第九届“语言桥杯”翻译大赛原文

附：第九届“语言桥杯”翻译大赛原文（英译中） John Lennon was born with a gift for music and comedy that would carry him further from his roots than he ever dreamed possible. As a young man, he was lured away from the British Isles by the seemingly bound­less glamour and opportunity to be found across the Atlantic. He achieved that rare feat for a British per­former of taking American music to the Americans and playing it as convincingly as any homegrown practitioner, or even more so. For several years, his group toured the country, delighting audiences in city after city with their garish suits, funny hair, and contagiously happy grins. This, of course, was not Beatle John Lennon but his namesake paternal grandfather, more commonly known as Jack, born in 1855. Lennon is an Irish surname from O’Leannain or O’Lonain?and Jack habitually gave his birthplace as Dublin, though there is evi­dence that his family had already crossed the Irish Sea to become part of Liverpool’s extensive Hibernian community some time pre­viously. He began his working life as a clerk, but in the 1880s fol­lowed a common impulse among his compatriots and emigrated to New York. Whereas the city turned other immigrant Irishmen into laborers or police officers, Jack wound up as a member of Andrew Roberton’s Colored Operatic Kentucky Minstrels. However brief or casual his involvement, this made him part of the first transatlantic popular music industry. American minstrel troupes, in which white men blackened their faces, put on outsize collars and stripey pantaloons, and sang sentimental choruses about the Swanee River, “coons,” and “darkies,” were hugely popular in the late nineteenth century, both as performers and creators of hit songs. When Roberton’s Colored Operatic Kentucky Minstrels toured Ire­land in 1897, the Limerick Chronicle called them “the world’s acknowl­edged masters of refined minstrelsy,” while the Dublin Chronicle thought them the best it had ever seen. A contemporary handbook records that the troupe was about thirty-strong, that it featured some genuinely black artistes among the cosmetic ones, and that it made a specialty of parading through the streets of every town where it was to appear. For this John Lennon, unlike the grandson he would never see, music did not bring worldwide fame but was merely an exotic inter­lude, most details of which were never known to his descendants. Around the turn of the century, he came off the road for good, re­turned to Liverpool, and resumed his old life as a clerk, this time with the Booth shipping line. With him came his daughter, Mary, only child of a first marriage that had not survived his temporary immersion in burnt-cork makeup, banjo music, and applause. When Mary left him to work in domestic service, a solitary old age seemed in prospect for Jack. His remedy was to marry his house­keeper, a young Liverpool Irishwoman with the happily coincidental name of Mary Maguire. Although twenty years his junior, and illiter­ate, Mary better known as Polly proved an ideal Victorian wife, practical, hardworking, and selfless. Their home was a tiny terrace house in Copperfield Street, Toxteth, a part of the city nicknamed “Dickens Land,” so numerous were the streets named after Dick­ens characters. Rather like Mr. Micawber in David Copperfield, Jack sometimes talked about returning to his former life as a minstrel and earning fortunes enough for his young wife, as he put it, to be “farting against silk.” But from here on, his music making would be confined to local pubs and his own family circle.