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首页 浅析雅典奥运会开幕式文化内涵(Analysis of the cultural connotat…

浅析雅典奥运会开幕式文化内涵(Analysis of the cultural connotation of the opening ceremony of Athens Olympic Games).doc

浅析雅典奥运会开幕式文化内涵(Analysis of the …

心痛才能忘_
2018-09-16 0人阅读 举报 0 0 0 暂无简介

简介:本文档为《浅析雅典奥运会开幕式文化内涵(Analysis of the cultural connotation of the opening ceremony of Athens Olympic Games)doc》,可适用于社会民生领域

浅析雅典奥运会开幕式文化内涵(AnalysisoftheculturalconnotationoftheopeningceremonyofAthensOlympicGames)浅析雅典奥运会开幕式文化内涵(AnalysisoftheculturalconnotationoftheopeningceremonyofAthensOlympicGames)OpeningceremonyoftheAthensOlympicGamesTheopeningceremonyoftheOlympicGamesinAthenswasthemostdaringandsuccessfulTheopeningceremonyoftheGameswasmarkedby"Greekocean",andthecreatorsimplymovedtheAegeanSeaintotheopeningceremonyThestadium'scentralsitewasfilledwithmorethantonsofwater,justlikeanartificialAegeanSea"ThebackgroundoftheopeningceremonyoftheOlympicGamesismagicallychangingbetweentheseaandthelandWiththebesteffectofhightechlightingandcolorfulfireworks,theopeningceremonyoftheOlympicGameshasbecomeadreamThedevelopmentandevolutionofancientGreekcivilization,mythsandlegends,architecture,civilizationandsculptureweremagicallyreproducedattheopeningceremony"Eventheathletes'entrancestyleisromanticTheparticipantsdidnotenterthecenterofthefieldastheydidinthepast,butinsteadsteppedintotheovalstepsoftheoceanTheyenteredthesiteafteradetour,andtheatmosphereonthepitchbecamewarmerandmorelivelyTheopeningceremonystarted,aGreekyouthondrums,anotheryouthindrummingfieldinthebigscreen,twokindsofvoicesandharmony,thefinalfusionasonefalls,anotherrises,resonatetogether,embodiestheancientandmoderndialogueandexchangesThen,alittleboysittinginaboatinthelake,whiteandbluelake,shiningstars,Yizhenyihuan,hasabeautifulnaturallandscape,givingastrongvisualimpactPeaceandharmonywithnature,whichreflectsthetranquilculturalthoughtofancientgreeceInthefollowingliteraryandartisticperformance,itreflectsthehistoricalandculturalconnotationofancientgreeceDanceandmusicechoeachother,ancientandmodernthroughoutThissceneisalongcorridorofhistoryThelengthyepicpulloff,Centaurredinwaterthrowjavelin,hugeCadillacstatuerisesfromthelake,fantasticancientGreecepresentedinfrontofusThestatueofCarlaDickisafamousancientGreekculturalrelicThewhitestatueofgypsumisshiningwiththegeometricfigureprojectedbythelaserlightTheclassicalcultureisburstingwithmodernsplendorItisreallyamazing!AndthechanginggeometryreflectstheremarkablemathematicalachievementsofGreece,whichconformstothehistoricalfeaturesofancientGreeceandrestoresthehistoricaloriginalappearanceThehistoryofthegalleryhasexperiencedaperiodofprehistoricculture,Greteculture,Mycenaecultureperiod,theByzantineChristiancultureperiod,thetraditionalperiodandmodernperiodGorgeouscostumesandscenery,vividandvigorousdance,musicbackground,historymostincisivepicturescenesshowTheprehistoricsimplelinesoutlinegraphics,Minoanperiodsculpture,Mycenaeperioddramaandarchitecture,ByzantineChristianculture,whichreflectthebackgroundofthatera,whichagreeswiththehistoricalfactsMakememoresurprise,intheancientGreekculturearereflected,theclassicalperiodabsorbedEgyptianmuralstyle,theByzantineperiodbythewesternoilpaintingandsoon,asahistoricalresearcher,Ifeelverywarmandfamiliar,respectforthefactsoftheopeningceremony,letmetorespecttheGreeknationInordertoshowthemodernGreece,theperformancesareskillfullyshowninblackandwhitephotographs,andthecharactersarearrangedinblackandwhiteInthetwoOlympicGamesinterruptedbythetwoWorldWar,thetorchwasdesignedtoletthetorchfalltwotimes,whichcanbedescribedasprofoundTheperformancebeginswitharedCentaurthrowingjavelinandendswithapregnantwomanheadingtowardtheblueseaFireisthesymbolofwisdom,inancientGreekmythology,thegreatPloMichelJstealingfirefromheaven,cametoearth,sothatpeoplegetwisdomandstrength,soastoenhancetheabilitytoresistnaturaldisasters,theultimatesurvivalofhumanbeingsandmultiplywateristheAegeanSeasign,Greeceyard,backtoOlympiamountain,facingtheAegeanSeaandcountlessislandsscatteredintheAegeanSea,isthebeautifulPearlnecklaceThefireechoesthewater,andtheredandbluemingle,Beautyisinterpretedhere!Finally,fragmentsofthestatueofCorradiJformedtheshapeofthepeaks,withlusholivetreesgrowingonthepeaks,assacredasthesacredtreeThroughouttheopeningceremonyoftheAthensOlympicGames,theancientGreekculturehasbeenaperfectdisplay:classicalartstyle,historicalpicturescroll,outstandingscientificachievements,simplenationalspiritAlltheancientGreekcultureconnotationincludes:classicalartfornaturalworshipofGreekpeopleandembodiesthepursuitofnaturalharmonyinthehistoryofhistoricalfactsreflectthehistoryofthefaceandrespect,thatthisisanobjectiveandimpartialnationscientificcontributionsreflecttheresearchandExplorationonthenaturethedesireforknowledgeandstudythepersistencehonestfolkwayistheOlympicGamesinaggressiveandhardworkofcourageandconfidence,andthat"higher,fasterandstronger"goal,whichistoconveythespiritoftheOlympiccultureButwhenIwatchedtheopeningceremony,IwassorryforthecommentaryontvThecommentaryandtherhetoricofthesentence,showingtheirignoranceofGreekhistoryandcultureThephrase"theangelishell,bothhavedignity"heaven,disrelation,letapersonfeelneitherfishnorfowlAndthis"longhead,body,mountains,hornsandlegsofwoodpeople",Iamconfused:"goathorn",andthat"head"canalsobecalled"head"Atbestcanonlybecalled"humanface"ratherthan"head""Theformershowsalackofmasteryofthelanguage,andthelatterisperhapsastrangertoGreekculturePeoplewhoknowalittleaboutGreekcultureknowthatthereare"monsters"and"monsters"inGreekmythology,not"birdheads",sotheyshouldbecalled"humanfaces"insteadof"heads""ButIcannotaccepttheimageshavebeenswitchedtothestatueofAthena,butthatalsointroducedthegiantseaGelis,feellikeinthesimplecommentaryreadsapreparedspeechratherthanonsiteinterpretationInfact,itwasindeedreadingthedraft,becauseIlaterexplainedfromtheexplanationofthepictureshouldhavefollowedthescene,toseethecluesThereis,preparatoryworkisnotsufficient,inthecommentaryreadPoseidonthisisalotofpeopleknownasafamousGreekdeities,hepausedforafewsecondsbeforeexport,thehostoftheGreekvisibledepthofstrange

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