YS_10674_何庆华

YS_10674_何庆华 附件2 论文 政研论文下载论文大学下载论文大学下载关于长拳的论文浙大论文封面下载 中英文摘要格式 作者姓名:何庆华 论文题目:云南傣族狮子造型艺术研究 作者简介:何庆华，女，1984年09月出生，2007年9月师从于昆明理工大大学许佳教授，于2010年4月获博士(或硕士)学位。 学 中 文 摘 要 云南傣族地区不产狮子，但对狮子极为崇拜，其来源于印度佛教的狮文化。大约在1000多年前，南传上座部佛教传入云南傣族地区，并取得统治地位。明代中叶以后，佛教寺塔已遍布傣族村落。据推测，云南傣族狮子可能从此时出现在傣族寺庙的大门两旁和佛塔四周。由于宗教信仰的差异等，云南傣族狮子与中原狮在造型上有着风格迥异的造型特征。 云南傣族狮子不仅是中国民族民间艺术的重要组成部分，亦是中国狮子雕塑造型艺术中的一个独具特征的艺术类型。长期以来，在中国狮子艺术的研究中，由于地域和宗教信仰等原因，对于云南傣族狮子造型艺术的研究很少。本文通过田野考察法，选取云南西双版纳和德宏傣族地区进行调研，针对云南傣族狮子造型艺术不同分布区域的遗存，首次进行了系统的客观描述和类型整理。运用系统思维法综合民族学、宗教学、美学等学科对云南傣族狮子造型艺术以及与该地区艺术发展密切相关的宗教信仰、民族关系、民俗风物等作综合性论述。结合比较 分析 定性数据统计分析pdf销售业绩分析模板建筑结构震害分析销售进度分析表京东商城竞争战略分析 法对大量的图像及实物进行比较研究，运用考古文物图像资料、文献典籍，结合实地调查，对云南傣族狮子模糊的艺术源流、独特的风格特征及丰富的文化内涵作了较为深入的探讨和论证，以期能够揭示出云南傣族狮子的艺术本质。 云南傣族狮子造型艺术是服务于南传上座部佛教的，它的形成是宗教在艺术上的创造。云南傣族狮子与傣族人民的生活是息息相关的，并显露于傣族人民的社会生活之中，它体现了人民的精神信仰。并以鲜活的形式与独特的 内容 财务内部控制制度的内容财务内部控制制度的内容人员招聘与配置的内容项目成本控制的内容消防安全演练内容 ，体现了具有多样性、民族性和地域性的艺术特色。它以宗教信仰、辟邪驱魔以及繁衍生殖等特质，反映出“天人合一”的思想。经过人类社会实践和宗教意识活动的长期孕育，在思维方式、价值观念、审美情趣等方面，也不断地为云南傣族狮子艺术注入了活力与生机，构成云南傣族狮子艺术绚丽多彩的艺术风格。 关键词:云南、傣族、狮子、造型 Study on the Research for Modeling of the Dai Lions in Yunnan He Qing hua ABSTRACT The lion is extremely worshiped in Yunnan Dai region where the lion is not produced, the worship derives from the Lion Culture of Indian Buddhism. About 1,000 years ago,,Hinayana Buddhism was introduced into Yunnan Dai region, and then got the dominant position. After the middle of the Ming Dynasty, the Buddhist Temple has been everywhere of the Dai village, and it is assumed that the lion appears on the both sides of the temple door and on everyside of the pagoda from that time. Because of the differences of religious beliefs, the Modeling Features of Dai lion is different from Zhongyuan lions’. Dai lion is not only an important part of the Chinese Folk Art,but also is an art types with unique characteristics of the Chinese lion sculpture plastic arts. For a long time, the plastic arts of Dai lion is rarely researched with the reasons of region and religious beliefs. By the method of the field inspection,the lion in Yunnan Xishuangbanna and Dehong Dai region has been researched,and this paper gives an objective description and the types finishing of the plastic arts of the Yunnan Dai lion. By System Thinking method combining of Ethnology, religion, aesthetics and other subjects.The plastic arts of the Yunnan Dai lion and the religion, ethnic relations, folk scenery with a closely relationship to the development of arts in this region are discussed in the paper. A large number of images and material objects are reseached with the method of Comparative Analysis. And the ambiguous art origins,unique style features, rich cultural connotations of the Dai lion are in-depth discussed and demonstrated by using of the archaeological image data and the literature classics, the revelation of essence of art of the Dai lion is expected by the research. The formation of the plastic arts of Dai lion is the creation of religion in art.Dai lion is closely related to the life of Dai people, Dai lion embodies the spirituality of the people with fresh forms and unique contents,and Dai lion also embodies the art features with diverse culture, Nationalism and Regionalism.Through the practice of human society and the long-term breeding of religious awareness,the art of Dai lion is more and more dynamic. Key words: Yunnan, Dai, Lion, Modeling