdubbed) David Gilmour – organ, bass guitar,vocals 50 musicians on 8 track tapes Jerry Shirley – drums brass, drums on track 4, Alan Stiles – guitar (unconfirmed PFE) strings on track 6, no choir Monday, February 26 Abbey Road Studio ? (Maisie – Barrett doing his best imation of a Grundig tape recorder running on low batteries LostWoods23?) (Beatles without Syd) "Maisie: Take 1" (false start lasting a whole two seconds) P R O D U C E D B Y P H I L S P E CT O R "Maisie: Take 2" (Recorded 'live') U N R E L E A S E D (engineer – Peter Bown & Roger Ferris) Syd Barrett - vocal & electric guitar Jerry Shirley - drums Thursday, April 2, ??.?? ?m Abbey Road room 4 David Gilmour - bass The Long and Winding Road RS 10-13 from Take 18 "Maisie: Take 2(unedited)" (overdubs added) on "Flaming And Screaming" (Track 3) I Me Mine RS 10-12 from Take 18 Syd Barrett - second vocal Across the Universe RS 10-13 from Take 9 "Maisie: Take 2(edited)" (overdubs added) on "Barrett" (Track 6) & (Box 2,6) The Long and Winding Road editing of RS 10 and RS 13 Syd Barrett - second vocal I Me Mine RS 11-12 from Take 18 (adds extra 51 sec from other verses!!) (3 different ways of Syd session recording: 1.Syd in studio recording itself, that?s impossible see Gigolo Aunt 2.Recording of backing track, before Syd overdubbed it 3.Recording of idea of the song (guitar and vocal) and try to make from it in the Wednesday-Thursday, April 1-2 Abbey Road Studio ? (after Pftour) futureLostWoods231) st(April 1 – Rough mixes of work in progress LW306) (Gigolo Aunt – long inspired jamLostWoods23?) "Gigolo Aunt: Take 15" -- (making backing track) on "Barrett" (Track 7) & (Box 2,7) "Gigolo Aunt: Take 1-6(unfinished)" U N R E L E A S E D Richard Wright - organ "Gigolo Aunt: Take 7(complete)" U N R E L E A S E D Jerry Shirley – drums, percussion (LW306) "Gigolo Aunt: Take 8(unfinished)" U N R E L E A S E D David Gilmour – bass (Baby Lemonade – An attempt remake See Emily Play sound with help from Rick Wright John Willie – Wilson -(LW306) LostWoods23?) "Gigolo Aunt: Take 15" -- (Syd recorded along with it) on "Barrett" (Track 7) & (Box 2,7) "Baby Lemonade: Take ?" on Flaming And Screaming Syd Barrett - first & second vocal, electric & acoustic guitar "Baby Lemonade: Take 1" (acoustic guitar & double track vocal recorded) on (Box 2,13) "Waving My Arms/I Never Lied: Take 1" (new vocal track & overdubs "Baby Lemonade: Take 1" (12 string guitar intro recorded by Gilmour added) on "Barrett" (Track 8-9) & (Box 2,8-9) (intro - coda by Gilmour)) on "Barrett" (Track 1) & (Box 2,1) Syd Barrett - new vocal, electric & acoustic guitar "Baby Lemonade: Take 1" (overdubs added) on (Box 2,1) Richard Wright – piano, (organLostWoods224 ) Syd Barrett - electric guitar Jerry Shirley - drums Richard Wright - organ, piano David Gilmour - bass Jerry Shirley - drums, percussion David Gilmour - bass, 12 string guitar, conductor of drums Friday, April 3 Abbey Road Studio ? "Waving My Arms/ I Never Lied To You: Multiple takes(first - the best)" (Remake “Wolfpack” from earlier demo. Duggie Fields : He was unfocused) Richard Wright - piano accompanement U N R E L E A S E D "Wolfpack: Take 1(New version???)" U N R E L E A S E D MISTAKE may be truly date 27.02.70 "Wolfpack: Take 2(New version)" (recorded & overdubs added) on "Barrett" (Track 11) & (Box 2,11) Syd Barrett - first & second vocal, electric & acoustic guitar (Beatles without Syd) Richard Wright - piano, organ P R O D U C E D B Y G E O F F E M E R I C K Jerry Shirley - drums (engineers – Peter Bown/ Jeff Jarratt & John Barrett) David Gilmour - bass Thusday, February 27, 10.00am-11.30am Abbey Road Studio 2 (control room only) May 8 End of Let It Be Sessions The Inner Light RS 1 from Take 6 TAKE A BREAK ON NORTH AMERICAN PINK FLOYD TOUR THE END OF BEATLES (Beatles without Syd) P R O D U C E D B Y P H I L S P E CT O R Friday, June 5 Abbey Road Studio ? (engineers – ??) (Birdie Hop come from Abbey Road maybe.EMI Manchester Square said they haven?t got it Opelzine#8) Thusday, February 27, 7.00pm-??.??pm Abbey Road Studio 3 "Rats: Two-track Demo" (acoustic guitar & vocal recorded) on "Opel" (Track 3) & Instant Karma! Takes 1-? recording by George (lead guitar) and John (Box 3,3) "Wined and Dined('bout Gayla): Two-track Demo" (acoustic guitar & vocal recorded) on "Opel" (Track 7) & (Box 3,7) Thusday, February 27 Abbey Road Studio ? "Birdie Hop: Take 1(Two-track Demo)"(acoustic guitar & vocal recorded) "Gigolo Aunt: Take 9" (Recorded 'live') on (Box 3,15) on "Opel" (Track 9) & (Box 3,9) (announcement on “Melk Weg”) Syd Barrett - first & second vocal, electric & acoustic guitar Richard Wright - organ Saturday, June 6 Xtrav?70 Music and Fashion Festival, Jerry Shirley - drums, percussion The Grand Hall, Olympia Exhibition Hall, Olympia, London John (Willie) Wilson - percussion (Rosenberg25) David Gilmour – bass improvisation & 2nd organ (Barrett was nervous LostWoods) "Gigolo Aunt: Take 10-14(unfinished)" U N R E L E A S E D Terrapin (unconfirmed in ITF) (4 song as demo only, in stereo only, not multytrack.MOTML) Gigolo Aunt "Wolfpack: Two-track Demo*"(acoustic guitar & vocal recorded) U N R E L E A S E D Efferverscing Elephant "Waving My Arms/ I Never Lied: Take 1(Two-track Demo)" (acoustic guitar & vocal Octopus as “Just You Dissapear” on Melk Weg (wrong speed) recorded) on (Box 2,14-15) on Sights and Sounds of SB’s PF "Living Alone*: Two-track Demo"(acoustic guitar & vocal recorded) (Two Version of a song were recorded) U N R E L E A S E D "Bob Dylan's Blues*: Two-track Demo"(acoustic guitar & vocal recorded) (Four Version of a song were recorded) U N R E L E A S E D Sunday, June 7 Abbey Road Studio ? * - Studio logs say that Dave took the master tape with him. ( Milky Way Version 1&2 existing onto MJones tape Opelzine#8) "Milky Way: Take 1-4" (recorded????) U N R E L E A S E D "Milky Way: Take 5" (acoustic guitar & vocal recorded) 4 on "Opel" (Track 13) & (Box 3,13) (“1-2-3-4” on “Melk Weg” (Track 1)) (Sound?s like the same guitar as Dave?s stuff, I don?t remember him having an acoustic guitar P R O D U C E D B Y P E T E R J E N N E R Opelzine#8) Recording Engineers - Jeku Neekie & Pat Stapley "Milky Way: Take 5"(overdubs added) on “From Undeground To The Moon” (Track 1) 1974 (To create a backing track was failed LostWoods) (Stereo mixing session????) "Millionaire(She Was A Millionaire): Take1"(acoustic guitar recorded) November(?)Abbey Road Studio ? U N R E L E A S E D V A R I O U S S E G M E N T S "Millionaire(She Was A Millionaire): Take2"(acoustic guitar recorded) “If you Go, Don't Be Slow: Demo" (guitar recorded only) U N R E L E A S E D "Untitled 1(Echo Stuff): Demo "(guitar recorded only) – "Rats: Two-track Demo" (overdubs added) on "Barrett" (Track 5) & (Box 2,5) "Untitled 2(Boogie): Demo "(guitar recorded only) Syd Barrett - electric guitar "Untitled 3(Ballad): Demo "(guitar recorded only) Richard Wright - piano "Untitled 4(Chooka-Chooka-Chung-Chung): Demo "(guitar recorded only) Jerry Shirley - drums "Untitled 5(If You Go): Demo "(guitar recorded only) David Gilmour - bass "Untitled 6(Echo): Demo "(guitar recorded only) "Untitled 7(Slow Boogie): Demo "(guitar recorded only) TAKE A BREAK ON PINK FLOYD TOUR "Untitled 8(John Lee Hooker): Demo "(guitar recorded only) "Untitled 9(Fast Boogie): Demo "(guitar recorded only) Thuesday, July 14 Abbey Road Studio ? "Untitled 10(Silas Lang): Demo "(guitar recorded only) "Effervescing Elephant: Take 1" U N R E L E A S E D "Untitled 11(Jolly Echo): Demo "(guitar recorded only) "Effervescing Elephant: Take 2" (acoustic guitar & vocal recorded) on (Box 3,20) "Untitled 12(Nice Blues Licks): Demo "(guitar recorded only) "Effervescing Elephant: Take 3" U N R E L E A S E D Recording Engineer - John Leckie (RJL) "Effervescing Elephant: Take 4" U N R E L E A S E D "Effervescing Elephant: Take 5" U N R E L E A S E D "Effervescing Elephant: Take 6" U N R E L E A S E D "Effervescing Elephant: Take 7" U N R E L E A S E D "Effervescing Elephant: Take 8" U N R E L E A S E D "Effervescing Elephant: Take 9" ( recorded) on "Barrett" (Track 12) & (Box 2,12) Rev.26.02.01, Mar.9’01, Mar.11’01,Mar.12’01, Mar.13’01, Mar.16’01 Syd Barrett - acoustic guitar & vocal Vic Saywell - tuba David Gilmour - arrangement "Wined and Dined: Take 1- 9"('bout Gayla) & (recorded????) or (numerous overdubs on two-track demo????) U N R E L E A S E D (Wined and Dined: Gilmour dubbing all instruments on Barrett Lead guitar Syd adds slide leads as on Remember A Day. Vocals add echoLostWoods) "Wined and Dined: Take 10" ('bout Gayla) & ( recorded) on "Barrett" (Track 10) & (Box 2,10) Syd Barrett - wah-wah, electric & acoustic guitar, vocal SIC? Richard Wright - organ SIC? Jerry Shirley - percussion SIC? David Gilmour - bass ALAN PARSONS AT ABBEY ROAD WITH BEATLES (Dominoes as Pink Floyd sound Dave with Syd was trying to get lead guitar track by mistake reverse tape and Syd make good solo. Cada written without Barrett. Wright played Manzarek?s style, but Barrett played solo too. )) 1969: 15.07 ,16.07 ,17.07 ,18.07 – STUDIO 3 "Dominoes: Take 1(False Start)" (acoustic guitar & vocal recorded) on (Box 2,17) 4.08, 8.08, 13-14.08 –STUDIO 2 "Dominoes: Take 2(unfinished)" (acoustic guitar & vocal recorded) on (Box 2,18) 15.08 – STUDIO 1-2 "Dominoes: Take 3" on "Barrett" (recorded) on "Barrett" (Track 3) & (Box 2,3) 18-19.09 – STUDIO 2 (coda of final part by Gilmour/Wright) 20.08 – STUDIO 3 (control room) Syd Barrett - acoustic guitar,backwards & vocal 21.08 - ROOM 4 Richard Wright - organ 25.08 – STUDIO 2 (control room) David Gilmour - bass, drums 2.10 – ROOM 4 (Dominoes: All instruments D. Gilmour, excerpt lead guitar. LW) "Untitled(Love Song): Take 1"(acoustic guitar & vocal recorded) on (Box 2,16) Studio 1 – largest for orchestra used 8 track "Dolly Rocker: Take 1"(acoustic guitar & vocal recorded) on "Opel" (Track 5) & Studio2 – booked top EMI artist (Floyd often booked for Ummagumma, (Beatles booked 2 and (Box 3,5) 3(more than) for AbbeyRoad ED)) used 8 track " Untitled(Let's Split): Take 1(with breakdown)" (acoustic guitar & vocal recorded) on Studio 3 – smallest and used 4 track & relaxed atmosphere "Opel" (Track 10) & (Box 3,10) Anthony (Tony) Clark – Madcap studio engineer. (Let's Split final LostWoods) Mellotron (using the studio equipment) "Love Song: Take 1" (recorded) on "Barrett" (Track 2) & (Box 2,2) End of some song : “The bass sounds a bit fussier than I remember it to be” (the only version of this song in existence) (You might as well mix it and save a generation of tape. There?s no point in transferring it on an (tape operator - John Leckie (RJL)) other 4 track. The only place that overdub will exist will be on the stereo masterBD40.20) 4 track tape they might mix it down to stereo and add some other instruments, playing alons as Friday, July 17 Abbey Road Studio ? you mix. "Love Song: Take 1" (minor overdubs added) on "Barrett" (Track 2) & (Box 2,2) Пленка двигалась с разной скоростью мимо воспроизводящей головки что позволяло Syd Barrett - second vocal получать ему разные типа эха – эта установка использовалась Сидом для своей гитары. Richard Wright - piano, harmonium Стр.7 Барретт Италия - JennerOpel #11?86 Jerry Shirley - drums Все тексты с двойным смыслом. David Gilmour - bass Jenner to Ferrari in 86 about 68'session :Было много сессий очень запутанных и я не помню "Dolly Rocker"(rudimentary attemps of overdubbing) U N R E L E A S E D какие музыканты игралии. Я думаю Гилмор играл может быть. Барретт записал несколько "Untitled (Word Song): Take 1(the only version of this song in existence)" очень красивых новых песен. Они не были смикшированы. Флойды работали в студии 2 ( acoustic guitar & vocal recorded) on "Opel" (Track 6) & (Box 3,6) Барретт в студии 3. "It is Obvious: Take 1"( acoustic guitar & vocal recorded) U N R E L E A S E D "It is Obvious: False starts & Take 2" (electric guitar & vocal recorded) on (Box 2,19) 1968 Barrett lived in Earls Court with Dudgy Fields Earls Court Mans flat 2 "It is Obvious: Take 3" (electric guitar(blues) & vocal(low) recorded) on (Box 3,16) 1969 Барретт звонит в студию EMI но получает отказ т.к. в 68 г. они повредили "It is Obvious: Take 4"( segment recorded????????????????????????????????) аппаратуру в студии . Только Джонс М. Смог пробить его сессии когда запрос из EMI "It is Obvious: Take 5(final)" (acoustic guitar & vocal recorded) on (Box 3,17) пришел на его имя как представителя Харвест. В мае 1969 перерыв Сид лежит в постели не "Maisie: Remake"(recorded) U N R E L E A S E D вставая и ничего не делая. Видя такую ситуацию боссы студии диктуют свои условия. "Waving My Arms In The Air/ Когда Гейл ушла в Э.Коурт вселились 3 друга с друзьями и котами.Барретт вслед за Гейл I Never Lied To You: Remake"(recorded) U N R E L E A S E D уехал в Кэмбридж. В Earls Court Сид никогда не открывал окно и его комната страшно воняла. Monday, July 20 Abbey Road Studio ? Last „Barrett? Session 1971 в Кэмбридже он из дома перебирается в сарай. В72 году там начались репетиции. "It is Obvious: Take 1"(overdubs added) on "Barrett" (Track 4) & (Box 2,4) Октопус за 6 месяцев до записи был уже в голове у Сида. Математическая комбинация из Syd Barrett - second vocal слов потом припев который меняет начальный ритм и все же не нарушает целостность Richard Wright - organ, piano песни. Меня нет в Corporal Clegg Remember A Day - я там играю на акустической гитаре на David Gilmour - bass заднем плане G.Hair and Long Gone – Wright –vibes S P L I C I N G T O G E T H E R O F T H E A L B U M B Y D A V E G I L M O U R A N D S Y D B A R R E T T Thuesday,Wednesday,Thursday, Friday July14,22,23,24 Abbey Road Studio ? (Luca Ferrari Makingof…) Saturday, July 25 (Press announce forcoming Old Woman/Millionaire Single) Weeks dates Thursday, October 1 1968 -2002 (Syd and Gayla eng…LostWoods) 1969 -2003 1970 -1998 Saturday, November 14 Barrett LP Release Babe Lemonade, Love Song, It Is Obvious, Rats, Maisie, Gigolo Aunt, Waving My Arms In The Air, I Never Lied To You, Wined And Dined, Wolfpack, Efferverscing Elephant. 1971 thWednesday, January 6 Syd?s 25 Birthday Thuesday, Feb16 , Kensington House, Shephead?s Bush B B C? Whispering? Bob Harris on Radio in London Baby Lemonade (2:30) Dominoes (3:00) Love Song (1:30) Terrapin (3:10) (unconfirmed, from BBC’70 session maybe) Dec?? (Last interview with Barrett) 5 6