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**PPT宝藏提供ContentsContentsIntroduction-Susan Lanser’s TheoryIntroduction-Susan Lanser’s Theory Authorial VoicePersonal VoiceCommunal Voice Fiction of Authority
establish & maintain
authority in a number of ways “a quest to be heard, respected, and believed, a hope of influence” (Lanser, 1992, p.7) Introduction-Tillie OlsenIntroduction-Tillie Olsen Tillie Olsen
(1912-2007)
American Jewish WriterYonnondiio: From the Thirties
I Stand Here Ironing
Hey Sailor, What Ship?
O, Yes
Tell me a Riddle
Silences
Initially1960s-
1970sPresent form and techniquefeminist thoughts three divisionsfeminist thoughts
social struggle roots
adoption into a Jewish-American literary canon
nullUnnamed motherBlack mother AlvaRussia Jewish Woman EvaI Stand Here IroningO, YesTell Me A RiddleOutlineOutlineResearching FindingsResearching FindingsAuthorial
VoicePersonal
VoiceCommunal
VoiceResisting Masculine Narrative AuthorityFastening Authority of Maternal NarrationEstablishing Narrative Authority of Marginalized Group
nullAuthorial Voice“The authorial voice may have the risk of being disqualified if it has represented itself as female. It is possible that women’s writing has carried fuller public authority when its voice has not been marked as female” (Lanser, 1992, p.18). “narrative situations that are heterodiegetic, public, and potentially self-referential” (Lanser, 1992, p. 9).nullFrye concludes that it is through the use of the first person that women writers achieve the dual outcomes of femininity and authorship and create protagonists who are both female and autonomous. (Frye, 1986, p.47) “narrators who are self-consciously telling their own stories” (Lanser, 1992, p. 18) Personal Voicenull“a practice in which narrative authority is invested in a definable community and textually inscribed either through multiple, mutually authorizing voices or through the voice of a single individual who is manifestly authorized by a community” (Lanser, 1992, p. 21) .Communal Voicenullsingular form Communal Voicea simultaneous formone narrator speaks for a collectivea plural “we” narrates a sequential formindividual members of a group narrate in turnConclusionConclusionInterruptions & ObstaclesAbsence of Female Voice and Presence of Female’s Oppression Motherhood ExperiencesThree
Voices Female RealitiesAuthorial VoicePersonal VoiceCommunal VoiceInternal Struggles Suppressed DesiresFurther StudyFurther StudyBesides multiple voices, there are many other narrative strategies employed in her works to reveal her abiding theme which can be studied in depth. There must be more works written by other feminist writers that can be analyzed from the perspective of feminist narratology. ReferencesReferencesnull
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