矛盾性论文:矛盾性 并置 具象 抽象 形式语言 创新
矛盾性论文:矛盾性 并置 具象 抽象 形式语言 创新
【中文摘要】里希特的绘画作品数量很多,整体来看,分为具象画和抽象画两大体系,这本身就带有矛盾的特点。初看起来,他的作品是一个庞大的充满矛盾的迷宫,要理出一条线索,实非易事。本文从矛盾和并置这一特点切入,试图通过对里希特的绘画生涯不同阶段的绘画语言的
分析
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,理出一条贯穿其绘画历程的几个线索。近年来,国内很多艺术家模仿里希特的绘画样式,但是大多停留在单纯的模仿和借用,流于浮夸。而对于里希特的绘画实践在艺术史上所处的背景环境和作品的内在理路就很少有人去关注和整理。当我真正进入了连带着文化背景的里希特的绘画世界,会发现他的作品的艺术气质和文化渊源都是有广阔的研究空间的。实际上我是为里希特艺术创作中的理性气质的所吸引,而后尽力去挖掘丰富的材料和背景,以求更深入的理解里希特的艺术实践过程,不是仅仅看着里希特某一时期的绘画样式,而是去探索里希特为什么会这样去做,为什么其作品会有多样性的呈现。这种多样性看似庞杂无序,但其实这里面又藏有着一些清晰的线索,那就是对于绘画这一古老技术跟现代社会和文化的关系互动,这也是里希特持续探索绘画的动力和泉源,也是绘画作为一种有力的回应方式的可能,以及绘画能承载的新的东西的可能,虽然这种可能性的空间确实有限,但是这之间的探索是很有张力的。
【英文摘要】Gerhard Richter had created large quantity of
paintings.As a whole,these paintings are divided into two systems of figurative and abstract paintings.So there is something conflict in themselves.At first glance,his artworks as a whole is a huge labyrinth full of contradictions,it is not easy to find out a clue.In this paper,based on the contradictions and parallel ,through the investigation of painting languages in different stages,find out a few of clues that run through the whole process of his painting.In recent years,many artists in China imitate the style of Richter’s
painting,but most of them are in a simple way,tend to be frivolous. Few of people pay attention to the background of culture environment and iner logos.When you really entered the world of Richter’s painting with the background of cultural,you will found the large space to study.Actually,I was attracted by rational temperament from his artwork and then try to tap the wealth of material and background,in order to get in-depth understanding of Richter’s artistic pratice.Not only to study
the style of Richter’s works ,but also to study why and how
they are.Richter continued to explore the relationship between the modern social cultural and antient technique of painting.Though it is hard to creat something new in the areas of painting,today the investigation is also useful.
【关键词】矛盾性 并置 具象 抽象 形式语言 创新
【英文关键词】Contradiction Parallel Figurative Abstract Formal language
Innovation
前言【目录】迷雾和镜子—关于里希特作品中矛盾与并置
4-5 Foreword 5 1 描述 6-8 2 溯源 8-9 3 日常 9-11 4 矛盾与并置——绘画语法形式的先锋探索
11-15 5 对于绘画本质的思考——作为一种实验方式
15-17 结语 17-18 参考文献 18-20 致谢 20
【索购全文找】1.3.9.9.3.8.8.4.8 1.3.8.1.1.3.7.2.1
同时提供论文写作一对一辅导和论文发
表
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服务。
【说明】本文仅为中国学术文献总库合作提供,无涉版权。作者如有异议请与总库或学校联
系。